“Cosette, in her seclusion, like Marius in his, was all ready to take fire. Destiny, with its mysterious and fatal patience, was slowly bringing these two beings near each other, fully charged and all languishing with the stormy electricities of passion,—these two souls which held love as two clouds hold lightning, and which were to meet and mingle in a glace like clouds in a flash. The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only. The rest is only the rest, and comes afterwards. Nothing is more real than these great shocks which two souls give each other in exchanging this spark. At that particular moment when Cosette unconsciously looked with this glance which so affected Marius, Marius had no suspicion that he also had a glance which affected Cosette.”
— Victor Hugo —
“So you know what your punishment is going to be, sweetheart? I'm going to make love to you. Slowly. Hell, it might take me until tomorrow. I'm going to lose count of how many times you come. And every time you do, I'm going to tell you that I love you. Until you fucking get used to it.”
— Tessa Bailey
“We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep. It's as simple and ordinary as that. A few jump out windows, or drown themselves, or take pills; more die by accident; and most of us are slowly devoured by some disease, or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined, though everyone but children (and perhaps even they) know these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more. Heaven only knows why we love it so ...”
— Michael Cunningham
“There is no hard and fast line that can be drawn that says: Up to here there was no love; from here on there is now love. Love is a gradual thing, it may take a moment, a month, or a year to come on, and in each two its gradations are different. With some it comes fast, with some it comes slowly. Sometimes one kindles from the other, sometimes both kindle spontaneously. And once in a tragic while one kindles only after the other has already dimmed and gone out, and has to burn forlornly alone.
("Too Nice A Day To Die")”
— Cornell Woolrich
“Then take it all! Take my life! What care I now that the wench is gone! Damn her! Damn her fickle heart! Ah, man, I hate her! Fickle wife! She taunts me, seduces me, cajoles me, flees me, leaves me wanting her all the more. Have I no more will of my own?"
His voice broke, and he sobbed, hiding his face behind an arm flung across it. Shanna's throat tightened, and there was no ease for the ache in her breat. With tears of her own gathering in her eyes she tried to hush him. He heard none of her pleas, but lifted his hands and held them before his eyes, turning them, staring at them as if he had never seen them before.
"But still - I love her. I could take my freedom and fly - but she holds me bound to her." His hands became limp fists which slowly crumpled to his sides as he groaned listlessly. "I cannot stay. I cannot leave." His eyes closed, and swiftly the moment was gone.
Choking on a sob, Shanna bowed her head in abject misery.”
— Kathleen E. Woodiwiss
“When You Are Old
WHEN you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.”
— W.B. Yeats
“Wanderer, who are you? I watch you go on your way, without scorn, without love, with impenetrable eyes - damp and downhearted, like a plumb line that returns unsatisfied from every depth back into the light (what was it looking for down there?), with a breast that does not sigh, with lips that hide their disgust, with a hand that only grips slowly: who are you? What have you done? Take a rest here, this spot is hospitable to everyone, - relax! And whoever you may be: what would you like now? What do you find relaxing? Just name it: I'll give you whatever I have! - "Relaxing? Relaxing? How inquisitive you are! What are you saying! But please, give me - -" What? What? Just say it! - "Another mask! A second mask!" ...”
— Friedrich Nietzsche
“But now that so much is changing, isn't it time for us to change? Couldn't we try to gradually develop and slowly take upon ourselves, little by little, our part in the great task of love? We have been spared all its trouble, and that is why it has slipped in among our distractions, as a piece of real lace will sometimes fall into a child's toy-box and please him and no longer please him, and finally it lies there among the broken and dismembered toys, more wretched than any of them. We have been spoiled by superficial pleasures like dilettantes, and are looked upon as masters. But what if we despised our successes? What if we started from the very outset to learn the task of love, which has always been done for us? What if we went ahead and became beginners, now that much is changing?”
— Rainer Maria Rilke
“Cosette, in her seclusion, like Marius in his, was all ready to take fire. Destiny, with its mysterious and fatal patience, was slowly bringing these two beings near each other, fully charged and all languishing with the stormy electricities of passion,-these two souls which held love as two clouds hold lightning, and which were to meet and mingle in a glace like clouds in a flash.
The power of a glance has been so much abused in love stories, that it has come to be disbelieved in. Few people dare now to say that two beings have fallen in love because they have looked at each other. Yet it is in this way that love begins, and in this way only. The rest is only the rest, and comes afterwards. Nothing is more real than these great shocks which two souls give each other in exchanging this spark.
At that particular moment when Cosette unconsciously looked with this glance which so affected Marius, Marius had no suspicion that he also had a glance which affected Cosette.”
— Victor Hugo
“Do you love me?"
There was an awkward silence for a moment. Then Father gave a little chuckle. "Jonas. You, of all people. Precision of language, please!"
"What do you mean?" Jonas asked. Amusement was not at all what he had anticipated.
"Your father means that you used a very generalized word, so meaningless that it's become almost obsolete," his mother explained carefully.
Jonas stared at them. Meaningless? He had never before felt anything as meaningful as the memory.
"And of course our community can't function smoothly if people don't use precise language. You could ask, 'Do you enjoy me?' The answer is 'Yes,'" his mother said.
"Or," his father suggested, "'Do you take pride in my accomplishments?' And the answer is wholeheartedly 'Yes.'"
"Do you understand why it's inappropriate to use a word like 'love'?" Mother asked.
Jonas nodded. "Yes, thank you, I do," he replied slowly.
It was his first lie to his parents.”
— Lois Lowry
“I was going to take it easy on you," he says, his voice low. "Lay you down on the bed and worship you, all day and all night. Kiss and caress every inch of you. Taste you with my tongue until you can't take anymore. And then I was going to give it to you, deep and slow ... make you come over and over again, until all you can do is whimper, cry my name." His free hand, the one not clutching the belt, slowly ghosts along the front of my body, his fingertips brushing against my flushed skin. He runs the hand along my breasts before settling on my chest, over my heart. "You like it that way, don't you? Like when I make you feel all of my love."
I nod, tingles erupting all over. "Uh-huh."
"And I was going to love you right, remind you what it feels like to be cherished, to be idolized, to be treated like the queen you are. I was going to make serious love to you, baby." "But now I think I'll just fuck you instead.”
— J.M. Darhower
“Cam leaned over her, bracing his forearms on either side of her, kissing her sulky mouth. "Just for tonight," he whispered. "Wear my ring, Amelia, and let me pleasure you." He kissed her throat, his hips shunting gently against her. She gasped at the feel of him, hard and swollen behind the black silk. His mouth traveled slowly up to her ear. "I'll enter you, fill you, and then I'll hold you still and quiet in my arms. I won't move. I won't let you move, either. I'll wait until I feel you throbbing around me ... I'll follow that rhythm deep in your body, that sweet pulse ... I won't stop until you weep and shiver and cry out for more. And I'll give it to you, as long and hard as you want. Take my ring, love." His mouth descended to hers in a smoldering kiss. "Take me.”
— Lisa Kleypas
“I wish I could be hard and cynical. That I could take things slowly, not give too much of myself, because I'd be so frightened of getting hurt that there wouldn't be any other way. But no. every time I meet someone I dive in headfirst, showering them with love and attention, and hoping that this time they're going to be different.”
— Jane Green
“It is the mysterious that I love in painting. It is the stillness and the silence. I want my pictures to take effect very slowly, to obsess and to haunt.”
— William Baziotes
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