“Now look, she said, stretched out on the bed, I dont want anything personal, lets just do it, I dont want to get involved, got it? she kicked off her high-heeled shoes ... sure, he said, standing there, lets just pretend that weve already done it, theres nothing less involved than that, is there? what the hell do you mean? she asked. I mean, he said, Id rather drink anyhow. and he poured himself one. it was a lousy night in Vegas and he walked to the window and looked out at the dumb lights. you a fag? she asked, you a god damned fag? no, he said. you dont have to get shitty, ...”
— Charles Bukowski —
“My name is Lev," said Lev.
"My name is Lydia," said the woman. And they shook hands, Lev's hand holding the scrunched-up kerchief and Lydia's hand rough with salt and smelling of egg, and then Lev asked, "What are you planning to do in En gland?" and Lydia said, "I have some interviews in London for jobs as a translator."
"That sounds promising."
"I hope so. I was a teacher of English at School 237 in Yarbl, so my language is very colloquial."
Lev looked at Lydia. It wasn't difficult to imagine her standing in front of a class and writing words on a blackboard. He said, "I wonder why you're leaving our country when you had a good job at School 237 in Yarbl?"
"Well," said Lydia, "I became very tired of the view from my window. Every day, summer and winter, I looked out at the schoolyard and the high fence and the apartment block beyond, and I began to imagine I would die seeing these things, and I didn't want this. I expect you understand what I mean?”
— Rose Tremain
“Art can model the more difficult dynamic of transfiguring one's life, but at some point the dynamic reverses itself: life models, or forces, the existential crisis by which art-great art-is fully experienced. There is a fluidity between art and life, then, in the same way that there is, in the best lives, a fluidity between mind and matter, self and soul, life and death. Experience seems to stream clearly through some lives, rather than getting slowed and clogged up in the drift-waste of ego, or stagnating in little inlets of despair, envy, rage. It has to do with seizing and releasing as a single gesture. It has to do with standing in relation to life and death ... owning an emptiness that, because you have claimed it, has become a source of light, wearing your wound that, like a ramshackle house on some high exposed hill, sings with the hard wind that is steadily destroying it.”
— Christian Wiman
“Heartache often drives us to consume things we wouldn't otherwise, such as an entire pint of Caramel Pecan Perfection high-fat ice cream, covered in ganache, the crack cocaine of frozed dairy. Twelve hundred calories per pint, six hundred and eighty of which are fat calories, but is only dulls the pain for the moment, there's that carb fog while you're standing at the sink shoving it in your face, and then it's over and you feel ... used. Like a cheap pickup the Dove people seduced and abandoned in your kitchen, leaving you with sticky hands and an empty cup and a still-broken heart, except now you're mad at Dove, too.”
— Jennifer Crusie
“She then figured Cash would catch her. His legs were longer and even though he was standing behind the counter and she couldn't see it was unlikely he was wearing high heels.”
— Kristen Ashley
“Life-standing under the high heat of the desert sun, without a cloud in the bright”
— Lauren Blakely
“Two free days like an open mouth. They drank beer all day in the sun and passed out, and when she woke, she was burnt all over, and it was sunset, and Lotto had started building something enormous with sand, already four feet high and ten feet long and pointing toward the sea. Woozy, standing, she asked what it was.
He said, 'spiral jetty.'
She said, 'In sand?'
He smiled and said, 'That's its beauty.'
A moment in her bursting open, expanding. She looked at him. She hand't seen it before, but there was something special here. She wanted to tunnel inside him to understand what it was. There was a light under the shyness and youth, a sweetness, a sudden surge of the old hunger in her to take a part of him into her and make him briefly hers.
Instead, she bent and helped, they all did. And deep into the morning, when it was done, they sat in silence, huddled against the cold wind and watched the tide swallow it whole. Everything had changed somehow”
— Lauren Groff
“Where is it I've read that someone condemned to death says or thinks, an hour before his death, that if he had to live on some high rock, on such a narrow ledge that he'd only room to stand, and the ocean, everlasting darkness, everlasting solitude, everlasting tempest around him, if he had to remain standing on a square yard of space all his life, a thousand years, eternity, it were better to live so than to die at once. Only to live, to live and live! Life, whatever it may be!”
— Fyodor Dostoyevsky
“Where is it that I've read that someone condemned to death says or thinks, an hour before his death, that if he had to live on some high rock, on such a narrow ledge that he'd only got room to stand, with the ocean, everlasting darkness, everlasting solitude, everlasting tempest around him, if he had to remain standing on a square yard of space all his life, a thousand years, eternity, it were better to live like that than to die at once! Only to live, to live and live!”
— Fyodor Dostoyevsky
“What never fails to astonish at Skara Brae is the sophistication. These were the dwellings of Neolithic people, but the houses had locking doors, a system of drainage and even, it seems, elemental plumbing with slots in the walls to sluice away wastes. The interiors were capacious. The walls, still standing, were up to ten feet high, so they afforded plenty of headroom, and the floors were paved. Each house has built-in stone dressers, storage alcoves, boxed enclosures presumed to be beds, water tanks, and damp courses that would have kept the interiors snug and dry. The houses are all of one size and built to the same plan, suggesting a kind of genial commune rather than a conventional tribal hierarchy. Covered passageways ran between the houses and led to a paved open area-dubbed "the marketplace" by early archaeologists-where tasks could be done in a social setting.”
— Bill Bryson
“Do not consider despair as a thick and high wall standing on your way; it is just a darkness and you can still walk in the darkness till you reach the light!”
— Mehmet Murat Ildan
“Raven, lying on the sandy ground, covered in creepy-crawlies. Spiders, cockroaches, termites, ants, crickets-they smother her, nibble on her, devouring her from hair to toenails in seconds, leaving just a skeleton behind. Apple, standing at the podium on Legacy Day. Poof, she disappears. And reappears in a goblin cave. The goblin troop moves in, brandishing salad bowls and chopping knives. Daring Charming, no story to call home, thins and melts into a wisp of a ghost, swimming endlessly through walls. The crowded Charmitorium at Ever After High, Headmaster Grimm on the stage. "And remember, students, no matter what you do, don't follow the example of the worst, most despised, most selfish character in all of Ever After history-Raven Queen!" "Boo!" the students yell. "Boo!" says the Daring ghost. Apple's head in a goblin bowl opens her eyes and looks straight at Raven. "Boo!”
— Shannon Hale
“I've sort of made a reputation by high-stepping my way out of genre. As soon as somebody says, 'He does this,' I'm not standing there anymore.”
— Christopher Moore
“Now look, she said, stretched out on the bed, I don't want anything personal, let's just do it, I don't want to get involved, got it? she kicked off her high-heeled shoes ... sure, he said, standing there, let's just pretend that we've already done it, there's nothing less involved than that, is there? what the hell do you mean? she asked. I mean, he said, I'd rather drink anyhow. and he poured himself one. it was a lousy night in Vegas and he walked to the window and looked out at the dumb lights. you a fag? she asked, you a god damned fag? no, he said. you don't have to get shitty, ...”
— Charles Bukowski
“He was standing on the little ledge of reality he had left, but it seemed to me that he wasn't getting high, just getting level. He had an affinity with pain. If he couldn't cure it, he took it on.”
— Colum McCann
“What's that poem again?" Will, who had been twirling his empty teacup around his fingers, stood up straight and declaimed:
"Each spake words of high disdain,
And insult to his heart's best brother-"
"Oh, by the Angel, Will, do be quiet," said Charlotte, standing up. "I must go and write a letter to Aloysius Starkweather that drips remorse and pleading. I don't need you distracting me." And, gathering up her skirts, she hurried from the room.
"No appreciation for the arts," Will murmured, setting his teacup down.”
— Cassandra Clare
“A long time later, after the bath had cooled, Lottie dressed in a fresh white nightgown and approached the bedroom table, where Nick was standing. She felt herself color as he stared at her with a half-smile. "I like the way you look in this," he said, brushing his fingers over the high-necked bodice of the gown. "Very innocent."
"Not any longer," Lottie said with an abashed smile.
He lifted her against his body, his face rubbing into the cool dampness of her hair. His beguiling mouth found her neck. "Oh, yes, you are," he said. "It's going to require a great deal of time and effort to debauch you completely."
"I have every faith you'll succeed," she said, and sat before a plate loaded with ham, vegetable pudding, potatoes, and open-faced tarts.
-Nick & Lottie”
— Lisa Kleypas
“If you have a big splash of ecstasy in your life every day you are going to teach students something finer than "buy low/sell high". Maybe you'll teach them, not by what you say but by who you are, to live their lives as a standing affront to the ravaging mercantile mentality.”
— Mary Rose O'Reilley
“Alas! What is man? Whether he be deprived of that light which is from on high, of whether he discard it, a frail and trembling creature; standing on time, that bleak and narrow isthmus between two eternities, he sees nothing but impenetrable darkness on the one hand, and doubt, distrust, and conjecture, still more perplexing, on the other. Most gladly would he take an observation, as to whence he has come, or whither he is going; alas, he has not the means: his telescope is too dim, his compass too wavering, his plummet too short.”
— Charles Caleb Colton
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