Quotes About Writers And Love

“Captain Crawford didn't like the idea of any kind of murder, but he went at it patiently and honestly and with none of the stupidity and bombast and rubber-hose techniques that Los Angeles crime fiction writers had led me to expect. I'd gotten the impression that unless a gifted amateur in love with the lady got himself almost beaten to a pulp and practically inside the lethal gas chamber before he unmasked the venal and brutalized constabulary, any innocent bystander they could get their hands on was a gone duck.”

— Leslie Ford

“Is writing the gift of curling up, of curling up with reality? One would so love to curl up, of course, but what happens to me then? What happens to those, who don't really know reality at all? It's so very dishevelled. No comb, that could smooth it down. The writers run through it and despairingly gather together their hair into a style, which promptly haunts them at night. Something's wrong with the way one looks. The beautifully piled up hair can be chased out of its home of dreams again, but can anyway no longer be tamed. Or hangs limp once more, a veil before a face, no sooner than it could finally be subdued. Or stands involuntarily on end in horror at what is constantly happening. It simply won't be tidied up. It doesn't want to.”

— Elfriede Jelinek

“Ron Carlson says, 'The most undervalued craft device that fiction writers need is empathy. You need to be able to actually imagine what your characters are going through. You've got to stay close. When you're in a story and dealing with people you're not certain of, or you've just come to meet because they've stepped into your story, it's very important to go slow and sit in their chair.'
As Carlson also says, you don't have to love the people or the characters you write about, but they should be at least as smart as you. Look beyond stereotypes.”

— Barbara DeMarco-Barrett

“Is truth something that in fact we do-and should-especially care about? Or is the love of truth, as professed by so many distinguished thinkers and writers, itself merely another example of bullshit?”

— Harry G. Frankfurt

“A public library is the most democratic thing in the world. What can be found there has undone dictators and tyrants: demagogues can persecute writers and tell them what to write as much as they like, but they cannot vanish what has been written in the past, though they try often enough ... People who love literature have at least part of their minds immune from indoctrination. If you read, you can learn to think for yourself.”

— Doris Lessing

“Don't let yourself be amazed by the imagination of a writer and his words, writers are almost all the time in a love-hate relationship with words.”

— Nema Al-Araby

“And I love Jane Austen's use of language too
the way she takes her time to develop a phrase and gives it room to grow, so that these clever, complex statements form slowly and then bloom in my mind. Beethoven does the same thing with his cadence and phrasing and structure. It's a fact: Jane Austen is musical. And so's Yeats. And Wordsworth. All the great writers are musical.”

— Andrew Clements

“Rigorous extrapolation, a gosh-wow love of gadgets, and mystical adventures in strange and mysterious places; every major stream in speculative fiction today can be traced back to authors who were writing before the publishing categories existed. From among the readers in the twenties and thirties who loved any or all of these authors arose the first generation of "science fiction writers", who knew themselves to be continuing in a trail that had been blazed by giants.”

— Orson Scott Card

“Most people say, "Show, don't tell," but I stand by Show and Tell, because when writers put their work out into the world, they're like kids bringing their broken unicorns and chewed-up teddy bears into class in the sad hope that someone else will love them as much as they do.”

— Colson Whitehead

“She leaned in and hugged me. "I know. Thanks. I love you, too. And for the record, Cheyenne and Landon are soul mates and if they don't end up together, I want you to find a poltergeist to haunt the Easton Heights writers."
She pulled back, smiling at me, then reaching out to ruffle Lend's hair. "Take care of each other, you two obnoxious kids."
Then, throwing her shoulders back and staring straight forward, she walked through the gate. I watched, dreading seeing her turn into dust or something, but gasped in relief and joy as her ruined, unnaturally preserved body blossomed into something new, something strong and proud and undeniably alive.
She turned back, just once, and although she was nearly unrecognizable, I could see our Arianna in her smile that managed to maintain its trademark ironic twist.
"I'm going to miss her," I said.
"What?" Lend shouted.
"I said, I'm going to miss her!"
"I can't hear you! I'm going to miss her!”

— Kiersten White

“All writers, given adequate technique-technique that communicates-can stir our interest in their special subject matter, since at heart all fiction treats, directly or indirectly, the same thing: our love for people and the world, our aspirations and fears. The particular characters, actions, and settings are merely instances, variations on the universal theme.”

— John Gardner

“World War II is the greatest drama in human history, the biggest war ever and a true battle of good and evil. I imagine writers will continue to get stories from it, and readers will continue to love them, for many more years.”

— Ken Follett

“I'm useless when I meet writers I love - I go slack-jawed and stupid with awe.”

— Katherine Boo

“If I could fall in love with a girl, it'd be her. Those ifs are dangerous. You try them on in your head like dresses, so easy to slide in and out of. If I kissed girls, I'd kiss her. If we kissed, it'd go like this. At some point I dropped the if like a slip and just wore the feeling, nothing between it and my skin. When I kiss her. When it happens. All of it took place in my head, in silence, locked tight in skull bone and the frantic synaptic whispers between neurons, no clues popping out except the passive-aggressive haircut, the incriminating poem.
That's the problem with writers. Too much imagination.
The greater part of me knew it couldn't be real, but the hopeful part, which is more concentrated and condensed, rich in nine essential delusions, thought: It's not all in your head.”

— Leah Raeder

“This isn't a book that I could have written ten years ago. And as much as I'd love to credit that to my growth as a writer, I know it's not really that. Instead it's because of all the people I've met and talked to as an author. And, just as important, it's about all of the things I've been exposed to as a reader, particularly of YA fiction. I am so lucky to be a part of a community of writers that constantly inspires me to write whatever I want to write, no matter how hard it seems. My peers are my role models, and my role models are my peers. Which is extraordinary. Thanks”

— David Levithan

“How often have I met and disliked writers whose books I love; and conversely, hated the books and then wound up liking the writer? Too often.”

— Lev Grossman

“We're all in this together - when one writer succeeds, all writers succeed. I love discovering new authors. I think we need to take care of each other and talk about craft and nurture talent.”

— Lisa Gardner

“The Gospel writers are not really interested primarily in the facts of the birth but in the significance, the meaning for them of that birth just as the people who love us are not really interested primarily in the facts of our births but in what it meant to them when we were born and how for them the world was never the same again, how their whole lives were changed with new significance.”

— Frederick Buechner

“I see a ton of theatre whenever I'm not working to stay inspired. I love feeling like I'm a part of the theatre community and following the work of actors and writers I admire. I'm a big reader, too.”

— Sarah Steele

“People love talking about writers as storytellers, but I hate being called that: it suggests I got it from my grandmother or something, when my writing really comes out of silence. If a storyteller came up to me, I'd run away.”

— Colm Toibin

“I love writers all across the board, but one who influenced me very directly at the beginning was Mary Renault.”

— Tanith Lee

“I love the writers of my thousand books. It pleases me to think how astonished old Homer, whoever he was, would be to find his epics on the shelf of such an unimaginable being as myself, in the middle of an unrumored continent. I love the large minority of the writers on my shelves who have struggled with words and thoughts and, by my lights, have lost the struggle. All together they are my community, the creators of the very idea of books, poetry, and extended narratives, and of the amazing human conversation that has taken place across the millennia, through weal and woe, over the heads of interest and utility.”

— Marilynne Robinson

“I would say, for the moment, that community, at least community larger than the immediate family, consists very largely of imaginative love for people we do not know or whom we know very slightly. This thesis may be influenced by the fact that I have spent literal years of my life lovingly absorbed in the thoughts and perceptions of-who knows it better than I?-people who do not exist. And, just as writers are engrossed in the making of them, readers are profoundly moved and also influenced by the nonexistent, that great clan whose numbers increase prodigiously with every publishing season. I think fiction may be, whatever else, an exercise in the capacity for imaginative love, or sympathy, or identification.”

— Marilynne Robinson

“Political writers argue in regard to the love of liberty with the same philosophy that philosophers do in regard to the state of nature; by the things they see they judge of things very different which they have never seen, and they attribute to men a natural inclination to slavery, on account of the patience with which the slaves within their notice carry the yoke; not reflecting that it is with liberty as with innocence and virtue, the value of which is not known but by those who possess them, though the relish for them is lost with the things themselves. I know the charms of your country, said Brasidas to a satrap who was comparing the life of the Spartans with that of the Persepolites; but you can not know the pleasures of mine.”

— Jean-Jacques Rousseau

“Love is fragile at best and often a burden or something that blinds us. It's fodder for poets and song writers and they build it into something beyond human capacity. Falling in love means enrolling yourself in the school of disappointment. Being human means failing each other often, and no two people fail each other more than two people who pledge to do things for each other that they'll never do because they are just incapable of it ... That's why art is enduring. The look of love or hope, or the look of compassion, bravery, whatever, is captured forever. We spend our lives trying to get someone to be as enduring as a painting or a sculpture and we can't because feelings crumble as quickly as the flesh.”

— V.C. Andrews

“I would love to see young writers come out of college and know there is a possibility to be a novelist.”

— Pat Conroy

“I love working with the same actors repeatedly. That happens a lot. It's kind of inevitable, especially if you work with the same writers and directors and you start to form a company of actors. You gravitate towards each other.”

— Peter Dinklage

“I love the novels of Didion and Bret Ellis and consider them L.A. writers because they write about L.A.”

— Rachel Kushner

“I value my correspondence with writers ... I was in New York and had lunch with Oliver Sachs and compared notes with him - he is someone I really like. I love staying in written correspondence with some writers. That's enough for me.”

— Alan Lightman

“There are few writers of note, of any country or of any age, from whom quotations might not be made in proof of the love with which they regarded Nature.”

— Jacques-Henri Bernardin De Saint-Pierre

“I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.”

— Alexis De Veaux

“Success is something you should never take into consideration: if you follow it it'll elude you. It's important to really love your work as a writer, to read loads to the point where you can recognise blindfolded, hearing them read, the writers of yesterday and today. It's important to write every day, for hours. To have faith in your imagination and let it wander.”

— Dacia Maraini

“I think in reading a few sentences of text you can just tell the tone, and that's something I love in prose writers.”

— Lauren Mayberry

“I love hearing details of writers' craft, as cannibals eat the brains of clever men to get cleverer.”

— Antonia Fraser

“I love my sons and I love that they are writers - I also love my daughter, who's a minister and an orchard keeper! - but I wouldn't wish the burden of Mid-World and the Dark Tower on them. I enjoy working with them, though, because we fit together.”

— Stephen King

“There are some great writers who are great talkers, but there are more great writers who are not great talkers. People seem to think there is some connection between talking and writing, but I love to talk and if there were some connection between the two of them I would be the most prolific writer in the history of the world.”

— Fran Lebowitz

“I wrote my first book when I was 22 years old. I have a way with words and I love to write. I can write without getting writers block so I knew, it was a gift.”

— Tony Gaskins

“I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds.”

— Chang-rae Lee

“I like to always wash the slate clean, and reinvigorate my spirit to be connected to the characters that I am doing. I am finding new ways to allow myself to soar beyond the parameters of what the writers have written. My key is to commit, and love your character.”

— Giancarlo Esposito

“People do support themselves as artists and writers, so there's no need to be all doom and gloom about it. You just have to push forward. You have to follow your vision and hope for the best. You have to write for love.”

— Cheryl Strayed

“I used to love to come to the ballpark. Now I hate it. Every day becomes a little tougher because of all this. Writers, tape recorders, microphones, cameras, questions and more questions. Roger Maris lost his hair the season he hit sixty-one. I still have all my hair, but when it's over, I'm going home to Mobile and fish for a long time.”

— Hank Aaron

“I am not funny. The writers were funny. My directors were funny. The situations were funny ... What I am is brave. I have never been scared. Not when I did movies, certainly not when I was a model and not when I did I Love Lucy.”

— Lucille Ball

“In some ways all of my fiction is like a conversation I'm having with the writers I read when I was first falling in love with books.”

— Dan Chaon