“I remember that day very clearly: I had received a phone call. A friend had been in an accident. Perhaps she would not live. She had very little face, and her spine was broken in two places. She had not yet moved; the doctor described her as "a pebble in water." I walked around Brooklyn and noticed that the faded peri-winkle of the abandoned Mobil gas station on the corner was suddenly blooming. In the baby-shit yellow showers at my gym, where snow sometimes fluttered in through the cracked gated windows, I noticed that the yellow paint was peeling in spots, and a decent, industrial blue was trying to creep in. At the bottom of the swimming pool, I watched the white winter light spangle the cloudy blue and I knew together they made God. When I walked into my friends hospital room, her eyes were a piercing, pale blue and the only part of her body that could move. I was scared. So was she. The blue was beating.”
— Maggie Nelson —
“The Mayor spoke proudly. 'Yes, they will light it. I have no choice of living or dying, you see, sir, but-I do have a choice of how I do it. If I tell them not to fight, they will be sorry, but they will fight. If I tell them to fight, they will be glad, and I who am not a very brae man will have made them a little braver.' He smiled apologetically. 'You see, it is an easy thing to do, since the end for me is the same.'
Lanser said, If you say yes, we can tell them you said no. We can tell them you begged for your life.'
And Winter broke in angrily, 'They would know. You do not keep secrets. One of your men got out of hand one night and he said the flies had conquered the flypaper, and now the whole nation knows his words. They have made a song of it. The flies have conquered the flypaper. You do not keep secrets, Colonel.”
— John Steinbeck
“And beneath Cornwall, beyond and beneath this whole realm of England, beneath the sodden marshes of Wales and the rough territory of the Scots border, there is another landscape; there is a buried empire, where he fears his commissioners cannot reach. Who will swear the hobs and boggarts who live in the hedges and hollow trees, and the wild men who hide in the woods? Who will swear the saints in their niches, and the spirits that cluster at holy wells rustling like fallen leaves, and the miscarried infants dug in to unconsecrated ground: all those unseen dead who hover in winter around forges and village hearths, trying to warm their bare bones? For they too are his countrymen: the generations of uncounted dead, breathing through the living, stealing their light from them, the bloodless ghosts of lord and knave, nun and whore, the ghosts of priest and friar who feed on living England, and suck the substance from the future.”
— Hilary Mantel
“The Father of Winter says tells Ista,
" ... For my great-souled child is very late, and lost upon his road. My calling voice cannot reach him. He cannot see the light in my window, for he is sundered from me, blind and deaf and stumbling, with none to take his hand and guide him. Yet you may touch him, in his darkness. And I may touch you, in yours. Then take you this thread to draw him through the maze, where I cannot go."
Later, Ista delivers the message,
"Your Father calls you to His Court. You need not pack; you go garbed in glory as you stand. He waits eagerly by His palace doors to welcome you, and has prepared a place at His high table by His side, in the company of the great-souled, honored, and best-beloved. In this I speak true. Bend your head.”
— Lois McMaster Bujold
“Usually Jacin was there, as he'd been all her life. He would make light of it and force her to laugh about the absurdity of whatever trick her mind was playing. He would talk her through each episode with his steady rationality, leaving no room for her to doubt his words. He would hold her and let her cry, and it was during one of these embraces when Winter realized with all the force and clarity of a solar flare- She was in love with him. She had always, always been in love with him. *”
— Marissa Meyer
“At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains.”
— Anton Chekhov
“The glue that holds the natural world together appears to be a harmonious balance of opposites: day and night, light and dark, winter and summer, liquid and solid, acidic and alkaline, male and female, wave and trough, proton and electron, etc. There prevails in our reality an explicit duality that represents an implicit unity (the "oneness" about which I've previously babbled), and the line of separation between those things just named is as thin as it is necessary: yang rubs up against yin, yin against yang, distinct but mutually supportive.”
— Tom Robbins
“The abandoned stars were hers for the many rich hours os sparkling winter nights, and, unattended, she took them in like lovers. She felt that she looked out, not up, into the spacious universe, she knew the names of every bright star and all the constellations, and (although she could not see them) she was familiar with the vast billowing nebulae in which one filament of a wild and shaken mane carried in its trail a hundred million worlds. In a delirium of comets, suns, and pulsating stars, she let her eyes fill with the humming, crackling, hissing light of the galaxy's edge, a perpetual twilight, a gray dawn in one of heaven's many galleries.”
— Mark Helprin
“Of course there always will be darkness but I realize now something inhabits it. Historical or not. Sometimes it seems like a cat, the panther with its moon mad gait or a tiger with stripes of ash and eyes as wild as winter oceans. Sometimes it's the curve of a wrist or what's left of romance, still hiding in the drawer of some long lost nightstand or carefully drawn in the margins of an old discarded calendar. Sometimes it's even just a vapor trail speeding west, prophetic, over clouds aglow with dangerous light. Of course these are only images, my images, and in the end they're born out of something much more akin to a Voice, which though invisible to the eye and frequently unheard by even the ear still continues, day and night, year after year, to sweep through us all.”
— Mark Z. Danielewski
“After that hard winter, one could not get enough of the nimble air. Every morning I wakened with a fresh consciousness that winter was over. There were none of the signs of spring for which I used to watch in Virginia, no budding woods or blooming gardens. There was only-spring itself; the throb of it, the light restlessness, the vital essence of it everywhere: in the sky, in the swift clouds, in the pale sunshine, and in the warm, high wind-rising suddenly, sinking suddenly, impulsive and playful like a big puppy that pawed you and then lay down to be petted. If I had been tossed down blindfold on that red prairie, I should have known that it was spring.”
— Willa Cather
“There is only one thing about which I shall have no regrets when my life ends. I have savored to the full all the small, daily joys. The bright sunshine on the breakfast table; the smell of the air at dusk; the sound of the clock ticking; the light rains that start gently after midnight; the hour when the family come home; Sunday-evening tea before the fire! I have never missed one moment of beauty, not even taken it for granted. Spring, summer, autumn, or winter. I wish I had failed as little in other ways.”
— Agnes Sligh Turnbull
“You walk for days among trees and among stones. Rarely does the eye light on a thing, and then only when it has recognized that thing as the sign of another thing: a print in the sand indicates the tiger's passage; a marsh announces a vein of water; the hibiscus flower, the end of winter. All the rest is silent and interchangeable; trees and stones are only what they are.”
— Italo Calvino
“He had read somewhere that the Eskimos had over two hundred different words for snow, without which their conversation would probably have got very monotonous. So they would distinguish between thin snow and thick snow, light snow and heavy snow, sludgy snow, brittle snow, snow that came in flurries, snow that came in drifts, snow that came in on the bottom of your neighbor's boots all over your nice clean igloo floor, the snows of winter, the snows of spring, the snows you remember from your childhood that were so much better than any of your modern snow, fine snow, feathery snow, hill snow, valley snow, snow that falls in the morning, snow that falls at night, snow that falls all of a sudden just when you were going out fishing, and snow that despite all your efforts to train them, the huskies have pissed on.”
— Douglas Adams
“And when a leaf falls from the climbing vines, you know, my love, what name is written on that leaf, a name that is yours and mine, our love name, a single being, the arrow that pierced winter, the invincible love, the fire of the days, a leaf that dropped upon my breast, a leaf from the tree of life that made a nest and sang, that put out roots, that gave flowers and fruits. And so you see, my love, how I move around the island, around the world, safe in the midst of spring, crazy with light in the cold, walking tranquil in the fire, lifting your petal weight in my arms as if I had never walked except with you, my heart, as if I could not walk except with you, as if I could not sing except when you sing.”
— Pablo Neruda
“And the stars: the sky gets crowded at night, and it is a bit like watching a clock, seeing the constellations slide across the sky. It's comforting to know that they'll show up, however bad the day has been, however crook things get. That used to help in France. It put things into perspective-the stars had been around since before there were people. They just kept shining, no matter what was going on. I think of the light here like that, like a splinter of a star that's fallen to earth: it just shines, no matter what is happening. Summer, winter, storm, fine weather. People can rely on it.”
— M.L. Stedman
“There's a certain Slant of light, Winter afternoons- That oppresses, like the Heft Of Cathedral Tunes- Heavenly Hurt, it gives us- We can find no scar, But internal difference, Where the Meanings, are ... When it comes, the Landscape listens- Shadows-hold their breath- When it goes, 'tis like the Distance On the look of Death.”
— Emily Dickinson
“The pale, cold light of the winter sunset did not beautify - it was like the light of truth itself.”
— Willa Cather
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