Quotes About Tongue-in-cheek

“To me, the best zombie movies aren't the splatter fests of gore and violence with goofy characters and tongue in cheek antics. Good zombie movies show us how messed up we are, they make us question our station in society ... and our society's station in the world. They show us gore and violence and all that cool stuff too ... but there's always an undercurrent of social commentary and thoughtfulness.”

— Robert Kirkman

“Hear this now. Nothing, not even death, will keep me from loving you. Though this body may wither and become a dry shell, my spirit will pursue you until the end of time. We will never be apart." He covered her mouth with his and tasted her blood. Trailing tender kisses across her cheek and jawline, he nestled against her neck. "Eternally yours," he whispered. She clutched his head and offered her throat. "Together forever," she responded. Broderick hesitated, her erratic pulse beating against his tongue. "Give me peace," she whispered in a tortured breath. "Do this for me." "I will love you forever, Davina." His fangs pierced her cool skin and Broderick drank the life from his wife, granting her wish ... and tormenting his already damned soul.”

— Arial Burnz

“I think the way to stop it is to shrug it off. Or take it with your tongue in your cheek. Sure, that's the system. At any rate, it's the system that works for you. It's the automatic control board that keeps you out there where nothing matters, where it's only you and the keyboard and nothing else. Because it's gotta be that way. You gotta stay clear of anything serious.”

— David Goodis

“A wish: to abolish walls between mouths. Mm-mmm the taste of it. Luckily keeps flowing in the text and on my tongue, erotic substitutes, and luckily that tipsy feeling in the dark, inside beside a cheek so just enjoy, rejoice in the juice, turn and return to that first excitement. What is excitement? Encouragement to do what you feel like doing when seen by someone else / the reader in company with Lucy, Georges or Alexandre, or Elle; being used to spinning out one's dreams by muddling one's own reflection in the mirror so marvellously that paradoxes come to life and whatever the cost force a retake of the sentences, the caresses that started the excitement (what did we say it was?), stimulated spine and breasts dandled in a hand, a phallus emerged invitation to oblivion, to the feel of rhythmic shudder, loins more titillating than some corny happy-ever-after tale, pelvic basins the pornographic mudholes of one's imagination. Narrator fem. / masc. Pelvic basins liquid base.”

— Nicole Brossard

“The entire hospital seemed to go still, watching and waiting, and what the hell was up with Sin and guys on horses anyway? "Well, who is he?"
"War."
Con stared at her. "War. Just ... War. What kind of name is that?" Nope, not jealous at all of muscle-bound handsome guy.
"Yeah, you know, the original War. Second Horseman of the Apocalypse?"
Con nearly swallowed his fucking tongue. Everyone else in the ER scrambled backward. Even Eidolon backed up a step as the guy swung down from the horse. Christ, standing, the guy was damned near seven feet tall.
"Sin," he said in an impossibly deep voice. He approached her, bent to kiss her cheek, and Con bristled.
"Big horse," Con ground out. "Compensating much?”

— Larissa Ione

“She ate quickly. Hunger was a sensation so long situated in his abdomen he felt it as he would an inflamed organ. He took his time, tonguing the pulp into a little oval and resting it against his cheek like a lozenge. If the bread wouldn't fill his stomach, it might at least fill his mouth. The girl had finished half of hers before he took a second bite.
"You shouldn't rush'" he said. "There are no taste buds in your stomach."
She paused to consider his reasoning, then took another bite. "There's no hunger in your tongue," she mumbled between chews. Her cupped hand caught the crumbs and tossed them back in her mouth.”

— Anthony Marra

“The tongue-in-cheek Yiddish-English "translation" for R.S.V.P. is "Remember to Send Vedding Presents.”

— Anita Diamant

“If (when) she got back to her typewriter she'd begin these tongue-in-cheek screenplays over from the top, telling them with faith in the tale, not because every fantasy was absolutely true but because no reality ever was.”

— Clive Barker

“I don't think all comedy should be mindless. Have something that's thoughtful. Maybe some things are tongue-in-cheek; maybe some things are very direct. I like that people have to think about things. That excites me. Because if you say certain things, it starts a dialogue. Even if you disagree, it's still a dialogue.”

— Jerrod Carmichael

“There's an element of tongue-in-cheek in every one of our songs. Walking off into the sunset, holding hands, and being married forever was not exactly a brand new idea.”

— Peter Noone

“For me, saying 'I'm bossy' is a cute, tongue-in-cheek way of saying that I'm in control of my life.”

— Kelis

“I think you have to have a sense of humor about every movie that you're doing. Your character needs to be relatable in a way that, even when you're doing the most bizarre things, sometimes a bit of tongue in cheek is necessary to keep up the believability of it.”

— Katharine Isabelle

“I don't much like crowds. You ought to count yourself lucky-when I took Vivien round to show her the restored rooms a couple of years ago, we had to hide in a cupboard for twenty minutes." Lucky Vivien, I almost said, but I caught myself in time. Instead I asked him, tongue in cheek, "There's a name for that, isn't there? A pathological fear of crowds?" He nodded. "Privacy.”

— Susanna Kearsley

“Catcher shrugged, refolded the paper, and stuffed it back into his pocket. "Anyone wanna dance?"
"Oh, Jesus," Mallory muttered.
"Dance?" I asked. "I could dance. I need to change, but I can dance." I could always dance. My hips didn't lie.
Mallory tucked her tongue into her cheek, then gave Catcher a look of mock irritation. "Nice going, Gandalf. You'll rile her up, and I'll never get her tucked in. You wanna give her candy and caffeine while you're at it?”

— Chloe Neill

“Even on the most serious ballads, I'll throw in a tongue-in-cheek remark.”

— Brad Paisley

“We should tell our kids to just have fun, participate and not get bent on winning or losing. But every coach, when they say that, they say it tongue in cheek, 'Don't worry about winning': If you win I'll get you ice cream, but if you lose I'm going to pout in the car.”

— Bode Miller

“We actually did quite a lot of comedy on 'Xena'. The whole show was very tongue-in-cheek.”

— Lucy Lawless

“Wave to the nice tourists, Sparkle. I promise it won't cause pestilence and firestorms."
Elena bit the inside of her cheek at Aodhan's glare-she'd never seen anyone crack his reserved shell. "Sparkle and Bluebell, nice."
"Never," Aodhan said, hands stubbornly on the girder, "ever repeat that. Illium seems to have forgotten I promised to separate his tongue from his mouth should he utter it again in this immortal lifetime.”

— Nalini Singh

“I wake up every morning in a cold sweat, regardless of how well things went the day before. And put that I said that in a somewhat but not completely tongue-in-cheek way.”

— Harvey Pekar

“The stiff-witted and academic seem not to comprehend that it is entirely possible to be ironic and sincere at the same instant, that a knowing tongue in cheek does not necessarily preclude an affectionate glow in heart.”

— Tom Robbins

“I play disturbed people a lot, but always with a bit of distance or tongue-in-cheek. Most of the villains I play are essentially harmless.”

— Christopher Walken

“Amos and I called our first joint article "Belief in the Law of Small Numbers." We explained, tongue-in-cheek, that "intuitions about random sampling appear to satisfy the law of small numbers, which asserts that the law of large numbers applies to small numbers as well." We also included a strongly worded recommendation that researchers regard their "statistical intuitions with proper suspicion and replace impression formation by computation whenever possible.”

— Daniel Kahneman

“Stubble or what?"
Eyes still closed he chuckled. "I'm not shaving until our parents let us date again."
He kissed my cheek.
"What if it takes ... a ... while?"
I asked struggling to talk. He'd made his way down to my neck. His tongue circled there slowly.
"There are only six or seven weeks until August football practice starts right?"
"Hm." His mouth moved up my neck toward my ear. Oh.
"Will you be able to stuff your beard into your helmet?" I croaked.
In answer he put his lips on my ear.
I forgot the next joke I'd planned to make and lost myself in Adam.”

— Jennifer Echols

“Caitlin." Hawkins touched her cheek. "That wasn't quite what I had in mind." "Oh, for heaven's sake," she burst out, "do you not see how silly you're being?" "It's only silly if you continue to shy from me like a maiden. You're the MacBride. You've done worse than kiss an Englishman." His hands held her fast at the arms, and he bent to whisper in her ear. "I won the forfeit." His breath caressed the curve of her ear. "I want to feel the fullness of your lips with my own. I want to slide them open with my tongue and taste the sweetness of your mouth. I want to feel your body pressed to-" Summoning the last of her composure, she said, "You've made your point." His hands lifted to her shoulders. "Well? I'm waiting.”

— Susan Wiggs

“It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.”

— John Carpenter

“Villains are a lot of fun. My villains have a lot of tongue-in-cheek. They are sometimes conscious of and a little bit gleeful of their villainy.”

— John Rhys-Davies

“Good copy can't be written with tongue in cheek, written just for a living. You've got to believe in the product.”

— David Ogilvy

“To the casual observer, the Dropbox demo video looked like a normal product demonstration, but we put in about a dozen Easter eggs that were tailored for the Digg audience. References to Tay Zonday and 'Chocolate Rain' and allusions to 'Office Space' and 'XKCD.' It was a tongue-in-cheek nod to that crowd, and it kicked off a chain reaction.”

— Drew Houston

“I'm ready," she promised. She kissed his jaw and then rubbed her cheek against it, letting out a low hum of arousal at the feel of his stubble on her skin. He had a scent that every single one of her senses responded to. The texture of his skin, the taste of his tongue, the latent strength in his hands - everything about him did it for her. "I want this," she said. "I want you.”

— Jill Shalvis

“I've never felt that using something with tongue in cheek has been a bad thing.”

— John Schlesinger

“Allan had come down wanting to do some sort of crucial music and I'd been involved in so-called Art Music and wanted to explore other areas - we were approaching it in some quite tongue-in-cheek ways and we had a lot of fun - we spent more time laughing than playing music.”

— Jamie Muir

“And you know what - and I don't mean this in tongue in cheek way - but it's like deja vu. When I walked in to WCW they were producing wrestling on a little teeny sound stage at Disney, okay? I'm walking into TNA and they're producing wrestling in a little teeny sound stage at Universal.”

— Hulk Hogan

“You can't make people believe in you if you play a horror part with your tongue in your cheek.”

— Bela Lugosi

“Not necessarily, a lot of my songs are firmly tongue in cheek.”

— David Coverdale

“I've said a lot of stuff in the past, but not with any intentions to hurt anybody. It's all a bit tongue-in-cheek.”

— Tyson Fury

“And I know why our friendship must be kept a secret. Or they will kill You like they killed You in the Bible. And then we could not be together. If not for them we would live in this valley together. As best friends. But we must be careful, Jesus. I think I would die if anything happened to You ... ' - she cried ah think, for ah could hear her little sobs as she spoke - ' ... just close my eyes and die.' And she let fall a heavy tear, and it passed through the slats and exploded upon mah face, just below the right cheek. And as the droplet began to roll, ah caught it with mah tongue. And ah was shocked momentarily by that tear's sweetness, having known them only as bitter things - only bitter things - always bitter things.”

— Nick Cave

“Mel? Mel, I love you. Mel, come back . Mel, Mel, Mel."
It's Jared's voice, trying to call me back the way Wanda called back the Healer's host, the way she taught Kyle to call to Jodi.
I can answer him. I can speak now. I can feel my tongue in my mouth, ready to move into whatever shape I ask it to. I can feel the air in my lungs, ready to push out the words. If I want this.
"Mel, I love you, I love you."
This is Wanda's gift to me, paid for with her silver blood. Jared and I, put back together again as if she'd never lived. As if she hadn't saved us both.
If I accept this gift, I profit from her death. I kill her again. I take her sacrifice and make it murder.
"Mel, please? Open your eyes."
I feel his hand on my face, cradling my cheek. I feel his lips burn against my forehead, but I don't want them, not at this price.
Or do I?”

— Stephenie Meyer

“She breathed in quivering sobs as he kissed her mouth again. Her body, filled with unfamiliar pulses and rhythms, no longer seemed her own. "Westcliff ... " Her mouth wandered unsteadily over the masculine scrape of his cheek, the edge of his jaw, and back to the softness of his lips. When the kiss ended, she turned her face to the side and gasped, "What do you want?"
"Don't ask that." His lips moved to her ear, and his tongue stroked into the tiny hollow behind the fragile lobe. "The answer ... " Hearing the way her breath hastened, he lingered at her ear, tracing the fine edge with his tongue, nibbling at the folds within. "The answer is dangerous," he finally managed to say.
Wrapping her arms around his neck, she brought his mouth back to hers in a fiery open kiss that seemed to unravel his self-control.
"Lillian," he said unsteadily, "tell me not to touch you. Tell me it's enough now. Tell me-"
She kissed him again, greedily absorbing the heat and flavor of his mouth.”

— Lisa Kleypas

“For me, making a lot of dramas on one side it's a different sort of challenge, and on the other, it's not a challenge at all, meaning that my goal is to try and bring the realism and acting you might find in a straight drama with the intentions and conflict, where it doesn't feel tongue-in-cheek, but rather committed and real.”

— James Mangold

“'Now I've tasted chocolate I'm not going back'. That's a great line. That's not me, that's all the writing. I mean it's like it doesn't matter who plays it, it's a great role. It's such a funny, tongue in cheek kind of great role.”

— Amanda Bynes

“I'm definitely in the market for being uncool. There was some funny stuff, like the thing about making sure I show people that I have tattoos and cigarettes so that they know I'm badass. But really, I do have tattoos! And I do smoke cigarettes sometimes, and I can't change that. But I am not badass, by any means. I do some stuff that's tongue-in-cheek, and some stuff that's on the line. And it could be funny, it could be serious, and I never even know myself, because it could be funny that day, and the next day it's totally embarrassing.”

— Ryan Adams

“With all due respect to Mick Jagger, who is one of my idols, I think it's a mistake to leap around and sing at 53. When I started, there weren't any women I looked up to. It was Mick. I never saw anybody go on a stage and have that tongue-in-cheek attitude. It was all straight, including the Beatles. I love his attitude, hands on hips and lips out.”

— Grace Slick

“I tell this anecdote with tongue in cheek at the start of my book William Burroughs and the Secret of Fascination, but my academic involvement with Burroughs was entirely due to my tutor at Oxford, Peter Conrad. I was discussing with him the idea of staying on to do graduate work and when I tossed the name of Burroughs into the conversation - well, he let it fall loudly onto the floor, and proceeded to cross himself as if warding off an evil spirit. Since I was very ambivalent about an academic career in any case, that decided it for me.”

— Oliver Harris

“It's not like changing one word with my lyrics is going to make them more intelligible or relatable. I was always very misunderstood and taken as very pretentious and serious all the time. I would think, "Do you not see there's a lot of tongue-in-cheek and humor here?".”

— Paul Banks

“People are complex, and I think it's a huge element of what I do, because you have to balance out the fact that you talk about quite serious things with a sense of irony and tongue-in-cheek humor. That's my personality as well.”

— Marina And The Diamonds

“I love country music, but I find it very hard to take it seriously. I also think a lot of country music is sung with the tongue in cheek, so I do it tongue in cheek.”

— Mick Jagger

“That dark humor has always been a part of what I've done. It's always been somewhat tongue-in-cheek.”

— El-P

“I was a jaded high schooler, I was still into pop music, though not as sincerely as I am now. It was more tongue-in-cheek back then.”

— Girl Talk

“It reminded me of that tongue-in-cheek quick history of art I'd overheard ... Used to be people couldn't draw very well, then they could, and now they can't again.”

— Charles De Lint

“Richelle Mead delivers sexy action and tongue-in-cheek hellish humor-if damnation is this fun, sign me up!”

— Lilith Saintcrow