Quotes About Maggie

“They came together, they loved and they married. In innocence, and never dreaming how courageous they were, they started a new life together and a new generation of their own. -Maggie Now”

— Betty Smith

“It's kind of weird," she told Qi. "Gilly doesn't run up and kiss people. She doesn't dance. Se's usually so quiet. I mean, it's cool as hell, but for Gilly, it's weird."
"Part of it is Maggie," Qi said. "She has a talent for making people fall in love with her."
Sam started to nod, then she remembered she was talking to a witch. "So is Gilly like ... under like ... "
"A spell?" A hint of a smile crossed Qi's face. "Don't worry. Maggie just loves everybody, finds something good in everybody. And when people see the way she sees them, they tend to fall in love right back.”

— Kristopher Reisz

“Gilly had decided that this was a dream. The Witches' Carnival didn't exist in the real world. And the Gilly who existed in the real world was not brave or cunning enough to have done everything that she'd done in the past day. The real Gilly was not beautiful enough to be lying in bed beside a woman like Maggie. Gilly had decided this was a dream, and also that she'd let that real Gilly, deep asleep somewhere in the outskirts of Birmingham, wither away and never wake up.
Already, Gilly could see herself arcing across the earth bright as a comet, moving too fast for the Ashleys and Tracyes, the thousand tiny insults and humiliations of the waking world, to ever catch.”

— Kristopher Reisz

“What do you want from me, Maggie? Advice? Absolution? Go forth and be a bitch no more.”

— Molly Harper

“Is my gardener's pride to be sacrificed on the altar of Mr Molesley's ambitions?
- The Dowager Countess(Maggie Smith)”

— Julian Fellowes

“I'm not trying to change you, Maggie. I'm trying to love you.”

— Lexi Ryan

“Don't be affraid to break, Maggie. Stop holding on to the ugliness just to stay whole.”

— Lexi Ryan

“Are ya trying' to kill me, lass?"
"Kill you? No." Maggie leaned closer, her hands drifting up and cradling his face as she rolled her hips again in one wicked pass. "Torture you? Maybe.”

— Sara Humphreys

“Maggie had a sinking suspicion that those stories her Aunt Lizzie told her, the ones that sent her to bed with her head full of leprechauns and fairies, may be more than fairytales after all.”

— Sara Humphreys

“How do you feel? (Maggie)
Like I got hit by a bus that decided to back up a few times and make sure it finished the job. I think it must have ground its tires on my ribs during the last run. You know, just in case I might actually want to breathe again in my lifetime. (Wren)”

— Sherrilyn Kenyon

“I've never met anyone who had a monkey for a friend before. (Maggie)
I don't know. I think those two guys you were with would qualify as primates, but then, that's an insult to the primate and I don't want Marvin to get pissed at me. He has higher sensibilities, you know? (Wren)”

— Sherrilyn Kenyon

“How many more are there like you? (Maggie)
Enough to make the cast of a Cecil B. DeMille film look like a two-man opera. (Wren)”

— Sherrilyn Kenyon

“Joshua, my memory of Maggie isn't about what happened the night before we left. I didn't go to see her thinking that we would make love. A kiss was more than I expected. I think of Maggie because I made a place in my heart for her to live, and it's empty. It always will be. It always was. She loved you.”

— Christopher Moore

“Why did popular songs always focus on romantic love? Why this preoccupation with first meetings, sad partings, honeyed kisses, heartbreak, when life was also full of children's births and trips to the shore and longtime jokes with friends? Once Maggie had seen on TV where archaeologists had just unearthed a fragment of music from who knows how many centuries B.C., and it was a boys lament for a girl who didn't love him back. Then besides the songs there were the magazine stories and the novels and the movies, even the hair-spray ads and the pantyhose ads. It struck Maggie as disproportionate. Misleading, in fact.”

— Anne Tyler

“At this moment (letting a breeze ripple through her fingers like warm water), Maggie felt that the entire business of time's passing was more than she could bear.”

— Anne Tyler

“This thought was interrupted, suddenly, by a crash from the front entrance. We all looked over just in time to see Adam bending back from the glass, rubbing his arm.
"Pull open," Maggie called out. As Leah rolled her eyes, she said, "He never remembers. It's so weird.”

— Sarah Dessen

“I'm not worried about that. Aidan loves Sam, and a man can do great things when he's motivated by love. Maggie”

— Lauren Gilley

“I will make Maggie safe. If the world burns because of that then so be it. Me and the kid will roast some marshmallows.”

— Jim Butcher

“I don't want to make her [Maggie] a target again," I said.
Michael sighed patiently. "Harry," he said, as if speaking to a rather slow child,"I'm not sure if you noticed this. But things did not turn out well for the last monster who raised his hand against your child. Or any of his friends. Or associates. Or anyone who worked for him. Or for most of the people he knew.”

— Jim Butcher

“You cannot enjoy Maggie if you do not lick your plate at the end!!”

— Himmilicious

“Her heart went out to him with a stronger movement than ever, at the thought that people would blame him. Maggie hated blame; she had been blamed her whole life, and nothing had come of it but evil tempers.”

— George Eliot

“But if Maggie had been that young lady, you would probably have known nothing about her: her life would have had so few vicissitudes that it could hardly have been written; for the happiest women, like the happiest nations, have no history.”

— George Eliot

“When Maggie became conscious that she was the person he sought, she felt, in spite of all the thought that had gone before, a glowing gladness at heart. Her eyes and cheeks were still brightened with her childlike enthusiasm in the dance; her whole frame was set to joy and tenderness; even the coming pain could not seem bitter
she was ready to welcome it as a part of life, for life at this moment seemed a keen vibrating consciousness poised above please or pain. This one, this last night, she might expand unrestrainedly in the warmth of the present without those chill, eating thoughts of the past and the future.”

— George Eliot

“Maggie in her crude form, with her hair down her back, and altogether in a state of dubious promise, was a most undesirable niece; but now she was capable of being at once ornamental and useful.”

— George Eliot

“I'm very fond of you, Maggie; I shall never forget you," said Philip, "and when I'm very unhappy, I shall always think of you, and wish I had a sister with dark eyes, just like yours.”

— George Eliot

“I stand up, trying to shake myself mentally. Get over him, Maggie, I instruct myself. I need to stop. I really do. I want to. I'm going to. I sound like a drug addict. Perhaps there's a twelve-step program for me. Priest Lovers Anonymous.”

— Kristan Higgins

“Malone is surly, scary and ugly," I say. "So I'm gonna pass on him, if you don't mind." "I don't know," Chantal says. She looks past me. "What do you say, Malone? Want to go out with Maggie?”

— Kristan Higgins

“I think he came to the front door and rang the bell, and Maggie let him in, and he said he had forgotten his key; so I think she must have been down stairs.”

— Lizzie Andrew Borden

“Maggie went out of doors to wash the windows and father came out into the kitchen and said he did not know whether he would go down to the post office or not. And then I sprinkled some handkerchiefs to iron.”

— Lizzie Andrew Borden

“I want to have a scene with Maggie Smith.”

— Lesley Nicol

“Soulmates. That was the word. Maggie could sense what it meant. Two people connected, bound to each other forever, soul to soul, in a way that even death couldn't break. Two souls that were destined for each other.”

— L.J. Smith

“It was time for the mirror pep talk.
"Okay, Maggie," I said to myself after my shower, wiping the steam off the medicine cabinet.
"You could eat these kids for breakfast. You won't, though, because that would be cannibalistic and
wrong.”

— Robin Benway

“And the boys made fun of her skinny legs that were always bruised and cut from her tomboyish antics at the ranch. There was one special boy, Jake Weldon. Maggie pretended not to notice him. He was one of the boys who made fun of her, and it hurt really”

— Diana Palmer

“I love Kate Winslet, Rachel Weisz, Maggie Smith and Judi Dench as well. They're all wonderful and they're very inspiring.”

— Zoe Tapper

“You arrogant, apish, underhonest lewdster! (Maggie)”

— Kinley MacGregor

“In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated.”

— Stacey D'Erasmo

“Everyone lives in two worlds," Maggie said, speaking in an absentminded sort of way while she studied her letters. "There's the real world, with all its annoying facts and rules. In the real world, there are things that are true and things that aren't. Mostly the real world s-s-s-suh-sucks. But everyone also lives in the world inside their own head. An inscape, a world of thought. In a world made of thought-in an inscape-every idea is a fact. Emotions are as real as gravity. Dreams are as powerful as history. Creative people, like writers, and Henry Rollins, spend a lot of their time hanging out in their thoughtworld. S-s-strong creatives, though, can use a knife to cut the stitches between the two worlds, can bring them together. Your bike. My tiles. Those are our knives.”

— Joe Hill

“I basically drew my own family. My father's name is Homer. My mother's name is Margaret. I have a sister Lisa and another sister Maggie, so I drew all of them. I was going to name the main character Matt, but I didn't think it would go over well in a pitch meeting, so I changed the name to Bart.”

— Matt Groening

“The fact that Ridge has been honest in his conversations with me is not something he did wrong. The fact that he has feelings for me also isn't wrong, when you know exactly how much he's fought those feelings. People can't control matters of the heart, Warren.
They can only control their actions, which is exactly what Ridge did. He lost control once for ten seconds, but after that, every single time temptation reared its ugly head, he walked in the other direction. The only thing Ridge has done wrong is fail to delete his messages, because by doing so, he failed to protect Maggie. He failed to protect her from the harsh truth that people don't get to choose who they fall in love with. They only get to choose who they stay in love with." I look up at the ceiling and blink back tears. "He was choosing to stay in love with her, Warren. Why can't she see that? This will kill him so much more than it's killing her.”

— Colleen Hoover

“And forgive me if this is harsh, but I don't want you getting it into your head that the love you have for Ridge will be enough to hold you over until the day Maggie dies. Because Maggie isn't dying, Sydney. Maggie's living. She'll be around a lot longer than Ridge's heart could ever survive you.”

— Colleen Hoover

“Maggie threw her head back and laughed. 'So you're going to try ... what? Birds of a Feather?' she quested.
'Of course not,' Kat said. 'Everyone knows the French government banned the importation of peacocks in 1987.”

— Ally Carter

“My dream is to be Endora in Bewitched. That's the part I want to do. I want to do a fabulous old woman. I want to be Maggie Smith someday. Not exactly like her, but that genre. I like that kind of humor - sophisticated, vain stuff.”

— Jackee Harry

“But Maggie, your aura does seem terribly dark. You should come to my office sometime this week and we can do a cleansing." "My aura can't help it, Gran. It feels fat in anything but black.”

— Lexi Ryan

“I've been reading about moths," she said, to fill the silence.
"What have you read?"
Maggie shrugged. "They navigate by the light of the moon. They fling themselves into flames and electric lights because they think they're headed toward the moon's light."
"I guess they die in ecstasy then," Liam said.”

— Jodi Lynn Anderson

“What a dazzlingly generous, gloriously unpredictable book! Maggie Nelson shows us what it means to be real, offering a way of thinking that is as challenging as it is liberating. She invites us to 'pay homage to the transitive' and enjoy 'a becoming in which one never becomes.' Reading The Argonauts made me happier and freer.”

— Eula Biss

“Maggie Nelson cuts through our culture's prefabricated structures of thought and feeling with an intelligence whose ferocity is ultimately in the service of love. No piety is safe, no orthodoxy, no easy irony. The scare quotes burn off like fog.”

— Ben Lerner

“You hear this said about actors sometimes, that they're fearless, but she [ Maggie Gyllenhaal] really is.”

— Steven Shainberg

“I do get one chance to dance [in GoF], I had to dance with Maggie Smith. That was the only dancing experience I had, which was actually quite enough really.”

— Rupert Grint

“Yeah, I wish I could have stayed awake long enough to see your face when I changed over. (Wren) No, you don't. I assure you, it wasn't pretty. (Maggie) There's never anything about you that isn't pretty, Maggie. You're the most beautiful woman I've ever seen. (Wren)”

— Sherrilyn Kenyon

“Maggie Shipstead takes hold of the reader and doesn't let go. Astonish Me is a haunting, powerful novel.”

— Dani Shapiro