“You dont realize that if you stop looking backwards craving the love and acceptance which you didnt receive from your parents, then you might open your eyes to what is available for you now. But you wont let go. If only you could see that looking back into an incomplete and imperfect past, with regret, blame, guilt or resentment is keeping you from the treasures that await you here now. The past has gone. You cannot rectify something that is no longer with you.”
— Leonard Jacobson —
“Dorian strokes my exposed back with the tips of his fingers, sending shockwaves up and down my spine. I gasp from the contact, resisting the urge to beg him for more. He brings his face down to my neck, letting his lips brush my earlobe. "Gabriella, I would love to bend you over this desk right now and pull your dress up past your thighs and over your ass," he murmurs, sex dripping from his soft lips.
"That sounds good to me," I breathe, turning my head a fraction. "What's stopping you?" Never in my life have I been this bold and eager with a man but Dorian has awakened the sleeping sex giant within me. If my days are numbered, I want to at least die happy.
"Oh, I would do it. But I know Aurora will come looking for me and I don't want to be disturbed when I ... ruin you." Ruin me? It sounds so threatening and violent.
I love it.”
— S.L. Jennings
“There comes a moment in life when one must acknowledge that you just can't keep looking back into your past for reasons to keep someone in your present and future. Regardless of how much looking that cruel reality in the eye hurts ... memories can't be enough.”
— Eiry Nieves
“A Farewell For a while I shall still be leaving, Looking back at you as you slip away Into the magic islands of the mind. But for a while now all alive, believing That in a single poignant hour We did say all that we could ever say In a great flowing out of radiant power. It was like seeing and then going blind. After a while we shall be cut in two Between real islands where you live And a far shore where I'll no longer keep The haunting image of your eyes, and you, As pupils widen, widen to deep black And I am able neither to love or grieve Between fulfillment and heartbreak. The time will come when I can go to sleep. But for a while still, centered at last, Contemplate a brief amazing union, Then watch you leave and then let you go. I must not go back to the murderous past Nor force a passage through to some safe landing, But float upon this moment of communion Entranced, astonished by pure understanding- Passionate love dissolved like summer snow.”
— May Sarton
“Not unlike most people. When I dwell with you, I do so in the present-I live in the present. Not the past, although much can be remembered and learned by looking back, but only for a visit, not an extended stay. And for sure, I do not dwell in the future you visualize or imagine. Mack, do you realize that your imagination of the future, which is almost always dictated by fear of some kind, rarely, if ever, pictures me there with you?”
— Wm. Paul Young
“Cash misses his wife with a blank pain in his chest, and he misses his sisters and cousins, who have known him since he was a strong, good-looking boy. Everyone back there remembers, or if they are too young, they've been told. The old ones get to hang on the sweet, perfect past. Cash was the best at climbing trees; his sister Letty won the story bees. The woman who married Letty's husband's brother, a beauty named Sugar, was spotted one time drinking a root beer and had her picture in LIFE magazine. They all know. Now she has thin hair and a humped back but she's still Sugar, she gets to walk around Heaven, Oklahoma, with everybody thinking she's pretty and special. which she is. That's the trouble with moving away from family, he realizes. You lose your youth entirely, you have only the small tired baggage that is carried within the body.”
— Barbara Kingsolver
“You don't realize that if you stop looking backwards craving the love and acceptance which you didn't receive from your parents, then you might open your eyes to what is available for you now. But you won't let go. If only you could see that looking back into an incomplete and imperfect past, with regret, blame, guilt or resentment is keeping you from the treasures that await you here now. The past has gone. You cannot rectify something that is no longer with you.”
— Leonard Jacobson
“I'm going to Bristol," Matthew said desperately. "I'll reschedule the meetings. I won't do anything without your leave. But at least I can gather information- interview the local transport firm, have a look at their horses-"
"Swift," the earl interrupted. Something in his quiet tone, a note of ... kindness? ... sympathy? ... caused Matthew to stiffen defensively. "I understand the reason for your urgency-"
"No, you don't."
"I understand more than you might think. And in my experience, these problems can't be solved by avoidance. You can never run far or fast enough."
Matthew froze, staring at Westcliff. The earl could have been referring either to Daisy, or to Matthew's tarnished past. In either case he was probably right.
Not that it changed anything.
"Sometimes running is the only choice," Matthew replied gruffly, and left the room without looking back.”
— Lisa Kleypas
“Whiskey was still looking some place past Patrick's shoulder, and suddenly his brown eyes met
Patrick's with a sort of inscrutable intensity. Patrick, this isn't over, okay? You and me? You want to
stay here, you want to keep sleeping in my bed, that's fine. I like you there. You're warm and you're kind,
and it's comfortable, having you there. But I'm going to want you, and you're going to want me, and if you
don't want to follow through on that, that's fine too. But you'll need to decide which way you want it, and
you need to make it clear when you make your decision. I'm, like, twelve years older than you, and I don't
sleep around. I'm not going to hit on you just because you're cute and you're here. I need to know it's
something you want, and it's something you need, and you're not just doing it because you think you need
to put out because I'm being human to you. You don't. All you need to do is be human back.”
— Amy Lane
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