“And the guelder rose In a great stillness dropped, and ever dropped, Her wealth about her feet.”
— Jean Ingelow —
“We were pulling into the next station, when the woman suddenly got to her feet and made a move to squeeze past me. As her knees made contact with mine, she turned towards me. Her eyes locked straight onto mine, her eyelids pinned back, with a look I could only describe as sheer dread. In the next second, deep tram-lines formed between her eyebrows and her expression shifted. It was as if she was silently imploring me, entreating me. To do what? I had no idea. I was immobile, her gaze pressing me into my seat by some centrifugal force and I held her stare, unsure of how to react. Just as swiftly, she dropped her eyes and the moment passed. With one final glance behind her, she was swallowed up in the bodies at the door.
She was getting off. Something wasn't right.”
— A.J. Waines
“What is this life if full of care? We have no time to stand and stare. No time to stand beneath the boughs and stare as long as sheep or cows, no time to see, when woods we pass, where squirrels hide their nuts in grass, no time to see, in broad daylight, streams full of stars, like skies at night, no time to turn at Beauty's glance and watch her feet and how they can dance, no time to wait till her mouth can enrich that smile her eyes began. A poor life this if full of care, we have no time to stand and stare.”
— W.H. Davies
“Tread lightly, little one." He warned. "You don't want to push me. Not tonight." Her eyes darkened with anger, narrowing as she met his gaze. "Really? And why is that Raj?" ... "I am tired of you thinking you have the right to control me. You are not my boyfriend, and you sure as hell are not my keeper, so from where I stand, you've got no claim on me what so ever. Like the song says, you don't want me for yourself so let me find someone else. It's shit or get off the pot time, Raj. It's now or never, Time to-" She gave a shriek as Raj swung an arm around her waist and lifted her off her feet. He threaded the fingers of one hand through her hair and pulled it aside, freeing the long line of her neck. "Then I choose now," he growled and sank his fangs into the velvet skin of her neck puncturing the fragile walls of her jugular.”
— D.B. Reynolds
“She looked about her again, on her feet, at her scattered melancholy comrades
some of them so melancholy as to be down on their stomachs in the grass, turned away, ignoring, burrowing; she saw once more, with them, those two faces of the question between which there was so little to choose for inspiration. It was perhaps superficially more striking that one could live if one would; but it was more appealing, insinuating, irresistible in short, that one would live if one could.”
— Henry James
“I tried to shut myself down completely, put up my best screensaver personality to coast through the day. I didn't want to see her. I was desperate to see her. I wanted to hold it together. I wanted to melt down right at her feet and scream, Look what you've done to me.”
— David Levithan
“He was telling her here, in this cellar, as he kissed her feet, he had understood love for the first time - not just from other people's words, but in his heart, in his blood. She was dearer to him than all his past, dearer to him than his mother, than Germany, than his future with Maria ... He had fallen in love with her. Great walls raised up by states, racist fury, the heavy artillery and its curtain of fire were all equally insignificant, equally powerless in the face of love.. He gave thanks to fate for allowing him to understand this before he died.”
— Vasily Grossman
“Oh, make no mistake. I am no callow, ardent youth. I am an elderly man, broken in health and body, and soon to die. I am a scientist and a philosopher. I, as all the generations of philosophers before me, know woman for what she is-her weaknesses and meannesses and immodesties and ignobilities, her earth-bound feet and her eyes that have never seen the stars. But-and the everlasting, irrefragable fact remains: Her feet are beautiful, her eyes are beautiful, her arms and breasts are paradise, her charm is potent beyond all charm that has ever dazzled man; and, as the pole willy nilly draws the needle, just so, willy nilly, does she draw man.”
— Jack London
“Even if she hadn't slaughtered Baba Yellowlegs, Manon would have killed her just for that spell she'd used to freeze her feet. Etching some foul spell with the man's blood.
And now she was going to die.
Wind-Cleaver pressed against the queen's blade. But Aelin held her ground and hissed, I'm going to rip you to shreds.”
— Sarah J. Maas
“Walking along past the store windows, into which she peers with her usual eagerness, her usual sense that maybe, today, she will discover behind them something that will truly be worth seeing, she feels as if her feet are not on cement at all but on ice. The blade of the skate floats, she knows, on a thin film of water, which it melts by pressure and which freezes behind it. This is the freedom of the present tense, this sliding edge.”
— Margaret Atwood
“There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself "Oh dear! Oh dear! I shall be too late!" (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it all seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat-pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and, burning with curiosity, she ran across the field after it, and was just in time to see it pop down a large rabbit-hole under the hedge.”
— Lewis Carroll
“Bella. "Nathan Malone is dead." He caught her shoulders, shook her.
"No!" she screamed back. And she couldn't hit him. She wanted to, and she couldn't.
"look at me," he yelled. "Look at me, Bella. What happened killed the man you loved. All that is left is this. The man you see now.The name name I carry now. Anything else is no possible."
"No!" She pulled away from him, stumbled to her feet, and shook with the rage pounding through her. "The name may be dead, but you are not dead. "You weren't just a SEAL," she cried. "You weren't just a friend, or a son, or a grandson, or a brother. You weren't just a warrior." She clenched her fists, pressed to her stomach as the agony swell up through every cell of her body. "You are my husband. My lover.
It doesn't matter if your name is Nathan, Noah, or hey fucking you, you are my my lover. My soul. My heart.”
— Lora Leigh
“The very falsehood that stained her, was a proof how blindly she loved another
this dark, slight, elegant, handsome man
while he himself was rough, and stern, and strongly made. He lashed himself into an agony of fierce jealousy. He thought of that look, that attitude!
how he would have laid his life at her feet for such tender glances, such fond detention! He mocked at himself, for having valued the mechanical way in which she had protected him from the fury of the mob; now he had seen how soft and bewitching she looked when with a man she really loved. He remembered, point by point, the sharpness of her words
'There was not a man in all that crowd for whom she would not have done as much, far more readily than for him.' He shared with the mob, in her desire of averting bloodshed from them; but this man, this hidden lover, shared with nobody; he had looks, words, hand-cleavings, lies, concealment, all to himself.”
— Elizabeth Gaskell
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