Quotes About Hands And Family

“Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.”

— Madeline Miller

“In the family of punctuation, where the full stop is daddy and the comma is mummy, and the semicolon quietly practises the piano with crossed hands, the exclamation mark is the big attention-deficit brother who gets overexcited and breaks things and laughs too loudly.”

— Lynne Truss

“Whatever Jesus lays His hands upon, lives. If He lays is hands upon a marriage, it lives. If He is allowed to lay His hands on the family, it lives.”

— Howard W. Hunter

“Anoop had obviously worked quite hard to earn the money to buy that glitzy little bracelet. He certainly had enough calluses and deep scars on his hands and fingers to show for all his labour, as each was obtained while trying to support his family in the style they were accustom to. Nonetheless she frequently called him a lazy alcoholic, just because he was temporarily out of work, and then left the stupid bracelet out in public as if it were simply a cheap and silly trinket.”

— Andrew James Pritchard

“Max rocked back on his heels, shoving his hands into his pockets, and said, 'So. Juliet Cavanaugh. I assume my parents have been talking your ear off for the last however many months, telling you how awesome I am, and filling your head full of stories of my impressive talents in the kitchen.'
'Um. Not so much,' Jules said, shooting a glance at Danny, who shook his head and went back to his prep work.
'No? I should take this opportunity to set the record straight, then.' Max heaved a deep sigh. 'It's all true.'
'What?'
'Everything they should've told you about me,' Max explained. 'And I don't know why they didn't, because it's all true. No exaggeration or family bias plays into it at all
I am the best chef in the entire world.”

— Louisa Edwards

“Children need to see that they are part of a history and that the story of their family is a living thing. God tells it, a new story in each generation, and each must hold hands across the sea of time, joining together the ones who went before and the ones who come after. It is given from above. Little do we understand this in the beginning, but time teaches us many things we did not expect to learn. That is life. It is the same everywhere.”

— Michael D. O'Brien

“Quoting from Neil Kinnock, running against Thatcher in 1987:
Why am I the first Kinnock in a thousand generations to be able to get to university? Why is Glenys the first woman in her family in a thousand generations to be able to get to university? Is it because all our predecessors were thick? Did they lack talent? Those people who could sing, and play, and recite, and write poetry, those people who could make wonderful things with their hands? Those people who could dream dreams, see visions? Why didn't they get it? Was it because they were weak? Those people who could work eight hours underground and then come up and play football? Weak? Those women who could survive eleven childbearings? Were they weak? Anybody really think that they didn't get what we have because they didn't have the talent, or the strength, or the endurance, or the commitment? Of course not. It was because there was no platform on which they could stand.”

— Joe Biden

“Still grows the vivacious lilac a generation after the door and lintel and the sill are gone, unfolding its sweet-scented flowers each spring, to be plucked by the musing traveller; planted and tended once by children's hands, in front-yard plots-now standing by wallsides in retired pastures, and giving place to new-rising forests;-the last of that stirp, sole survivor of that family. Little did the dusky children think that the puny slip with its two eyes only, which they stuck in the ground in the shadow of the house and daily watered, would root itself so, and outlive them, and house itself in the rear that shaded it, and grown man's garden and orchard, and tell their story faintly to the lone wanderer a half-century after they had grown up and died-blossoming as fair, and smelling as sweet, as in that first spring. I mark its still tender, civil, cheerful lilac colors.”

— Henry David Thoreau

“I was the youngest in my family, and the only daughter, they were highly protective. But instead of restricting me, that protective instinct drove my parents to make sure I was capable and prepared for whatever life may throw at me.
Opportunities, my father would say, have to be seized with both hands, because you never know if they'll come again.”

— Emma Chase

“Winfree came from a family in which no one had gone to college. He got started, he would say, by not having proper education. His father, rising from the bottom of the life insurance business to the level of vice president, moved family almost yearly up and down the East Coast, and Winfree attended than a dozen schools before finishing high school. He developed a feeling that the interesting things in the world had to do with biology and mathematics and a companion feeling that no standard combination of the two subjects did justice to what was interesting. So he decided not to take a standard approach. He took a five-year course in engineering physics at Cornell University, learning applied mathematics and a full range of hands-on laboratory styles. Prepared to be hired into military-industrial complex, he got a doctorate in biology, striving to combine experiment with theory in new ways.”

— James Gleick

“I like where I live," he said, landing behind the side pocket in his best Peter Pan pose. "You two women are too flaky to put my family in your hands. Just ask anyone here. They'd agree with me!"
Ivy huffed and turned her back on him, muttering under her breath, but I could tell she was relieved her new landlord wasn't her mom.”

— Kim Harrison

“He looked once more across the ragged band before him, a family of sorts, pack rather than herd, a band of brothers who knew what lay at the core of him because they shared it, killers all. He looked down at the crimson weapons in his crimson hands and knew that moment of peace which happens when a thing surrenders to its nature.”

— Mark Lawrence

“Eden," he said, staring at their joined hands. "I built the arch to reveal my heart. Your name will forever be the focal point, uplifted by love. And if you would permit me, I'd like to build more with you-a family and a life." Levi raised his gaze to her face, surprised to see wetness glistening on her cheeks. "Eden, will you marry me?”

— Karen Witemeyer

“What is word for good together living? Nobody shits in the well?"
I laughed. "Civilization?"
He nodded, splaying his fingers: amusement. "Yes," he said. "Speaking with hands is civilization."
"But smiling is natural," I protested. "Everyone smiles."
"Natural is not civilization," Tempi said. "Cooking meat is civilization. Washing off stink is civilization."
"So in Ademre you always smile with hands?" I wished I knew the gesture for dismay.
"No. Smiling with face good with family. Good with some friend."
"Why only family?"
Tempi repeated his thumb-on-collarbone gesture again. "When you make this." He pressed his palm to the side of his face and blew air into it, making a great flatulent noise. "That is natural, but you do not make it near others. Rude. With family ... " He shrugged. Amusement. " ... civilization not important. More natural with family.”

— Patrick Rothfuss

“Your water is in the bottles, and my water is in the bucket, but we are brothers?
I am collecting garbage, and you are in the bed, but we are sisters?
My fingers are broken, and your hands are so soft, but we are family?
Your God is like an angel, and my God is like an evil, but we are equal?
My stomach is empty, and your stomach is so big, but we are humans?”

— M.F. Moonzajer

“We Americans often say that marriage is hard work. I'm not sure that the Hmong would understand this notion. Life is hard work, of course, and work is very hard work
I'm quite certain they would agree with those statements - but how does marriage become hard work? Marriage becomes hard work once you have poured the entirety of your life's expectations for happiness into the hands of one mere person. Keeping that going is hard work. A recent survey of young American women found that what women are seeking these days in a husband - more than anything else - is a man who will "inspire" them, which is, by any measure, a tall order. As a point of comparison, young women of the same age, surveyed back in the 1920s, were more likely to choose a partner based on qualities such as "decency" or "honesty," or his ability to provide for a family. But that's not enough anymore. Now we want to be INSPIRED by our spouses! Daily! Step to it, honey!”

— Elizabeth Gilbert

“Some say that Jesus is the rock, or the anchor. I say that your friends and family are your anchor. And you can really hold their hands, not just sing about it. No disrespect to George Jones.”

— Gale Harold

“But not all Jews were victims- look at Chairman Rumkowski, who sat safe with his new wife in his cushy home making lists, with the blood of my family on his hands. And not all Germans were murderers. Look at Herr Fassbinder, who had saved so many children on the night that children were taken away.”

— Jodi Picoult

“Age doesn't matter. Family doesn't matter. Rules don't matter. Only you and I matter. And this ... It feels right. Better than right. Meant to be. He lost the ability to retaliate as my hands cupped him harder.”

— Pepper Winters

“Whether it's golf or writing, you have friends, and then you have 'friends' friends. Friends who are like family. I can count my close friends on two hands, which is good, I think. That's a lot. Some are at home in Spain, others are elsewhere, and some are in golf.”

— Sergio Garcia

“This is where we go our seperate ways.
Aware of the almost feel of his hand on my arm when he pulls me back to him and says, "Yes."
I look at him, unsure of what he's saying yes to.
"The questions you asked earlier, about wanting to settle down, start a family, see my family? Yes. Yes to all of it."
I try to swallow but can't, try to speak but the words just won't come.
His hands sliding around me, grasping me to him, he lets go of the vial, allows it to fall, to crash to the ground. The sparkling green liquid seeping out all around as he says, "But mostly yes to you.”

— Alyson Noel

“I'm a big kid, I'm a kid at heart, so I still love the classic family films, such as the great Warner Bros film 'Willy Wonka and the Chocolate Factory' - not the remake, but the original. It's still one of the best movies, hands down, ever made, and of course that goes back to the ingenuity of the characters and the storyline.”

— Corey Feldman

“I grew up under the sticks and stones rule. I didn't put my hands on you so why should you put your hands on me or my family.”

— Tim Hardaway

“My Portuguese uncle had a Portuguese version of a ukulele. The family would pull it out after dinner and play Portuguese folk songs on it. I couldn't wait for him to finish so I could get my hands on it. I was seven or eight years old. And he used to have a Fender amp in his house and an electric guitar. I would spend hours making sounds.”

— Joe Perry

“Thus it is that four strangers sit in the red chairs, strip off their socks, plunge their feet into the ink-baths, and hold hands under an amphibian stare. This is the first act of anyone entering Palimpsest: Orlande will take your coats, sit you down, and make you family. She will fold you four together like Quartos. She will draw you each a card-look, for you it is the Broken Ship reversed, which signifies Perversion, a Long Journey without Enlightenment, Gout-and tie your hands together with red yarn. Wherever you go in Palimpsest, you are bound to these strangers who happened onto Orlande's salon just when you did, and you will go nowhere, eat no capon or dormouse, drink no oversweet port that they do not also taste, and they will visit no whore that you do not also feel beneath you, and until that ink washes from your feet-which, given that Orlande is a creature of the marsh and no stranger to mud, will be some time-you cannot breathe but that they breathe also.”

— Catherynne M. Valente

“My mother and father were supportive. But in an Italian family, you kind of work with your hands, or you are an engineer or a doctor. But an actor was something they couldn't get hold of. They were afraid I wouldn't be able to make a living, and for many years, they were right.”

— Michael Rispoli

“So what will happen to your consciousness [after you die]? *Your* consciousness, yours, not anyone else's. Well, what are *you*? There's the point. Let's try to find out. What is it about you that you have always known as yourself? What are you conscious of in yourself? Your kidneys? Your liver? Your blood vessels? No. However far back you go in your memory, it is always in some external, active manifestation of yourself that you come across your identity
in the work of your hands, in your family, in other people. And now listen carefully. You in others
this is your soul. This is what you are. This is what your consciousness has breathed and lived on and enjoyed throughout your life
your soul, your immortality, your life in others. And what now? You have always been in others and you will remain in others. And what does it matter to you if later on that is called your memory? This will be you
the you that enters the future and becomes part of it.”

— Boris Pasternak

“Now this girl was about twenty-one years old. A sweet little coed. Spends a night with a married man. Goes home the next day and tells her mama and daddy. Don't ask me why. Maybe just to rub their faces in it. They decide she needs a lesson. Whole family drives out into the desert, right out to that spot we just passed. All three of them plus the girl's pet dog. Papa tells the girl to dig a shallow grave. Mama gets down on her hands and knees and holds the dog by the collar. When the girl is all through digging, papa gives her a .22 caliber revolver and tells her to shoot the dog. A real touching family scene. Make a good calendar for some religious group to give away. The girl puts the weapon to her temple and kills herself. Now isn't that a heartwarming story? Restores my faith in just about everything.”

— Don DeLillo

“L'Avventura,' Dad said, 'has the sort of ellipsis ending most American audiences would rather undergo a root canal than be left with, not only because they loathe anything left to the imagination-we're talking about the country that invented spandex-but also because they are a confident, self-assured nation. They know Family. They know Right from Wrong. They know God-many of them attest to daily chats with the man. And the idea that none of us can truly know anything at all-not the lives of our friends or family, not even ourselves-is a thought they'd rather be shot in the arm with their own semi-automatic rifle than face head-on. Personally, I think there's something terrific about not knowing, relinquishing man's feeble attempt to control. When you throw up your hands, say, "Who knows?" you can get on with the sheer gift of being alive.”

— Marisha Pessl

“Back in grade school, my shrinks tried to channel my viciousness into a constructive outlet, so I cut things with scissors. Heavy, cheap fabrics Diane bought by the bolt. I sliced through them with old metal shears going up and down: hateyouhateyouhateyou. The soft growl of the fabrics as I sliced it apart, and that perfect last moment, when your thumb is getting sore and your shoulders hurt from hunching and cut, cut, cut ... free, the fabric now swaying in two pieces in your hands, a curtain parted. And then what? That's how I felt now, like I'd been sawing away at something and come to the end and here I was by myself again, in my small house with no job, no family, and I was holding two ends of fabric and didn't know what to do next.”

— Gillian Flynn

“But when she saw her eating with her hands, incapable of giving an answer that was not a miracle of simple-mindedness, the only thing that she lamented was the fact that the idiots in the family lived so long.”

— Gabriel Jose Garcia Marquez

“Children believe what we tell them. They have complete faith in us. They believe that a rose plucked from a garden can plunge a family into conflict. They believe that the hands of a human beast will smoke when he slays a victim, and that this will cause him shame when a young maiden takes up residence in his home. They believe a thousand other simple things.
I ask of you a little of this childlike sympathy and, to bring us luck, let me speak four truly magic words, childhood's "Open Sesame":
Once upon a time ...”

— Jean Cocteau

“Literature, like magic, has always been about the handling of secrets, about the pain, the destruction, and the marvelous liberation that can result when they are revealed. Telling the truth when the truth matters most is almost always a frightening prospect. If a writer doesn't give away secrets, his own or those of the people he loves; if she doesn't court disapproval, reproach, and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth.”

— Michael Chabon

“Even as my family fell apart and things were at their most hopeless, my dad and I found a lot of happiness in the wilderness - sleeping on the cold gravel and killing as many things as we could get our hands on. Even as my mom got progressively more crazy, we found a happiness, in flashes.”

— Leigh Newman

“And what did you never get to do, Emma Smallwood?" he asked lightly, brushing the tears from her face. "Nothing that really matters, in hindsight." She shrugged. "Though I would have liked to travel. And perhaps encourage Aunt Jane to live her life. Live enough for the both of us." "No ordinary dreams? Of marriage, perhaps? A family?" She ducked her head. "Perhaps." Tears filled her eyes once more. He cupped her face in both of his hands and kissed her again.”

— Julie Klassen

“Even if we don't want to admit it, the ability to overcome most obstacles is within our hands. We can't blame family, society, or history if our work is meaningless, dull, or stressful. Admittedly, there are not too many options when we realize that our job is useless, or actually harmful. Perhaps the only choice is to quit as quickly as possible, even at the cost of severe financial hardship. In terms of the bottom line of one's life, it is always a better deal to do something one feels good about than something that may make us materially comfortable but emotionally miserable. Such decisions are notoriously difficult, and require great honesty with oneself.”

— Mihaly Csikszentmihalyi

“'Extinction' issue. Save the species for whom??? Humans' convenience, of course! Individuals of the species are snatched from their homes/family/habitat/held in captivity/forced to mate at great physical/ spiritual pain. When the right numbers are reached, their holocaust starts all over again! Another merry-go-round/ bu$ine$$ a$ u$ual!!! Protectionists/welfarists find it a profitable issue: no controversy/ easy donations! I'd rather see an entire species extinct than in the hands of the humans!”

— Adela Popescu

“You took advantage of Amelia," Merripen said.
"Not that it matters," Cam said in Romany, "but how did you find out?"
Merripen's huge hands flexed as if longing to rip him apart. Lucifer himself could not have had blacker, more burning eyes. "Speak in English," he said harshly. "I don't like the old language."
Frowning in curiosity, Cam readily complied.
"The maids were talking about it," Merripen replied. "I heard them standing outside my door. You dishonored one of my family."
"Yes, I know," Cam said quietly.
"You're not good enough for her."
"I know that, too." Watching him intently, Cam asked, "Do you want her for yourself, chal?"
Merripen looked mortally offended. "She's a sister to me."
"That's good. Because I want her for my wife.”

— Lisa Kleypas

“But that's what family is, isn't it? It's traditions and trinkets that only matter when we hold them up against the mirrors of our lives, lending them meaning, lending them weight, until they become heavy enough to endure without us. We create the past in the things that we choose to remember about it. We turn everything into stories, and those stories matter because we say that they do. It's all a wheel, and ours are the hands that turn it.”

— Seanan McGuire

“I am neither Jew nor Gentile, Mohammedan nor Theist; I am but a member of the human family, and would accept of truth by whomsoever offered
that truth which we can all find, if we will but seek in things, not in words; in nature, not in human imagination; in our own hearts, not in temples made with hands.”

— Frances Wright

“After sketching his program for the scientific revolution that he foresaw, Bacon ends his account with a prayer: "Humbly we pray that this mind may be steadfast in us, and that through these our hands, and the hands of others to whom thou shalt give the same spirit, thou wilt vouchsafe to endow the human family with new mercies". That is still a good prayer for all of us as we begin the twenty-first century.”

— Freeman Dyson

“With a new familiarity and a flesh-creeping homeliness entirely of this unreal, materialistic world, where all sentiment is coarsely manufactured and advertised in colossal sickly captions, disguised for the sweet tooth of a monstrous baby called the Public, the family as it is, broken up on all hands by the agency of feminist and economic propaganda, reconstitutes itself in the image of the state.”

— Wyndham Lewis

“The missionary is no longer a man, a conscience. He is a corpse, in the hands of a confraternity, without family, without love, without any of the sentiments that are dear to us. Emasculated, in a sense, by his vow of chastity, he offers us the distressing spectacle of a man deformed and impotent or engaged in a stupid and useless struggle with the sacred needs of the flesh, a struggle which, seven times out of ten, leads him to sodomy, the gallows, or prison.”

— Paul Gauguin