Quotes About Going To Work Funny

“I went to a foot specialist recently and she said:
"You've broken a bone, it's healed funny."
"What can you do?"
"Not much."
She strapped me up though and that's the reason my foot is hurting, because the strapping gave me cramp.
When I'm about to die I'm going to head ti a swamp so I topple in when the time comes. In 50,000 years when they dig me up, pretty well preserved, the scientists will have to work out what sort of life I led from my bone structure, teeth and whatnot. Maybe I'll be clutching a Felt record or something to give them a clue. They'll look at my foot and say: "This man broke a bone and it's healed funny." And they'll look at the Felt record, analysing the grooves with a Groove Analyser and they'll say: "He was obviously in an indie band and one day the pressure got too much, and he booted a wall." And they wouldn't be far from the truth, those crazy scientists.”

— Stuart Murdoch

“Most of the people you see going to work today are LARPing (live-action role playing) an incredibly boring RPG (role-playing game) called "professionalism" that requires them to alter their vocabulary, posture, eating habits, facial expressions
every detail all the way down to what they allow themselves to find funny.”

— Cory Doctorow

“So to me, Texas Hold 'em puts me to sleep. At least when you play stud, you can be funny as you deal. Somebody some day is going to come up with a Stud show that's going to work.”

— Joseph Bologna

“Every time I work on a scene or I work on the overall movie, I had my kids unconsciously in mind. Is that going to please them? Is it going to be funny for them? And if it is funny for them, is it going to be funny for their friends and their friends' friends?”

— Pierre Coffin

“All you can do is really the prep work and make sure you're ready to hit each golf shot. Outside of that, you're not sure really what's going to happen. It's a funny game, but I think that's why I love it. You never know, one day to the next; you could go shoot 62, and the next day you're going to shoot 78, and you can't predict it.”

— Rickie Fowler

“Bugs like these we've got here, you aren't going to find those unless you slow down and hunt really hard. Live nearby for a while and look. At which point it's too late, if you get a bad result. You're out of luck then." Long silence as he walked south along the beach. Then: "It's too bad. It really is a very pretty world." Later: "What's funny is anyone thinking it would work in the first place. I mean it's obvious any new place is going to be either alive or dead. If it's alive it's going to be poisonous, if it's dead you're going to have to work it up from scratch. I suppose that could work, but it might take about as long as it took Earth. Even if you've got the right bugs, even if you put machines to work, it would take thousands of years. So what's the point? Why do it at all? Why not be content with what you've got? Who were they, that they were so discontent? Who the fuck were they?" This sounded much like Devi, and Freya put her head”

— Kim Stanley Robinson

“When I read the 'Ugly Betty' pilot, I thought, 'Oh, this part's funny.' I said to my husband, 'I'm going to get it!' But based on what? All my exquisite comedic work in a Nike commercial?”

— Becki Newton

“Every set has their own personalities and their own quirks. It's funny comparing starring in a show to going in and doing recurring work - there's already a rhythm that's been established, and people know each other so well. It's like being a guest in someone else's home.”

— Sara Rue

“'Saturday Night Live' is a very particular beast. What it celebrates are individuals who can stand out. I did good work there, but going onstage and saying, 'Hey! Hey! Look at me! Aren't I funny?' - that just wasn't my instinct.”

— Chris Parnell

“I really love showing up at work at 10 A.M., trying to make it funny until 3 P.M., and then going home. It's like comedy bankers' hours.”

— Chris Eigeman

“Nookie." I giggle because the word itself is funny but hearing her say it makes it even more so. "I'm going to give you some advice because you're still a new wife-and because my son can be a little shit at times. I know; I'm his mum." She looks around as though she's about to reveal top-secret information. "Nookie equals power and there's a reason he wants it from you all the time. It levels the playing field. Don't like something he's doing? Take the nookie away. Get the results you want. Need him to see things your way but he refuses? Withhold the nookie and he'll make the fastest attitude adjustment you've ever seen. Want your husband to retire because he's going to work himself into an early grave and miss his grandchildren growing up the way he missed his kids? Close the gates of nookie and get your husband home with you instead of burying him. That's how you work it, darling. You use the power of the nookie to get the results you want.”

— Georgia Cates

“It was a kind of one-upmanship, where nobody knows what's going on, and they'd put the other one down as if they did know. They all fake that they know, and if one student admits for a moment that something is confusing by asking a question, the others take a high-handed attitude, acting as if it's not confusing at all, telling him that he's wasting their time ... All the work they did, intelligent people, but they got themselves into this funny state of mind, this strange kind of self-propagating "education" which is meaningless, utterly meaningless.”

— Richard Feynman

“I see this with experienced writers, too: They worry so much about the plot that they lose sight of the characters. They lose sight of why they are telling the story. They don't let the characters actually speak. Characters will start to dictate the story in sometimes surprising, emotional, and funny ways. If the writers are not open to those surprises, they're going to strangle the life, spark, or spirit out of their work.”

— Brian Michael Bendis

“I see no difference between my pictures that people consider amusing and the rest. To me, it's all serious work - they're just a reaction to what I see. I don't leave this apartment in the morning and say to myself 'Today I'm going to be funny and tomorrow I'm going to be sad.'”

— Elliott Erwitt

“You have hundreds of artists you're dealing with across the world and the scale of this movie [Kung Fu Panda] was insane - we had a parallel pipeline going on where you had two versions recording Mandarin voice actors, getting it to be funny for Mandarin audiences going beyond a straight translation, and then animating it and lighting it, it's a lot of work.”

— Jennifer Yuh Nelson

“I've been doing lot of work, and hopefully will bring it to fruition in a way people can see it, really understanding - this is going to sound funny, but what does government really do, how is it really funded, and what measures exist to evaluate how it does at what it does? No forecast, no policy, no prediction, just a realistic perspective on what is. Call it like a "10k for government" we've been working on with a website, with additional data.”

— Steve Ballmer

“All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.”

— Judd Apatow

“To a certain extent everybody has a certain sort of way of being a persona that they learn how to be when they're really little. They figure out that if they're really funny, or really pretty, or if they work really, really hard or are really smart, then that's what's going to get them by. That is what is going to make people like them.”

— Chuck Palahniuk

“I'm really going off of watching John Waters speak one time and I remember he just kind of talked and it was totally interesting. I wanted to hear about his life and how he got started and when did he think he made it, stupid stuff like that. And what his relationship with the mainstream is because he's so far out there, but then he became part of the mainstream in this weird way. He was really funny, though. Yeah, I have to work on my jokes.”

— Kathleen Hanna