“Their life is mysterious, it is like a forest; from far off it seems a unity, it can be comprehended, described, but closer it begins to separate, to break into light and shadow, the density blinds one. Within there is no form, only prodigious detail that reaches everywhere: exotic sounds, spills of sunlight, foliage, fallen trees, small beasts that flee at the sound of a twig-snap, insects, silence, flowers.
And all of this, dependent, closely woven, all of it is deceiving. There are really two kinds of life. There is, as Viri says, the one people believe you are living, and there is the other. It is this other which causes the trouble, this other we long to see.”
— James Salter
“I've fallen out of favour
And I've fallen from grace
Fallen out of trees
And I've fallen on my face
Fallen out of taxis
Out of windows too
Fell in your opinion
When I fell in love with you”
— Florence Welch
“As we passed this living cruelty, I shuddered in momentarily isolation and then let out an audible gasp at what I saw. They were hanging from trees! Some shaking violently, with their intestines hanging out of their bodies! Those who were still partly alive were screaming with pain, and wriggling on the branches trying to get off the ropes ... some had fallen off the branches of the trees, they were crawling along the ground, and towards us.”
— Alfred Nestor
“A walk is exploring surfaces and textures with finger, toe, and-yuck-tongue; standing still and seeing who or what comes by; trying out different forms of locomotion (among them running, marching, high-kicking, galloping, scooting, projectile falling, spinning, and noisy shuffling). It is archeology: exploring the bit of discarded candy wrapper; collecting a fistful of pebbles and a twig and a torn corner of a paperback; swishing dirt back and forth along the ground. It is stopping to admire the murmuring of the breeze in the trees; locating the source of the bird's song; pointing. Pointing!- using the arm to extend one's fallen gaze so someone else can see what you've seen. It is a time of sharing. On our block,”
— Alexandra Horowitz
“And beneath Cornwall, beyond and beneath this whole realm of England, beneath the sodden marshes of Wales and the rough territory of the Scots border, there is another landscape; there is a buried empire, where he fears his commissioners cannot reach. Who will swear the hobs and boggarts who live in the hedges and hollow trees, and the wild men who hide in the woods? Who will swear the saints in their niches, and the spirits that cluster at holy wells rustling like fallen leaves, and the miscarried infants dug in to unconsecrated ground: all those unseen dead who hover in winter around forges and village hearths, trying to warm their bare bones? For they too are his countrymen: the generations of uncounted dead, breathing through the living, stealing their light from them, the bloodless ghosts of lord and knave, nun and whore, the ghosts of priest and friar who feed on living England, and suck the substance from the future.”
— Hilary Mantel
“So, now I shall talk every night. To myself. To the moon. I shall walk, as I did tonight, jealous of my loneliness, in the blue-silver of the cold moon, shining brilliantly on the drifts of fresh-fallen snow, with the myriad sparkles. I talk to myself and look at the dark trees, blessedly neutral. So much easier than facing people, than having to look happy, invulnerable, clever. With masks down, I walk, talking to the moon, to the neutral impersonal force that does not hear, but merely accepts my being. And does not smite me down.”
— Sylvia Plath
“Who me? I play scales. The scales of
dead fish of oil-slicked seas. My sister
blows wind through the hollows of fallen
trees. And we are the echoes of eternity.
Maybe you've heard of us.
We do rebirths, revolts, and resurrections.”
— Saul Williams
“Back towards the Vale of Tempe. "Daphne!" cried the young man. She did not know that it was Apollo, the Lord of the Silver Bow; she only knew that the stranger was following her, and she ran as fast as her fleet feet could carry her. No young man had ever spoken to her before, and the sound of his voice filled her heart with fear. "She is the fairest maiden that I ever saw," said Apollo to himself. "If I could only look at her face again and speak with her, how happy I should be." Through brake, through brier, over rocks and the trunks of fallen trees, down rugged slopes, across mountain streams, leaping, flying, panting, Daphne ran. She looked not once behind her, but she heard the swift footsteps of”
— James Baldwin
“In fact he was rather boring on the subject, but I kept quiet and took comfort in that old saying about fallen apples and their distance from trees.”
— David Nicholls
“The tears, when they come to some men, are worse than beatings. They're wounded worse by sobbing, men like that, than they are by boots and batons. Tears begin in the heart, but some of us deny the heart so often, and for so long, that when it speaks we hear not one but a hundred sorrows in the heartbreak. We know that crying is a good and natural thing. We know that crying isn't a weakness, but a kind of strength. Still, the weeping rips us root by tangled root from the earth, and we crash like fallen trees when we cry.”
— Gregory David Roberts
“Bran knew. "She's a child. A child of the forest." He shivered, as much from wonderment as cold. They had fallen into one of Old Nan's tales.
"The First Men named us children," the little woman said. "The giants called us wok dak nag gran, the squirrel people, because we were small and quick and fond of trees, but we are no squirrels, no children. Our name in the True Tongue means those who sing the song of the earth. Before your Old Tongue was ever spoken, we had sun our songs ten thousand years."
Meera said, "You speak the Common Tongue now."
"For him. The Bran boy. I was born in the time of the dragon, and for two hundred years I walked the world of men, to watch and listen and learn. I might be walking still, but my legs were sore and my heart was weary, so I turned my feet for home."
"Two hundred years?" said Meera.
The child smiled. "Men, they are the children.”
— George R.R. Martin
“... but now, along this high, rocky road, it was the leaves of cherry trees that predominated. From the bridge on, these lay like fallen red flowers. Some wet leaves, already decaying, had faded to a pink that was the color of the dawn. Why should decay take the color of the dawn?”
— Yukio Mishima
“Notwithstanding the fog which rose around, I perceived the walls and roofs of the houses of Soissons, with a half-moon peering from behind them. I alighted, and, with a heart fully acknowledging the sublimity of nature, gazed upon the imposing scene. A grasshopper was chirping in the neighboring field; the trees by the road side were softly rustling; and I saw, with the mind's eye, Peace hovering over the plain, now solitary and tranquil, where Caesar had conquered, Clovis had exercised his authority, and where Napoleon had all but fallen. It shows that men - even Caesar, Clovis, and Napoleon - are only passing shadows; and that war is a fantasy which terminates with them; whilst God - and Nature, which comes from God - and Peace, which comes from Nature - are things of eternity.”
— Victor Hugo
“The trees bathed their great heads in the waves of the morning, while their roots were planted deep in gloom; save where on the borders of the sunshine broke against their stems, or swept in long streams through their avenues, washing with brighter hue all the leaves over which it flowed; revealing the rich brown of the dacayed leaves and fallen pine-cones, and the delicate greens of the long grasses and tiny forests of moss that covered the channel over which it passed in the motionless rivers of light.”
— George MacDonald
“I was so distracted when walking out of the restroom that I hadn't noticed Rose standing nearby with Dimitri Belikov. They stood arm in arm, smiling at my surprise. I hadn't seen Dimitri tonight, and his black and white guardian attire told me why. He was on duty here and had undoubtedly been one of the shadows darting among the trees of the greenhouse, keeping a watch on everyone. He must be on break now because there was no way he'd be standing so casually here, even with Rose, otherwise. And really, "casual" for Dimitri meant he could still leap into battle at any moment.
They were a striking couple. His dark-haired, dark-eyed looks matched hers, and they were both dazzlingly attractive. It was no wonder Adrian had fallen for her, and I felt surprised at how uncomfortable that memory made me. Like Sonya and Mikhail, there was a bond of love between Rose and Dimitri and Rose that was almost palpable.”
— Richelle Mead
“I don't know why we long so for permanence, why the fleeting nature of things so disturbs. With futility, we cling to the old wallet long after it has fallen apart. We visit and revisit the old neighborhood where we grew up, searching for the remembered grove of trees and the little fence. We clutch our old photographs. In our churches and synagogues and mosques, we pray to the everlasting and eternal. Yet, in every nook and cranny, nature screams at the top of her lungs that nothing lasts, that it is all passing away. All that we see around us, including our own bodies, is shifting and evaporating and one day will be gone. Where are the one billion people who lived and breathed in the year 1800, only two short centuries ago?”
— Alan Lightman
“And all these existents which bustled about this tree came from nowhere and were going nowhere. Suddenly they existed, then suddenly they existed no longer: existence is without memory; of the vanished it retains nothing-not even a memory. Existence everywhere, infinitely, in excess, for ever and everywhere; existence-which is limited only by existence. I sank down on the bench, stupefied, stunned by this profusion of beings without origin: everywhere blossomings, hatchings out, my ears buzzed with existence, my very flesh throbbed and opened, abandoned itself to the universal burgeoning. It was repugnant. But why, I thought, why so many existences, since they all look alike? What good are so many duplicates of trees? So many existences missed, obstinately begun again and again missed-like the awkward efforts of an insect fallen on its back? (I was one of those efforts.)”
— Jean-Paul Sartre
“Here may I live what life I please, Married and buried out of sight, - Married to pleasure and buried to pain, - Hidden away amongst scenes like these, Under the fans of the chestnut trees; Living my child-life over again, With the further hope of a fallen delight, Blithe as the birds and wise as the bees.”
— Violet Fane
“Brambles, in particular, protect and nourish young fruit trees, and on farms bramble clumps (blackberry or one of its related cultivars) can be used to exclude deer and cattle from newly set trees. As the trees (apple, quince, plum, citrus, fig) age, and the brambles are shaded out, hoofed animals come to eat fallen fruit, and the mature trees (7 plus years old) are sufficiently hardy to withstand browsing. Our forest ancestors may well have followed some such sequences for orchard evolution, assisted by indigenous birds and mammals.”
— Bill Mollison
“A blight had fallen on the trees and shrubs; and the wind, at length beginning to break the unnatural stillness that had prevailed all day, sighed heavily from time to time, as though foretelling in grief the ravages of the coming storm. The bat skimmed in fantastic flights through the heavy air, and the ground was alive with crawling things, whose instinct brought them forth to swell and fatten in the rain.”
— Charles Dickens
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