Quotes About Django

“It never was about the musician or the instrument - it was about the laser notes in a hall of mirrors, the music itself. It was going to change the world for the better and it has. Maybe not as fast or as much as we wanted, but it has and it still will. Whether your name is Mozart, or Django Reinhardt, or Robert Johnson, or Jimi Hendrix, or whoever is next; who you are doesn't matter so long as you can open that conduit and let the music come through. It is the burning edge, whatever it sounds like and whoever is playing it. It is the noisy, messy, silly, invincible voice of life that comes through the LP on the turn-table, the transistor radio, or the Bose in your new Lexus that makes you want to get up out of whatever you are stuck in and dance. It is Dionysus and the Maenads all over again. No one can control it and I pity whoever tries. I am old now and only a house cat sunning herself in the window - but I was a tigress once, and I remember. I still remember.”

— G.J. Paterson

“My favorite country blues player was Big Bill Broonzy. City blues was Freddie King, but I liked them all - Muddy Waters, John Lee Hooker, Ralph Willis, Lonnie Johnson, Brownie McGhee and the three Kings, B.B., Albert and Freddie. Jazz-wise, I listened to Django, Barney Kessel and Wes Montgomery.”

— Alvin Lee

“Anything by Gonzalez Rubalcaba is unbelievable. I've been listening to the best of Django Reinhardt.”

— Robert Palmer

“There were many, many other 'Django' films following mine, with other actors and directors, but there is only one 'Django.'”

— Franco Nero

“I'd describe 'Psych' as 'Real Genius' meets 'Django Unchained.'”

— James Roday

“Django has some built-in code to issue a permanent redirect (301) whenever someone asks for a URL which is almost right, except for a missing slash.”

— Anonymous.

“A script arrived, and on the front cover - scrawled really big, as if it were a book report - is 'Django Unchained, written by Quentin Tarantino.' And I thought, 'Well, no art department came up with this; this is Quentin's writing.'”

— Dennis Christopher

“Tarantino's 'Django' amused me very much. It is as made by an adult that was still a child.”

— Alejandro Jodorowsky

“'Django' was definitely the beginning of my political side, and I think 'Hateful Eight' is the ... logical extension and conclusion of that. I mean, when I say conclusion, I'm not saying I'll never be political again, but, I mean, I think it's like, in a weird way, 'Django' was the question, and 'Hateful Eight' is the answer.”

— Quentin Tarantino

“I had so much fun doing Django, and I love westerns so much that after I taught myself how to make one, it's like, 'OK, now let me make another one now that I know what I'm doing.'”

— Quentin Tarantino

“I liked the idea of creating a new pop-culture, folkloric hero character that I created with 'Django' that I think's gonna last for a long time. And I think as the generations go on and everything, you know, my hope is it can be a rite of passage for black fathers and their sons. Like, when are they old enough to watch 'Django Unchained'?”

— Quentin Tarantino

“With 'Django Unchained,' when you're dealing with slavery, it's like a gymnastics routine with the highest amount of difficulty. Quentin Tarantino is not going to do a movie that's just going to lay there and be safe. There's going to be twists and flips.”

— Jamie Foxx

“I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore, and I am very squeamish about violence, but Tarantino's violence is actually funny.”

— Salman Rushdie

“I didn't have a knee-jerk reaction like some people did to the language and the violence. My stepfather was a history teacher at Lincoln High School in Dallas. So, I was already familiar with the N-word and the brutality of slavery. What I was drawn to was the love story between Django and Broomhilda and how he defends and gets the girl in the end. I thought it was just an amazing and courageous project.”

— Jamie Foxx

“Usually, no one quite knew where Django Reinhardt was going to be, but I met his brother and about an hour later in walks Django with an entourage of friends. He always traveled with a large group-carried his own admirers with him, the most sinister-looking bunch of hoodlums you've ever seen. I walked up and offered to buy him a drink. That seemed to be the right thing to do ... he was the first really brilliant solo guitarist I ever became aware of, I had records of his when I was 10 years old. It just blew my mind that anyone could play a guitar like that. Still does.”

— Charlie Byrd

“I was writing a film criticism book on Sergio Corbucci, the director who did the original Django. So, I was kind of getting immersed in his world. Towards the end of the Inglourious Basterds press tour I was in Japan. Spaghetti Westerns are really popular there, so I picked up a bunch of soundtracks and spent my day off listening to all these scores. And all of a sudden the opening scene [Django] just came to me.”

— Quentin Tarantino

“I feel like I barely survived Django (Unchained) emotionally - the violence, hearing the N-word every day. It cost me a lot psychologically, but it was worth it to tell that story.”

— Kerry Washington

“By far the most astonishing guitar player ever has got to be Django Reinhardt ... Django was quite superhuman, There's nothing normal about him as a person or a player.”

— Jeff Beck

“Charlie Christian had no more impact on my playing than Django Reinhardt or Lonnie Johnson. I just wanted to play like him. I wanted to play like all of them. All of these people were important to me. I couldn't play like any of them, though ...”

— B.B. King

“The film [Django] really has a lot of ups and downs, and taps into a lot of different emotions. To me, the trick was balancing all those emotions, so that I could get you where I wanted you to be by the very end. I wanted the audience cheering in triumph at the end.”

— Quentin Tarantino

“Frankly, Django is an American story that needs to be told, when you think of slavery existing in this country for 245 years. In slave narratives there were all types of tales and drama and heroism and pain and love that happened during that time. That's rich material for drama! Everyone complains that there are no new stories left to tell. Not true, there are a whole bunch of them, and they're all American with a capital A.”

— Quentin Tarantino

“I would've written this story [Django] if [Barack] Obama were president or if he never existed. For one, I think it's time to tell a story that deals with this subject America has avoided for so long. Most countries have been forced to deal with the atrocities of their past that still affect them to this day. But America has been pretty slippery in the way that it has avoided looking slavery in the eye. I believe that's a problem.”

— Quentin Tarantino

“I cut the scene out, but there was a moment where Christoph Waltz plays the piano in 'Django [Unchained]' - Jamie [Foxx] is a magnificent piano-player but there's never a moment where Django plays the piano.”

— Quentin Tarantino