Quotes About Close Up Photography

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“The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didnt relate to European photography. It was too poetic and anecdotal for me ... the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didnt see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.”
— William Klein —

“Photography is like stealing.You rob someone of a moment that exposes something essential about their character,their soul if you like.there are people who are very conscious of that,who find that terrifying.The thought that everyone,friend of foe,can get so close to you,look you straight in the eye and judge you without having any control over it or being able to respond.A part of them has become the property of the photographer.”

— Esther Verhoef

“War is the easiest photography in the business. Just get close, be lucky, know how your camera works. There are subjects everywhere. Everyplace you go, there is something to photograph in a war, like being in the middle of a hurricane or a train crash or an earthquake. You can't miss it.”

— David Douglas Duncan

“You know, my parents have always been incredibly supportive. I'm an only child, so we're very close. There's just the three of us. They're exceptional parents but also great friends. My father was able to take his hobby, photography, and turn it into a beautiful career. So when they saw how much I loved acting, they were 100 percent behind me.”

— Sophia Bush

“I never felt in competition with anybody in war photography. You're lucky to get your ass in and out again. It's as simple as that. It's the easiest photography in the world to shoot somebody who's been shot up. It doesn't take a genius. That's easy. The only thing you need to know is your photography. Get in and if you're lucky get out. And get as close as you can get.”

— David Douglas Duncan

“To do a portrait today, I decide how close I can get to my subject. First, of course, mentally or intellectually, then in the viewfinder. Music cues the subject and me when to shoot. The music played during a photography session is most important - stimulating to the subject and to me. As in a film, the music builds or becomes quiet, romantic; just one note sets the actor up to emote for his audience. I want a reciprocal portrait, not a bureaucratic one”

— Victor Skrebneski

“The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn't relate to European photography. It was too poetic and anecdotal for me ... the kinetic quality of new york, the kids, dirt, madness-I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn't see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.”

— William Klein