Quotes About Bloody Sunday

“That in this town prostitutes may give sewing lessons to ladies of the church, pirates my be consulted for their opinions on seaworth by shipbuilders, Christians and Jews may stroll together on a Sunday, and Indians my play dice games with leatherstockings, but let one silver piece fall in a crack between two members of the same profession and it's bloody war.”

— Robert McCammon

“I can't believe the news today
Oh, I can't close my eyes
And make it go away
How long ...
How long must we sing this song
How long, how long ...
'cause tonight ... we can be as one
Tonight ...
Broken bottles under children's feet
Bodies strewn across the dead end street
But I won't heed the battle call
It puts my back up
Puts my back up against the wall
Sunday, Bloody Sunday”

— U2

“This is what songs do, even dumb pop songs: they remind us that emotions are not an inconvenient and vaguely embarrassing aspect of the human enterprise but its central purpose. They make us feel specific things we might never have felt otherwise. Every time I listen to "Sunday Bloody Sunday," for instance, I feel a pugnacious righteousness about the fate of the Irish people. I hear that thwacking military drumbeat and Bono starts wailing about the news he heard today and I'm basically ready to enlist in the IRA and stomp some British Protestant Imperialist Ass, hell yes, bring on the fucking bangers and mash and let's get this McJihad started.”

— Steve Almond

“U2 are a great band; they've given us an unbelievable body of work, and all of us musicians owe them at least something. I can honestly say that every time I have played the Red Rocks Amphitheatre in Colorado, as soon as my drums are set up, I go into the beat of 'Sunday Bloody Sunday.'”

— Jimmy Chamberlin

“No one wanted to own Bloody Sunday.”

— James Nesbitt

“Before I read the 'Bloody Sunday' script, I have to admit I hadn't thought about it that much. There was probably even part of me which assumed there was no smoke without fire. That the Catholics who were shot must have done something to provoke such a response from the army. I was extremely ignorant of the whole situation.”

— James Nesbitt

“The whole process of making 'Bloody Sunday' was difficult but extraordinary.”

— James Nesbitt

“A lot of people of my Ulster Protestant background would have been very suspicious of the notion of a film about Bloody Sunday. Our fear would have been that it would be terribly anti-Britain and anti-soldiers: a piece of nationalist propaganda.”

— James Nesbitt

“When you reflect upon the significance of Dr. King to this nation, it's criminal that he hasn't had a feature film that was centered around him until now. That, in and of itself, was emotional. But when you're doing scenes on the Edmund Pettus Bridge, with people still living in Selma and now in their 60s and 70s who had actually marched, who were there that original Bloody Sunday, that's humbling ... that's deeply moving. You're no longer acting at that stage, you're just reacting, because it takes the filmmaking process to another dimension.”

— David Oyelowo

“But "Bloody Sunday" was only the beginning of a year of terror. Three weeks later, in February, Grand Duke Serge, the Tsar's uncle and Ella's husband, was assassinated in Moscow. The Grand Duke, who took a harsh pride in knowing how bitterly he was hated by revolutionaries, had just said goodbye to his wife in their Kremlin apartment and was driving through one of the gates when a bomb exploded on top of him. Hearing the shuddering blast, Ella cried, "It's Serge," and rushed to him. What she found was not her husband, but a hundred unrecognizable pieces of flesh, bleeding into the snow.”

— Robert K. Massie

“The best set was probably 'Bloody Sunday.' We had no money for extras and gambled on months of outreach to persuade the people of Derry to turn out and march for us on one single afternoon. And they did. In their tens of thousands. Seeing them march, their patience and their dignity and their commitment, I knew the movie would have a quality of truth.”

— Steven Soderbergh

“This impressed me when I was the editor of the Sunday Times [of London] - we had the "Bloody Sunday" killings of 13 unarmed civilians by British paratroopers. We interviewed 500 people for our report, and not one of them could give us a total picture of what was happening. It was like the Rashomon effect multiplied a million times. For a website or even a newspaper to be a collector of information flow is not the highest form of journalism.”

— Harold Evans