“I rolled the second car that I ever owned, a Toyota 4 Runner. This was winter in Colorado, two weeks before the 2002 Olympic trials. I was driving in the outside lane, and my rear tire caught some black ice, and we totally turned sideways to the point where we were heading right toward the median.”
— Apolo Ohno —
“Asking a girl if she's alright is like jaywalking across a black ice-covered 4 lane street: you think you can make it safely to the other side, but you're more likely to slip and fall to a most certain death.”
— David Bowick
“Sam rocked backwards and felt all the breath leave his body. Sam felt all his breath leave the room, the apartment, the building. the city. Sam felt all his breath leave the world, the night, and travel up to the stars where it turned to ice and stretched atom-thin into every corner of the galaxy. Then it retracted, gathering up all the black world, and wound its way back through interstellar space and dark matter and the secrets of infinity, back into the earth's orbit, back into his night in his city, back into his very lungs. It was okay. He was just trying to help, to ease woes and mend hearts and cool seared souls, to guide the bereaved out of the land of the lost, to make the mourning a little less lonesome. He was forgiven.”
— Laurie Frankel
“A day, a livelong day, is not one thing but many. It changes not only in growing light toward zenith and decline again, but in texture and mood, in tone and meaning, warped by a thousand factors of season, of heat or cold, of still or multi winds, torqued by odors, tastes, and the fabrics of ice or grass, of bud or leaf or black-drawn naked limbs. And as a day changes so do its subjects, bugs and birds, cates, dogs, butterflies and people.”
— John Steinbeck
“The floor of ice cream parlor bothered me. It was black-and-white checkboard tile, bigger than supermarket checkboard. If I looked only at a white square, I would be all right, but it was hard to ignore the black squares that surrounded the white ones. The contrast got under my skin. The floor meant yes, no, this, that, up, down, day, night -all the indecisions and opposites that were bad enough in life without having them spelled out for you on the floor.”
— Susanna Kaysen
“It rarely snows because Antarctica is a desert. An iceberg means it's tens of millions of years old and has calved from a glacier. (This is why you must love life: one day you're offering up your social security number to the Russia Mafia; two weeks later you're using the word calve as a verb.) I saw hundreds of them, cathedrals of ice, rubbed like salt licks; shipwrecks, polished from wear like marble steps at the Vatican; Lincoln Centers capsized and pockmarked; airplane hangars carved by Louise Nevelson; thirty-story buildings, impossibly arched like out of a world's fair; white, yes, but blue, too, every blue on the color wheel, deep like a navy blazer, incandescent like a neon sign, royal like a Frenchman's shirt, powder like Peter Rabbit's cloth coat, these icy monsters roaming the forbidding black.”
— Maria Semple
“As the hooded figure spun, his cloak swirling around him. My stomach lurched as our gazes met. Cold ice-blue eyes stabbed at me from beneath the hood, and bright silver hair fell around his face, the only spots of color to be seen. Beneath the cloak, he was dressed in black: black shirt, pants, boots, even gloves. I remembered the smiling, easygoing faery from just a week ago. The hard-eyed creature dressed all in black, staring at me in this den of shadow and fear, seemed like a stranger.”
— Julie Kagawa
“Megan almost pouted at the reappearance of the black T-shirt covering his body, but a chuckle bubbled out at the sight of two bowls, two spoons, and four half gallons of ice cream lined up on the kitchen counter. "What do you want for breakfast?" she deadpanned.
His brow furrowed. He looked from her to the ice cream and back. "I thought ... "
She patted his arm. All solid muscle. "Just teasing. Dig in.”
— Laura Kaye
“For driving, a January thaw was always preferable to actual ice, but when it was over things froze more treacherously than before. And in its melting and condensing the roadside snow turned to clumps reminiscent of black-spotted cauliflower. Better never to have thawed.”
— Lorrie Moore
“For a moment, my lights picked out like searchlights the girl's naked body, slight as a child's, ivory white against the dead white of the snow, her hair bright as spun glass. She did not look in my direction. Motionless, she kept her eyes fixed on the walls moving slowly towards her, a glassy, glittering circle of solid ice, of which she was the centre. Dazzling flashes came from the ice-cliffs far over her head; below, the outermost fringes of ice had already reached her, immobilised her, set hard as concrete over her feet and ankles. I watched the ice climb higher, covering knees and thighs, saw her mouth open, a black hole in the white face, heard her thin agonised scream.”
— Anna Kavan
“I give a speech to the black freshmen at Harvard each year, and I say, 'You can like Mozart and ice hockey ... ' - and then I used to say 'golf,' but Tiger took over golf! - 'and Picasso and still be as black as the ace of spades.'”
— Henry Louis Gates
“There is always a moment when stories end, a moment when everything is blue and black and silent, and the teller does not want to believe it is over, and the listener does not, and so they both hold their breath and hope fervently as pilgrims that it is not over, that there are more tales to come, more and more, fitted together like a long chain coiled in the hand. They hold their breath; the trees hold theirs, the air and the ice and the wood and the Gate. But no breath can be held forever, and all tales end.”
— Catherynne M. Valente
“There is nothing of God or Light in that heartless sound - it is all black winter and dark ice.”
— Stephen King
“Evil Hall had been transformed into a magnificent ballroom, glittering with green tinsel, black balloons, thousands of green-flamed candles, and a spinning chandelier streaking wall murals with emerald bursts of light. Around a towering ice sculpture of two entwined snakes, Hort and Dot stumbled through a waltz, Anadil wrapped her arms around Vex, Brone tried not to step on Mona's green feet, and Hester and Ravan swayed and whispered as more villainous couples waltzed around them. Ravan's bunk mates picked up the music on reed violins as more pairs flooded onto the floor, clumsy, bashful, but aglow with happiness, dancing beneath a spangled banner:
THE 1ST ANNUAL VILLAINS NO BALL”
— Soman Chainani
“The lightning bugs are back. They fly low to the ground as the lawn dissolves from green to black in the dusk. Seeing them, I can reconstruct a childhood: a hot night under tall trees; the Good Humor man, in his square white truck, the freezer smoky when he reaches inside for an ice cream.
The lightning bugs trapped in empty jars with holes on top. "Let them out," our mother said, "or they will die in there." We were careless. We always
forgot to open the jars. The bugs would be there in the morning, their yellow tails dim in the white light of the summer sun, pathetic as they lay on
their backs. We were always horrified by what we had done. As night fell we shook them out and caught more.
I relive the magic of the yellow light without the bright white of hindsight. The little flares in the darkness, a distillation of the kind of life we think we had, we wish we had, we want again.”
— Anna Quindlen
“Those boots were almost all he owned in this world. They were his home. An anecdote: One time a recruit was watching him bone and wax those golden boots, and he held one up to the recruit and said, 'If you look in there deeply enough, you'll see Adam and Eve.'
Billy Pilgrim had not heard this anecdote. But, lying on the black ice there, Billy stared into the patina of the corporal's boots, saw Adam and Eve in the golden depths. They were naked. They were so innocent, so vulnerable, so eager to behave decently. Billy Pilgrim loved them.
Next to the golden boots were a pair of feet which were swaddled in rags. They were crisscrossed by canvas straps, were shod with hinged wooden clogs. Billy looked up at the face that went with the clogs. It was the face of a blond angel of fifteen-year-old boy.
The boy was as beautiful as Eve.
Billy was helped to his feet by the lovely boy, by the heavenly androgyne.”
— Kurt Vonnegut
“Bags and boxes across the hot parking lot to the van. On the way back to the mall, Willa Jean, who spotted the ice-cream store that sold fifty-two flavors, told her uncle she needed an ice-cream cone. Uncle Hobart agreed that ice-cream cones were needed by all. Inside the busy shop, customers had to take numbers and wait turns. Ramona, responsible for Willa Jean, who could not read, was faced with the embarrassing task of reading aloud the list of fifty-two flavors while all the customers listened. Strawberry, German chocolate, vanilla, ginger-peachy, red-white-and-blueberry, black walnut, Mississippi mud, green bubble gum, baseball nut.”
— Beverly Cleary
“Young women looking after a children's summer camp, the ice-cream vendor's horn (his cart is a gondola on wheels, pushed by two handles), the displays of fruit, red melons with black pips, translucent, sticky grapes
all are props for the person who can no longer be alone. [1] But the cicadas' tender and bitter chirping, the perfume of water and stars one meets on September nights, the scented paths among the lentisks and the rosebushes, all these are signs of love for the person forced to be alone. [2]
[1] That is to say, everybody.
[2] That is to say, everybody.”
— Albert Camus
“But it is never over;
nothing ends until we want it to.
Look, in shattered midnights,
On black ice under silver trees,
We are still dancing, dancing.”
— Gwendolyn MacEwen
“In another universe I probably came out OK, ended up with mad novias and jobs and a sea of love in which to swim, but in this world I had a brother who was dying of cancer and a long dark patch of life like a mile of black ice waiting for me up ahead.”
— Junot Diaz
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