“This advance (at first very much against the will of the outdistanced men) will transform the love experience, which is now filled with error, will change it from the ground up, and reshape it into a relationship that is meant to be between one human being and another, no longer one that flows from man to woman. And this more human love (which will fulfill itself with infinite consideration and gentleness, and kindness and clarity in binding and releasing) will resemble what we are now preparing painfully and with great struggle: the love that consists in this: that two solitudes protect and border and greet each other.”
— Rainer Maria Rilke —
“To be honest, I'm not sure about this whole scared of commitment business. I think it's become too handy, a useful phrase that men can bandy about whenever they feel like being assholes. And sure, I do believe there are some men who are genuinely terrified of commitment, but there aren't that many, and for the most part I think it's that they haven't met the right woman yet. Because if a man, no matter how scared he professed to be, met the woman of his dreams, he wouldn't want to let her go, would he? And sure, he might not want to actually get married, but if he were madly in love and risked losing her, he'd do it, wouldn't he?
That's what I think, anyway.”
— Jane Green
“In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so,-the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets.”
— Edward Carpenter
“What is it which makes a man and a woman know that they, of all other men and women in the world, belong to each other? Is it no more than chance and meeting? no more than being alive together in the world at the same time? Is it only a curve of the throat, a line of the chin, the way the eyes are set, a way of speaking? Or is it something deeper and stranger, something beyond meeting, something beyond chance and fortune? Are there others, in other times of the world, whom we should have loved, who would have loved us? Is there, perhaps, one soul among all others
among all who have lived, the endless generations, from world's end to world's end
who must love us or die? And whom we must love, in turn
whom we must seek all our lives long
headlong and homesick
until the end?”
— Robert Nathan
“I'm a fucking idiot.
No, he was a man in love with a woman who meant the entire universe to him.
Like I said, you're a fucking idiot.
And for the first time in his life, he was happy being stupid because the only alternative would be existing without her, and now that he'd tasted the sunlight she brought into his world, he never wanted to live in the darkness again.
Please don't send me back to the night.”
— Sherrilyn Kenyon
“For here again, we come to a dilemma. Different though the sexes are, they intermix. In every human being a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is the very opposite of what it is above.
For it was this mixture in her of man and woman, one being uppermost and then the other, that often gave her conduct an unexpected turn. The curious of her own sex would argue how, for example, if Orlando was a woman, did she never take more than ten minutes to dress? And were not her clothes chosen rather at random, and sometimes worn rather shabby? And then they would say, still, she has none of the formality of a man, or a man's love of power.”
— Virginia Woolf
“I was in love with the idea of being in love with a woman way before I was actually in love with one.”
— Jimmy Carr
“I like Kelela. I like Twigs. I love the more old school; I hate to say old school, but I love Peaches; I love Peaches, I love Cat Power. And there's constantly new things coming up. But there's something so beautifully powerful - for me being a woman, when there's a woman doing something, it really strikes a chord.”
— Neneh Cherry
“The love of the married man and woman is not a private romance, but a recapitulation of the love that brought them into being in the first place, and that love is what we all duly celebrate.”
— Anthony Esolen
“There is a great deal we never think of calling religion that is still fruit unto God, and garnered by Him in the harvest. The fruits of the Spirit are love, joy, peace, long suffering, gentleness, patience, goodness. I affirm that if these fruits are found in any form, whether you show your patience as a woman nursing a fretful child, or as a man attending to the vexing detail of a business, or as a physician following the dark mazes of sickness, or as a mechanic fitting the joints and valves of a locomotive; being honest true besides, you bring forth truth unto God.”
— Edward Bulwer-Lytton, 1st Baron Lytton
“When you're in love, when somebody says something like, "How can you be with that woman?" you say, "What do you mean? I am with this goddess of love, the fulfillment of my whole life. Why are you saying this? Why do you want to throw a rock at her or punish me for being in love with her?”
— John Lennon
“I love being a woman. You can cry. You get to wear pants now. If you're on a boat and it's going to sink, you get to go on the rescue boat first. You get to wear cute clothes. It must be a great thing, or so many men wouldn't be wanting to do it.”
— Gilda Radner
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