My World In One Picture Quotes

“I see the Christian world like this: we've inherited a divided map of the truth, and each of us has a piece. Our traditions teach us that no one else has a valid map and that our own church's piece shows us all the terrain and roads that exist. In fact, there is much more terrain, more roads, and more truth for us to see if we can accept and read one another's maps, fitting them together to give us a clearer picture of the larger Christian tradition.”

— Michael Spencer

“In its quest to discover how the patterns of reality are organised, the story of modern science hints at a picture of a set of Chinese puzzle boxes, each one more intricately structured and wondrous than the last. Every time the final box appears to have been reached, a key has been found which has opened up another, revealing a new universe even more breathtakingly improbable in its conception. We are now forced to suspect that, for human reason, there is no last box, that in some deeply mysterious, virtually unfathomable, self-reflective way, every time we open a still smaller box, we are actually being brought closer to the box with which we started, the box which contains our own conscious experience of the world. This is why no theory of knowledge, no epistemology, can ever escape being consumed by its own self-generated paradoxes. And this is why we must consider the universe to be irredeemably mystical.”

— Bob Hamilton

“When you drop a glass or a plate to the ground it makes a loud crashing sound. When a window shatters a table leg breaks or when a picture falls off the wall it makes a noise. But as for your heart when that breaks it s completely silent. You would think as it s so important it would make the loudest noise in the whole world or even have some ... Read Moresort of ceremonious sound like the gong of a cymbal or the ringing of a bell. But it s silent and you almost wish there was a noise to distract you from the pain. If there is a noise it s internal. It screams and no one can hear it but you. It screams so loud your ears ring and your head aches. It trashes around in your chest like a great white shark caught in the sea it roars like a mother bear whose cub has been taken. That s what it looks like and that s what it sounds like a trashing panicking trapped great big beast roaring like a prisoner to its own emotions. But that s the thing about love no one is untouchable.”

— Cecelia Ahern

“Blindness to larger contexts is a constitutional defect of human thinking imposed by the painful necessity of being able to concentrate on only one thing at a time. We forget as we virtuously concentrate on that one thing that hundreds of other things are going on at the same time and on every side of us, things that are just as important as the object of our study and that are all interconnected in ways that we cannot even guess. Sad to say, our picture of the world to the degree to which it has that neatness, precision, and finality so coveted by scholarship is a false one.
I once studied with a famous professor who declared that he deliberately avoided the study of any literature east of Greece lest the new vision destroy the architectonic perfection of his own celebrated construction of the Greek mind. His picture of that mind was immensely impressive but, I strongly suspect, completely misleading.”

— Hugh Nibley

“The time has come to realise that an interpretation of the universe-even a positivist one-remains unsatisfying unless it covers the interior as well as the exterior of things; mind as well as matter. The true physics is that which will, one day, achieve the inclusion of man in his wholeness in a coherent picture of the world.”

— Pierre Teilhard De Chardin

“S death one of those adventures from which I can't emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists ... A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? Can she remember that summer's day while I cannot?”

— Rebecca Goldstein

“Graffiti is one of the few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make someone smile while they're having a piss.”

— Banksy

“He thinks, if you were born in Putney, you saw the river every day, and imagined it widening out to the sea. Even if you had never seen the ocean you had a picture of it in your head from what you had been told by foreign people who sometimes came upriver. You knew that one day you would go out into a world of marble pavements and peacocks, of hillsides buzzing with heat, the fragrance of crushed herbs rising around you as you walked. You planned for what your journeys would bring you: the touch of warm terra-cotta, the night sky of another climate, alien flowers, the stone-eyed gaze of other people's saints. But if you were born in Aslockton, in flat fields under a wide sky, you might just be able to imagine Cambridge: no farther.”

— Hilary Mantel

“Emperor, right." she retacked the curtain "That's weird to say, after eighteen years of listening to celebrity gossip feeds go on and on about 'Earth's favorite prince'". She claimed one of the lumpy sofa cushions, curling her legs beneath her. "I had a picture of him taped to my wall when I was fifteen. Grand-mere cut it off a cereal box."
Wolf scowled.
"Of course, half the girls in the world probably had that same picture from that same cereal box."
Wolf scrunched his shoulders against his neck, and Scarlet grinned, teasing. "Oh, no. You're not going to have to fight him for pack dominance now are you? Come here."
She beckoned him with a wave of her hand and he was at her side in half a second, the glower softening as he pulled her against his chest.”

— Marissa Meyer

“No one painted a more accurate picture of military depredation than Vergil. Inspired though he was by the Latin spirit and by his pride in Rome, he nevertheless glorified Rome's true mission as one of providing the world with the rules of peace and justice.”

— Ernesto Teodoro Moneta

“Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself.”

— Rod Steiger

“How do you know this is Paige?" I ask, pretty sure this is another fantasy. It's one thing to have Dad's tracking device. It's another to actually be tracking Paige, considering she needs to have the transmitter on her.
"The devil tells me." She lowers her head, looking troubled. "If I promise him certain things," she mumbles.
"Okay." I rub my forehead, trying to be patient. There's a certain art to getting information out of my mom. You need one foot in reality and one foot in her world to get a better picture of what she's talking about. "How does the devil know where Paige is?"
She looks up at me as if I'd asked the dumbest question in the world.
"The transmitter, of course.”

— Susan Ee

“One way to think of it is in terms of maps and globes. Maps are easy. They're flat and predictable, easy to chart out a course. You can see the whole landscape in a simple, two-dimensional layout. However, as easy as they are, maps are unrealistic. The world isn't flat; it's not color coded and foldable and easily stored in your car's glove box. Life is too complex and beautiful to be captured on a map. It may help you see the big picture, but it does not help you understand the magnitude of the journey.”

— Jeff Goins

“His existence had always been comfortable, he had always held a clear picture of himself, his duties, and his place in a world. He saw that world as a place so full of turning gears he had no hope of comprehending how things fit together, so why even try?
Now things were different, however. Now he wasn't just looking out from inside of the clockwork. Instead, he was actually seeing the final motion of the escapement-the ticking hands of the clock itself.
And it was a doomsday clock.
Both his feline and human instincts told him to let it be. It was not his problem, or his place to interfere. If the living world was destined to fall, let it happen, let it pass into history once and for all. Who was he to try to save it?
But on the other hand, if the living world were lost, then there would never again be great cats to furjack ... and couldn't it be that hearing the actual ticking of the clock gave one the responsibility to stop it?”

— Neal Shusterman

“Being on that pitcher's mound, it's the one thing I'm really good at. The one thing I haven't fucked up. And when I'm on the field, everything else fades away. You know?" He turned to look at me, his eyes craving understanding.
I smiled and he continued. "It's like my mind is clear when I'm out there. It's not about my mom or my dad or the stupid shit I've done. It's about me, the ball, and the batter. It's the one place in the world where I feel like I'm in control. Like I have a say in what happens around me."
I stopped my head from nodding in agreement once I realized that I was doing it. "I feel that way when I'm taking pictures. Anything that I'm not seeing through my lens fades away in the background. And I get to frame my picture any way I choose. I get to dictate how it looks. What's in it. What isn't. Behind that lens I have complete control in how things are seen."
He smiled, his dimples indenting his cheeks. "You get it.”

— J. Sterling

“She sat down on one of her grandmother's uncomfortable armchairs, and the cat sprang up into her lap and made itself comfortable. The light that came through the picture window was daylight, real golden late-afternoon daylight, not a white mist light. The sky was a robin's-egg blue, and Coraline could see trees and, beyond the trees, green hills, which faded on the horizon into purples and grays. The sky had never seemed so sky, the world had never seemed so world ... Nothing, she thought, had ever been so interesting.”

— Neil Gaiman

“The picture which the philosopher draws of the world is surely not one in which every stroke is necessitated by pure logic.”

— Morris Raphael Cohen

“Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know ... And if he can match her import, the two, the knower and the known, will be released from every limitation ... The hero who can take her as she is, without undue commotion but with the kindness and assurance she requires, is potentially the king, the incarnate god, of her created world.”

— Joseph Campbell

“As for you, you were dead in your transgressions and sins, in which you used to live when you followed the ways of this world and of the ruler of the kingdom of the air, the spirit who is now at work in those who are disobedient. All of us also lived among them at one time, gratifying the cravings of our sinful nature and following its desires and thoughts. Like the rest, we were by nature objects of wrath. But because of his great love for us, God, who is rich in mercy, made us alive with Christ even when we were dead in transgressions - it is by grace you have been saved. Again we see the contrast drawn so sharply between our ruin and God's remedy. In verses 1-3, Paul described us as dead in our sins, under the sway of Satan, captivated by the world, prisoners of our own sinful lusts, and objects of God's holy wrath. Could any picture be more dark, any background more contrasting?”

— Jerry Bridges

“She was smart and terribly determined, this girl-her will was pure steel, through and through-but she was as human as anyone else. She was lonely, too. Lonely in a way that perhaps only single girls fresh from small Midwestern towns know. Homesickness is not always a vague, nostalgic, almost beautiful emotion, although that is somehow the way we always seem to picture it in our mind. It can be a terribly keen blade, not just a sickness in metaphor but in fact as well. It can change the way one looks at the world; the faces one sees in the street look not just indifferent but ugly ... perhaps even malignant. Homesickness is a real sickness- the ache of the uprooted plant.”

— Stephen King

“The desire for sudden change and the thought of their realization by force often appears among men like a disease and gains ground mainly in young brains; only these brains do not think as they should, do not amount to anything in the end and the heads that think thus do not remain long on their shoulders. For it is not human desires that dispose and administer the things of this world. Desire is like a wind, it sifts the dust from one place to another, sometimes darkens the whole horizon, but in the end calms down and leaves the old and eternal picture of the world. Lasting deeds are realized on this earth only by God's will, and man is only His humble and blind tool.”

— Ivo Andrić

“In all three cases, and for most human beings, the problem of suffering poses no difficult problem at all: one has a world picture in which suffering has its place, a world picture that takes suffering into account.”

— Walter Kaufmann

“That early community taught me how wonderful it is to connect with like-minded people. No matter how lonely and isolated and starved for connection you are, there's always the possibility in the online world that you can find a place to be accepted, or discover a friendship that's started with the smallest of interests but could last a lifetime. Your qualification for finding a place to belong is enthusiasm and passion, and I think that's a beautiful thing.
No one should feel lonely or embarrassed about liking something. Except for illegal sex picture stuff. And murder and dogfighting ... I'll make a list. It'll be pretty long, now that I think about it. But you get the gist.”

— Felicia Day

“He looked at a picture on the wall and saw everything that existed outside the room he was sitting in and the one he was trying to write about. It was a picture of fishing nets stowed in canvas baskets and it had sex, memories, cravings, names of old friends, principal rivers of the world. Writing was bad for the soul when you got right down to it. It protected your worst tendencies. Narrowed everything to failure and its devastations. Gave your cunning an edge of treachery and your jellyfish heart a reason to fall deeper into silence.”

— Don DeLillo

“Adoption, I was to learn although not immediately, is hard to get right.
As a concept, even what was then its most widely approved narrative carried bad news: if someone "chose" you, what does that tell you?
Doesn't it tell you that you were available to be "chosen"?
Doesn't it tell you, in the end, that there are only two people in the world?
The ones who "chose" you?
And the other who didn't?
Are we beginning to see how the word "abandonment" might enter the picture? Might we not make efforts to avoid such abandonment? Might not such efforts be characterized as "frantic"? Do we want to ask ourselves what follows? Do we need to ask ourselves what words come next to mind? Isn't one of those words "fear"? Isn't another of those words "anxiety"?”

— Joan Didion

“Nothing is fair. The most one can hope is for things to be logical. Justice is a rare illness in a world that is otherwise a picture of health.”

— Carlos Ruiz Zafón

“Over at our place, we're sure of just one thing: everybody in the world was once a child. So in planning a new picture, we don't think of grown-ups, and we don't think of children. But just of that fine, clean, unspoiled spot down deep in every one of us, that maybe the world has made us forget.”

— Walt Disney Company

“One of the classic settings in fiction, a little world as reassuring as imperial St Petersburg or Victorian London, is suburban Connecticut in the 1950s. If you close your eyes, you can picture autumn leaves drifting down on quiet streets, you can see commuters in fedoras streaming off the platforms of the New Haven Line, you can hear the tinkle of the evening's first pitcher of martinis; and hear the ugly fights then, after midnight; and smell the desperate or despairing sex.
(Introduction to "The Man in the Gray Flannel Suit")”

— Jonathan Franzen

“A complete autobiography would indeed be a picture of the outer and inner universe photographed upon one little life's consciousness. For does not the whole world, seen and unseen, go to the making up of every human being?”

— Lucy Larcom

“One must picture everything in the world as an enigma, and live in the world as if in a vast museum of strangeness.”

— Giorgio De Chirico

“Very soon I discovered that if one gets a feeling for no more than a dozen other radiation and nuclear constants, one can imagine the subatomic world almost tangibly, and manipulate the picture dimensionally and qualitatively, before calculating more precise relationships.”

— Stanislaw Ulam

“When I look at a wildlife or nature subject, I dont see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures. I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; and herein lies the lure of the painting; in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe.”

— Charley Harper

“When we are mindful of every nuance of our natural world, we finally get the picture: that we are only given one dazzling moment of life here on Earth, and we must stand before that reality both humbled and elevated, subject to every law of our universe and grateful for our brief but intrinsic participation with it.”

— Elizabeth Gilbert

“The artist is always concerned with a total view of the world. However, when the photographer takes a picture ... the edge of his picture is just as interesting as the middle, one can only guess at the existence of a whole, and the view presented seems chosen by chance.”

— Eugene Delacroix

“Under this fine rain I breathe in the innocence of the world. I feel coloured by the nuances of infinity. At this moment I am one with my picture. We are an iridescent chaos ...”

— Paul Cezanne

“I was fifteen, and when I picture myself then, I see flames shooting up, see myself falling off the edge of the world, and am amazed I survived not the outside world but the inside one.”

— Rebecca Solnit

“When one speaks of increasing power, machinery, and industry there comes up a picture of a cold, metallic sort of world in which great factories will drive away the trees, the flowers, the birds, and the green fields. And that then we shall have a world composed of metal machines and human machines. With all of that I do not agree. I think that unless we know more about the machines and their use, unless we better understand the mechanical portion of life, we cannot have the time to enjoy the trees, and the birds, and the flowers, and the green fields.”

— Henry Ford