“Drake: "I know it;s love because I think of you night and day. I miss you when you are sitting right next to me. When I look at you my heart races and my stomach turns in the best and worst way possible. When I'm with you I feel complete, I feel whole. When I'm away from you it;s hard to breathe. When I think of my life without you I panic and tears fill my eyes. Before I met you, I didn't think I had much of a future besides being CEO at Baylor. I look at you, Morgan, and am filled with beautiful optimism at all of the things my future could have, and that is because i see you right there with me. I want to marry you, Morgan, I want to have children with you. You are my best friend, my confidant, my everything. To me that's love. You say you love me, Morgan, is that how you feel?" I ask hopefully.
"Yes," Morgan says, as a confident smile crosses her face and tears fill her eyes. "Yes, that is exactly how I feel. I love you, Drake, you are my everything,”
— L.K. Lewis
“A proper kiss, Miss Eversea, should turn you inside out. It should ... touch places in you that you didn't know existed, set them ablaze, until your entire being is hungry and wild ... It should slice right down through you like a cutlass with a pleasure so devastating it's very nearly pain ... It should make you want to do things you'd never dreamed you'd want to do, and in that moment all of those things will make perfect sense. And it should herald, or at least promise, the most intense physical pleasure you've ever known, regardless of whether that promise is ever, ever fulfilled. It should, in fact ... " he paused for effect " ... haunt you for the rest of your life.”
— Julie Anne Long
“Mr Bott sits down and gestures gracefully to the board. "As you are clearly both fascinated by this text, would you like to explain the significance of Laertes in Hamlet?" He looks at Alexa. "Please go first, Miss Roberts."
"Well ... " Alexa says hesitantly. "He's Ophelia's brother, right?"
"I didn't ask for his family tree, Alexa. I want to know his literary significance as a fictional character."
Alexa looks uncomfortable. "Well then, his literary significance is in being Ophelia's brother, isn't it? So she has someone to hang out with."
"How very kind of Shakespeare to give fictional Ophelia a fictional playmate so that she doesn't get fictionally bored. Your analytical skills astound me, Alexa. Perhaps I should send you to Set Seven with Mrs White and you can spend the rest of the lesson studying Thomas the Tank Engine. I believe he has lots of buddies too.”
— Holly Smale
“This is the thing, I think often, that never occurs to you when you consider what it would be like to lose someone you love. That you would miss not just the flowers and kisses, but the totality of the experience. You miss the failures and little evils with as much desperation as you miss being held in the middle of the night. I wish he were here now, and I was kissing him. I wish he were here now, and I was betraying him. Either would be fine, so fine, as long as he was here.”
— Cody McFadyen
“You want to hear it? Fine. It's a simple story really, about a pretty girl who was pretty stupid. She let a man touch her because she was scared to say no, and then she told her parents because she was scared to say nothing. Then they were scared to do anything that might ruin their pretty little lives, so they told the girl that it was nothing. That just being touched wasn't enough to fight for. Too scared to prove them wrong, she kept going like it was nothing, and she let more people touch her, never knowing that she was handing out pieces of herself. Or, hell, maybe she knew deep down, and she just hated herself so much that she was glad to be rid of them. And life wasn't pretty, but it also wasn't scary until she met a man with two names who touched her without taking and made her miss the pieces she had lost. And now things aren't just scary, they're fucking terrifying, and I can't do it. I can't live like this, knowing all that I've ruined and that it can't be fixed.”
— Cora Carmack
“Burns immediately left the class, and going into the small inner room where the books were kept, returned in half a minute, carrying in her hand a bundle of twigs tied together at one end. This ominous tool she presented to Miss Scatcherd with a respectful curtesy; then she quietly, and without being told, unloosed her pinafore, and the teacher instantly and sharply inflicted on her neck a dozen strokes with the bunch of twigs. Not a tear rose to Burns' eye; and, while I paused from my sewing, because my fingers quivered at this spectacle with a sentiment of unavailing and impotent anger, not a feature of her pensive face altered its ordinary expression. "Hardened girl!" exclaimed Miss Scatcherd; "nothing can correct you of your slatternly habits: carry the rod away." Burns obeyed: I looked at her narrowly as she emerged from the book-closet; she was just putting back her handkerchief into her pocket, and the trace of a tear glistened on her thin cheek.”
— Charlotte Brontë
“One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said, "We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice like all of time and all of the fog that ever was; I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life."
The Fog Horn blew.”
— Ray Bradbury
“If I understand you rightly, you had formed a surmise of such horror as I have hardly words to
Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? Remember the country and the age in which we live. Remember that we are English, that we are Christians. Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known, in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? Dearest Miss Morland, what ideas have you been admitting?
They had reached the end of the gallery, and with tears of shame she ran off to her own room.”
— Jane Austen
“Four lines, and the world went quiet.
I'm sorry for telling everyone about your mum, read the first line.
I miss being your friend, read the second.
Are you okay? read the third.
I see you, read the fourth, with the I underlined about a hundred times.”
— Patrick Ness
“But he hadn't appeared that night. Not the next morning, either. By the time she finally crossed paths with him the following afternoon, his mumbled "Merry Christmas" was the extent of their exchange.
It seemed they were back to silence.
I don't want you.
She tried to ignore the words echoing in her memory. They weren't true, she told herself. She was an expert at deceit; she knew a lie when she heard one.
Still. What else to believe, when he avoided her thus?
Although he rarely spoke to her over the next two days, Sophia frequently overheard him speaking of her. Even these remarks were the tersest of commands: "Fetch Miss Turner more water," or "See that her canopy doesn't go slack." She felt herself being tended, not unlike a goat. Fed, watered, sheltered. Perhaps she shouldn't complain. Food, water, and shelter were all welcome things.
But Sophia was not livestock, and she had other, more profound needs. Needs he seemed intent on neglecting, the infuriating man.”
— Tessa Dare
“Rohan returned, his breath quickened from exertion. A mist of sweat had accumulated on his skin until it gleamed like bronze. "Right on course," he said to Westcliff and Swansea. "The stabilizing fins worked. It landed at a distance of approximately two thousand yards."
"Excellent!" Swansea exclaimed. "But where is the rocket?"
Rohan's white teeth flashed in a grin. "Buried in a deep, smoking hole. I'll go back to dig it up later."
"Yes, we'll want to see the condition of the casing and the inner core." Swansea was red-faced with satisfaction. He used a handkerchief to blot his steaming, wrinkled countenance. "It's been an exciting morning, eh?"
"Perhaps it's time to return to the manor, Captain," Westcliff suggested.
"Yes, quite." Swansea bowed to Amelia. "A pleasure, Miss Hathaway. And may I say, you took it rather well, being the target of a surprise attack."
"The next time I visit, Captain," she said, "I'll remember to bring my white flag.”
— Lisa Kleypas
“Never miss an opportunity to show your love, especially to those close to you, because we are always at our most cautious with them for fear of being hurt.”
— Paulo Coelho
“I don't understand. She's always been so friendly toward me."
"Yes, so long as your work consisted of updating calendars and photocopying golf club bylaws."
"But there was no danger of my taking her place!"
"She was never afraid of that."
"Then why denounce me? Why would it upset her if I went to work for you?"
"Miss Mori struggled for years to get the job she has now. She probably found it unbearable for you to get that sort of promotion after being with the company only ten weeks."
"I can't believe it. That's just so ... mean."
"All I can say is that she suffered greatly during the first few years she was here."
"So she wants me to suffer the same fate? It's too pathetic. I must talk to her."
"Do you really think that's a good idea?"
"Of course. How else are we going to work things out if we don't talk?"
"You just talked to Mister Omochi. Does it strike you that things have been worked out?”
— Fabienne-Claire Nothomb
“And Honey, I miss you and I'm being good.
And I'd love to be with you if only I could.”
— Bobby Goldsboro
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