“Battery Park resonates with lust as the sun approaches its zenith. A primal impulse takes hold of the young couples strolling the gravel walkways, the newlyweds who have paused to admire DeModica's bronze bull, the truant teens laid out on the cool grass. Maybe because all flesh tantalizes in the early summer, in the right light, or because, at this time of year, there is more flesh exposed, midriffs, cleavage, inner thighs, the park is suddenly transformed into a dynamo of panting and groping. This desire is not the tender affection of evening, the wistful intimacy of the twilight's last gleam. It is raw, concupiscent hunger.”
— Jacob M. Appel
“People listen to music for different reasons. Some people, -its background music- but other people need it to survive. Other people need music to get things out and maybe that's just where I'm coming from, you know, when things weren't easy for me, growing up. You know, music, I felt, saved my life. Pete Townshend, wherever you are, Pete, you saved my life. You know, whether he knows it or not. I wouldn't be here. And I had absolutely nothing else besides music. And so that's still, you know, that's in me, and so if we're gonna play, if we're gonna get up and play, or write a song, you know, write about something that means something. You know, why write about, you know, 'Oh, pretty day', or, 'Pretty girl' or 'Pretty people', there's nothing ... people have different reasons for listening and playing. I need to -for me-, it's much more.. religious!”
— Eddie Vedder
“Astral Weeks, insofar as it can be pinned down, is a record about people stunned by life, completely overwhelmed, stalled in their skins, their ages and selves, paralyzed by the enormity of what in one moment of vision they can comprehend. It is a precious and terrible gift, born of a terrible truth, because what they see is both infinitely beautiful and terminally horrifying: the unlimited human ability to create or destroy, according to whim. It's no Eastern mystic or psychedelic vision of the emerald beyond, nor is it some Baudelairean perception of the beauty of sleaze and grotesquerie. Maybe what it boils down to is one moment's knowledge of the miracle of life, with its inevitable concomitant, a vertiginous glimpse of the capacity to be hurt, and the capacity to inflict that hurt.”
— Lester Bangs
“Maybe it's me. Maybe I don't know how to have fun.”
— Louise Rozett
“Thought: maybe this is what a mother feels like at times. When she can't help one of her children. When she has to just stand by and watch her daughter strike out on the softball field, watch her son fail at math despite whatever effort he may put in. This ache. This defining double bind of roaring, passionate protectiveness and its equal, weighty, leaden uselessness. And even the impatience with it all; and then the guilt about feeling impatient, about finding it a bit oppressive despite the immeasurable love. Maybe this is what mothering sometimes feels like, I thought.”
— Robin Black
“One question in my mind, which I hardly dare mention in public, is whether patriotism has, overall, been a force for good or evil in the world. Patriotism is rampant in war and there are some good things about it. Just as self-respect and pride bring out the best in an individual, pride in family, pride in teammates, pride in hometown bring out the best in groups of people. War brings out the kind of pride in country that encourages its citizens in the direction of excellence and it encourages them to be ready to die for it. At no time do people work so well together to achieve the same goal as they do in wartime. Maybe that's enough to make patriotism eligible to be considered a virtue. If only I could get out of my mind the most patriotic people who ever lived, the Nazi Germans.”
— Andy Rooney
“Snowflake. You catch the snowflake but when you look in your hand you don't have it no more. Maybe you see this dechado. But before you see it it is gone. If you want to see it you have to see it on its own ground. If you catch it you lose it. And where it goes there is no coming back from. Not even God can bring it back.”
— Cormac McCarthy
“I want to ask him where that kitchen is. Where he's from. But he seems guarded. Or maybe it's me. Maybe making friends is a specific skill, and I missed the lesson.”
— Gayle Forman
“Imagine the terrestrial timespan as an outstretched arm: a single swipe of an emery-board, across the nail of the third finger, erases human history. We haven't been around for very long. And we've turned the earth's hair white. Sh e seemed to have eternal youth but now she's ageing awful fast, like an addict, like a waxless candle. Jesus, have you seen her recently? we used to live and die without any sense of the planet getting older, of mother earth getting older, living and dying. We used to live outside history. But now we're all coterminous. We're inside history now all right, on its leading edge, with the wind ripping past our ears. Hard to love, when you're bracing yourself for impact. And maybe love can't bear it either, and flees all planets when they reach this condition, when they get to the end of their twentieth centuries.”
— Martin Amis
“He loved Clara. I miss a lot in life," said Gilbert. "But I have a nose for love." "Like a truffle pig," said Beauvoir, then regretted it when he saw the asshole saint's reaction. Then, unexpectedly, Gilbert smiled. "Exactly. I can smell it. Love has an aroma all its own, you know." Beauvoir looked at Gilbert, amazed by what he'd just heard. Maybe, he thought, this man was- "Smells like compost," said Gilbert. -an asshole after all.”
— Louise Penny
“I definitely I prefer to sing in the car. I don't sing in the shower, maybe its because that's the one time I don't need to talk to anyone so I should just shut up, otherwise I'm just, you know, jibber jabber.”
— Haley Reinhart
“A sudden thought struck him - maybe I really did die. When the four of them rejected me, perhaps this young man named Tsukuru Tazaki really did pass away. Only his exterior remained, but just barely, and then over the course of the next half year, even that shell was replaced, as his body and face underwent a drastic change. The feeling of the wind, the sound of rushing water, the sense of sunlight breaking through the clouds, the colors of flowers as the seasons changed - everything around him felt changed, as if they had all been recast. The person here now, the one he saw in the mirror, might at first glance resemble Tsukuru Tazaki, but it wasn't actually him. It was merely a container, was labeled with the same name - but its contents had been replaced. He was called by that name because there was, for the time being, no other name to call him.”
— Haruki Murakami
“Braeden sighed and looped his arm across my shoulders again and steered me toward a stack of books. "So innocent," he mused. "Tutor girl, as your man's best friend and your self-appointed big brother, I feel like it's time I teach you about the real world."
"You're my self-appointed big brother?" I asked, looking up at him.
He nodded like it was obvious. "You and Rome ... you're an exception to the rule. You two are the real deal, but most guys, guys like me, aren't looking to settle down. They like-"
"To have fun?" I finished for him, slightly amused.
"Exactly."
"But what about the girls?" I asked.
He gave me a clueless look.
I sighed. "Maybe it's me who needs to teach you, brother."
He lifted an eyebrow.
"Guys might want to have fun," I said, using his words, "but girls have a harder time keeping their feelings from getting involved."
"Relax, tutor girl," Braeden said. "I know how to handle things."
-Braeden & Rimmel”
— Cambria Hebert
“But if your language is intended to be the medium of an art if you, its user, are an artist and not a reporter, a persuader, a raconteur; if you aren't writing principally to get praise or pay, but wish to avoid the busy avenues of entertainment, to traffic in the tragic maybe, dig down to the deeply serious; then (although there are a few exceptional and contrary cases) you will understand right away how blessed you are by the language you were born with, the language you began to amster in the moment you also started to learn about life, to read the lines on faces, the light in the window which meant milk, the door which deprived you of mother, the half-songs sung by that someone who lonaed you the breast you suckled - the breast you claimed as more than kin.”
— William H. Gass
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