“Her thoughts ran away to her girlhood with its passionate longing for adventure and she remembered the arms of men that had held her when adventure was a possible thing for her. Particularly she remembered one who had for a time been her lover and who in the moment of his passion had cried out to her more than a hundred times, saying the same words madly over and over: "You dear! You dear! You lovely dear!" The words, she thought, expressed something she would have liked to have achieved in life.”
— Sherwood Anderson —
“What time has been wasted during man's destiny in the struggle to decide what man's next world will be like! The keener the effort to find out, the less he knew about the present one he lived in. The one lovely world he knew, lived in, that gave him all he had, was, according to preacher and prelate, the one to be least in his thoughts. He was recommended, ordered, from the day of his birth to bid goodbye to it. Oh, we have had enough of the abuse of this fair earth! It is no sad truth that this should be our home. Were it but to give us simple shelter, simple clothing, simple food, adding the lily and the rose, the apple and the pear, it would be a fit home for mortal or immortal man.”
— Sean OCasey
“Let me sing you a waltz / Out of nowhere, out of my thoughts / Let me sing you a waltz / About this one night stand / You were, for me, that night / Everything I always dreamt of in life / But now you're gone / You are far gone / All the way to your island of rain / It was for you just a one night thing / But you were much more to me, just so you know / I don't care what they say / I know what you meant for me that day / I just want another try, I just want another night / Even if it doesn't seem quite right / You meant for me much more than anyone I've met before / One single night with you, little Jesse, is worth a thousand with anybody / I have no bitterness, my sweet / I'll never forget this one night thing / Even tomorrow in other arms, my heart will stay yours until I die / Let me sing you a waltz / Out of nowhere, out of my blues / Let me sing you a waltz / About this lovely one night stand”
— Julie Delpy
“He had violent passions, and on occasion desire seized his body so that he was driven to an orgy of lust, but he hated the instincts that robbed him of his self-possession. I think, even, he hated the inevitable partner in his debauchery. When he had regained command over himself, he shuddered at the sight of the woman he had enjoyed. His thoughts floated then serenely in the empyrean, and he felt towards her the horror that perhaps the painted butterfly, hovering about the flowers, feels to the filthy chrysalis from which it has triumphantly emerged. I suppose that art is a manifestation of the sexual instinct. It is the same emotion which is excited in the human heart by the sight of a lovely woman, the Bay of Naples under the yellow moon, and the Entombment of Titian. It is possible that Strickland hated the normal release of sex because it seemed to him brutal by comparison with the satisfaction of artistic creation.”
— W. Somerset Maugham
“She opened her eyes.
He sniffed.
Ah! The rosemary! Holding her breath, she waited.
He sniffed again. "Is it an herb, nyet?"
She nodded, smiling shyly. "Rosemary."
"The cook at Tullock puts it in turtle soup."
Her smile faltered. She smelled like a turtle? Not a fragrant loaf of bread, but a turtle? "Surely you've smelled it in some other dishes, too? Bread, perhaps?"
He shook his head.
"In a delicious stew, then? Something savory and warm?"
He released her cloak. "In my country, we throw rosemary onto graves."
She just looked at him, appalled.
"That seems odd to you, nyet? Rosemary keeps fresh the ... How do you say-?" He tapped his forehead. "Thoughts about times no longer here."
"Memories?"
"Da! Rosemary keeps fresh the memories of the dead."
Lovely. She smelled like a turtle and the grave.”
— Karen Hawkins
“And then, unbidden, seemingly out of nowhere, a thought or image arrives. Some will float into your head like goldfish, lovely, bright, orange, and weightless, and you follow them like a child at an aquarium that was thought to be without fish. Others will step of the shadows like Boo Radley and make you catch your breath or take a step backward. They're often so rich, these unbidden thoughts, and so clear that they feel indelible. But I say write them all down anyway.”
— Anne Lamott
“Your future is dependent on your thought today, therefore think good and lovely thoughts now!”
— Jaachynma N.E. Agu
“A good book is like a stream, with which we can flow slowly, playfully, it lets us savor the joy of weaving the magic of lovely thoughts, revealing the secrets of life with beautiful words.”
— Balroop Singh
“That beauty may, for instance, be composed of lovely flowers, and glittering streams, and blue sky and white clouds; and yet the thing that impresses us most, and which we should be sorriest to lose, may be a thin grey film on the extreme horizon, not so large, in the space of the scene it occupies, as a piece of gossamer on a near-at-hand bush, nor in any wise prettier to the eye than the gossamer; but because the gossamer is known by us for a little bit of spider's work, and the other grey film is known to mean a mountain ten thousand feet high, inhabited by a race of noble mountaineers we are solemnly impressed by the aspect of it, and yet all the while the thoughts and knowledge which cause us to receive this impression are so obscure that we are not conscious of them.”
— Gaston Bachelard
“Prospects: a prickly word, a sour betrayer. It was supposed to fill your thoughts with gold, or with clear air and great and lovely distances. Well, the metal came quickly enough to mind, but beards followed shortly, dirt and the deceptions of the desert, biscuits like powdered pumice, tin spoons, stinking mules, clattering cups, stinking water, deceiving air.
...
Prospects. They made him think dirt. They made him think rags, snakes, picks, and the murder of companions.”
— William H. Gass
“A lovely, pure, noble, and most moral nature, without the strength of nerve which forms a hero, sinks beneath a burden which it cannot bear, and must not cast away. All duties are holy for him; the present is too hard. Impossibilities have been required of him; not in themselves impossibilities, but such for him. He winds, and turns, and torments himself; he advances and recoils, is ever put in mind, ever puts himself in mind; at last does all but lose his purpose from his thoughts; yet still without recovering his peace of mind.”
— Johann Wolfgang Von Goethe
“High art consists neither in altering, nor in improving nature; but in seeking throughout nature for 'whatsoever things are lovely, whatsoever things are pure;' in loving these, in displaying to the utmost of the painter's power such loveliness as is in them, and directing the thoughts of others to them by winning art, or gentle emphasis.”
— John Ruskin
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