Lost In Your Arms Quotes

“I glanced up at Zay, then walked over to stand next to him.
"You look good with a baby in your arms," he murmured.
I took his hand, careful with his fingers that were still wrapped in tape.
"Don't get your hopes up, Jones. I'm not the settling-down type."
"Want to bet on that?" he asked.
"Sure." I made a fist; so did he. We pumped three times.
I threw paper. Zayvion threw scissors.
I'd lost. Startled, I looked up at him. "Two out of three?"
Zay grinned. So did I.”

— Devon Monk

“To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin's terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery.”

— Rebecca Solnit

“I'm glad you feel that way." His breath tickled my jaw line before he ran his tongue along it. "But I'm sorry about your back."
"What about my back?" I murmured, lost in the trance of where his tongue was going to go next.
He shoved my back against the mattress, pulling my arms above my head before he crawled on top of me, straddling my hips. "I'm sorry that it might be sore in the morning.”

— Magan Vernon

“He looked at her in bittersweet despair. "Sometimes, Kate, when I'm inside you and your arms are around me, I'm human again. There's a beginning and an end to my life again. And all because of your love. It's been a gift to me, one I've never deserved. But I cherished it."
And maybe he'd destroyed it with the ungodly truth. He didn't know. He drew
a shaky breath, battered by a fresh wave of regret, and his voice trembled. "I thought I had broken your heart a while ago. I didn't know how to make you hear me, and I knew that by telling you the truth, I'd lose you. But here you sit. You haven't flipped out, not visibly anyway, nor accused me of being a liar. And you haven't run in terror, now that you're truly free to go. I don't know what to think. Tell me, Kate ... have I lost you?”

— Shelby Reed

“There is a wholeness about a woman, of shape, and sound, and colour, and taste, and smell, a quietness that is her, that you will want to hold tightly to you, all, every little bit, without words, in peace, for jealousy for the things that escape the clumsiness of your arms. So you feel when you love.
... For her womaness is a blessing about her, and you are tender to put your hands upon her and kiss, not with lust, but with the joy of one returning to a lost one.”

— Richard Llewellyn

“I watched 60 Minutes ... and they showed this woman, she's in every kind of..thing like that. 'This woman', they say, 'she lost her first four children
died from malnutrition
and, now, she's afraid that her new six-month-old newborn twins will suffer the same fate' ... Who's going to step in and say ... 'kick her in the cunt 'til it doesn't work', 'that woman is a sociopath! that is a sick human being!' ... How much of a sociopath do you need to be? That is the slow ritual torture-murder of children, one after another! At what point does cause-and-effect not kick in? How many bulb-headed skeletons have to go stiff in your arms?! ... 'what? this one's not working ... oh, well let's try again', one after another. At what point do you not go 'I think this is bad'? ... How many kids are you going to fuckin' kill, lady? ... If you impregnate someone under those conditions, they should abort the parents! that's sick!”

— Doug Stanhope

“I guess this was what it felt like to love someone and feel like you had lost them. Even when you were still holding them in your arms.”

— Margaret Stohl

“Barter
Life has loveliness to sell,
All beautiful and splendid things,
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children's faces looking up
Holding wonder like a cup.
Life has loveliness to sell,
Music like a curve of gold,
Scent of pine trees in the rain,
Eyes that love you, arms that hold,
And for your spirit's still delight,
Holy thoughts that star the night.
Spend all you have for loveliness,
Buy it and never count the cost;
For one white singing hour of peace
Count many a year of strife well lost,
And for a breath of ecstasy
Give all you have been, or could be.”

— Sara Teasdale

“I was afraid you were in trouble for a second, Your Highnessness," Han said, but the barb sounded hollow and unconvincing. Leia looked up at him, and the softness in her face told him that she'd heard the relief in his voice. He might just as well have said I thought I'd lost you.
"No such luck," she said softly. He was surprised by the power of his urge to sweep her into his arms and kiss her. For a moment, there was something else in her expression-apprehension or hope or something of both. She blinked and looked away.”

— James S.A. Corey

“We have to get them into your boat quickly. Is there a dark room, a cave, anywhere dark we can take them?" Gary asked. He was already lifting Savannah into his arms.
LaRue watched him carry her to his boat. "A hospital would be good." He made the suggestion in a soft, reasonable tone, as if he feared Gary had lost his mind.”

— Christine Feehan

“A prince ought to have no other aim or thought, nor select anything else for his study, than war and its rules and discipline; for this is the sole art that belongs to him who rules, and it is of such force that it not only upholds those who are born princes, but it often enables men to rise from a private station to that rank. And, on the contrary, it is seen that when princes have thought more of ease than of arms they have lost their states. And the first cause of your losing it is to neglect this art; and what enables you to acquire a state is to be master of the art.”

— Niccolò Machiavelli

“Whatever," I said. "The point is, if it's a child small enough to throw, then she lost so much blood here she has to be dead." "She's eighteen years old," Debs said. "Almost nineteen." "Then assuming she's average size, I don't think we want to try to catch somebody who could throw her that hard. If you shoot him, he might get very annoyed and pull off your arms." Deborah”

— Jeff Lindsay

“I'm sorry. I told you I'm not good with words."
Wrapping my arms around his neck, I pressed my lips to his and spoke against them, "You are perfect, Lev. Your words are honest and colored beautifully. You make me feel things I thought were lost to me. And I'm in danger of losing my heart to you.”

— Belle Aurora

“We all carry our sins with us. But the Lord wants to hear us say to him, "Forgive me, help me to walk, change my heart!" And the Lord can change your heart. In the Church, the God we encounter is not a merciless judge but is like the Father in the Gospel parable. You may be like the son who left home, who sank to the depths, farthest from the Gospel. When you have the strength to say, "I want to come home," you will find the door open. God will come to meet you because he is always waiting for you-God is always waiting for you. God embraces you, kisses you, and celebrates. That is how the Lord is, that is how the tenderness of our heavenly Father is. The Lord wants us to belong to a Church that knows how to open her arms and welcome everyone, that is not a house for the few, but a house for everyone, where all can be renewed, transformed, sanctified by his love-the strongest and the weakest, sinners, the indifferent, those who feel discouraged or lost.”

— Pope Francis

“Celaena threw her weight into the dagger she held aloft, and gained an inch. His arms strained. She was going to kill him. She truly going to kill him.
He made himself look into her eyes, look at the face so twisted with rage that he couldn't find her.
"Celaena," he said, squeezing her wrists so hard that he hoped the pain registered somewhere- wherever she had gone. But she still wouldn't lossen her grip on the blade. "Celaena, I'm your friend."
She stared at him, panting through gritted teeth, her breath coming quicker and quicker before she roared, the sound filling the room, his blood, his world: "You will never be my friend. You will always be my enemy."
She bellowed the last word with such soul-deep hated that he felt it like a punch to the gut. She surged again, and he lost his grip on the wrist that held the dagger. The blade plunged down.”

— Sarah J. Maas

“The scar will remain, but it is better for a man to lose both arms than his soul; and these hard years, instead of being lost, may be made the most precious of your lives, if they teach you to rule yourselves.”

— Louisa May Alcott

“The man drew his foot back and kicked Mark in the ribs. Pain exploded in his side and he cried out, unable to help himself. The man kicked him again, this time in the back, right in the kidney. A deep ache washed through Mark, and tears stung his eyes as he cried out even louder. Alec protested. "Stop it, you sorry son of a-" His words were cut off when one of his captors reached down and punched him in the face. "Why are you doing this?" Mark yelled. "We're not demons! You people have lost your minds!" Another kick pierced him in the ribs, the pain unbearable. He balled up, wrapped his arms around himself. Prepared for the continued onslaught, knowing he had no chance of escape. "Stop." The word rumbled through the air from the other side of the fire, the deep, bellowing voice of a man. The men beating Mark and Alec immediately jumped back from them and knelt down, their faces lowered.”

— James Dashner

“He woke from a dream in which Edith raised her arms to him, the liquid gold of her hair tumbling almost to her waist. 'Ah, darling,' he had been telling her, 'I am looped in the loops of your hair.' Had he said that aloud? He would never do something so imbecilic. He really had lost his mind.”

— Eloisa James

“Who is it? Who walks under the trees of the quay? Who is quite lost? Who is past saving? Over whose grave does the grass grow? Dreams have arrived, upstream they came. They came, they climb up the walls of the quay on a ladder. One stops makes conversation with them, they know a number of things, but what they don't know is where they come from. It is quite warm this autumn evening. They turn toward the river and raise their arms. Why do you raise your amrs instead of clasping us in them?”

— Franz Kafka

“Demon pox, oh demon pox
Just how is it acquired?
One must go down to the bad part of town
Until one is very tired.
Demon pox, oh demon pox, I had it all along
Not the pox, you foolish blocks,
I mean this very song
For I was right, and you were wrong!"
"Will!" Charlotte shouted over the noise, "Have you LOST YOUR MIND? CEASE THAT INFERNAL RACKET! Jem-"
Jem, rising to his feet, clapped his hands over Will's mouth. "Do you promise to be quiet?" he hissed into his friend's ear.
Will nodded, blue eyes blazing. Tessa was staring at him in amazement; they all were. She had seen Will many things-amused, bitter, condescending, angry, pitying-but never giddy before.
Jem let him go. "All right, then."
Will slid to the floor, his back against the armchair, and threw up his arms. "A demon pox on all your houses!" he announced, and yawned.
"Oh, God, weeks of pox jokes," said Jem. "We're in for it now.”

— Cassandra Clare

“Then I lost him for a brief period of time, and by the time I caught up with him, he had wandered into Hyde Park, waded into the Serpetine, spread his arms wide, and was shouting, 'Ducks, embrace me as your king!”

— Cassandra Clare

“Not to find one's way in a city may well be uninteresting and banal. It requires ignorance-nothing more," says the twentieth-century philosopher-essayist Walter Benjamin. "But to lose oneself in a city-as one loses oneself in a forest-that calls for quite a different schooling." To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin's terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. And one does not get lost but loses oneself, with the implication that it is a conscious choice, a chosen surrender, a psychic state achievable through geography.”

— Rebecca Solnit

“If you could only see the vision I have. I wish I had your bodies to do this work. I would run from house to house telling everyone of the gospel, and after I lost strength to run I would begin to walk, and after I collapsed from walking, I would begin to crawl, and after my knees were so bloody that I could not use them I would use my arms to drag myself, and once my muscle in my body was gone I would begin to yell ... oh, only if you could see the vision as I have.”

— Spencer W. Kimball