Historical War Quotes

“What would be revealed if American corporations were examined through the same sharp lens of historical confrontation as the one then being trained on German corporations that relied on Jewish slave labor during World War II and the Swiss banks that robbed victims of the Holocaust of their fortunes?”

— Douglas A. Blackmon

“The attacks of 9/11 were the biggest surprise in American history, and for the past ten years we haven't stopped being surprised. The war on terror has had no discernible trajectory, and, unlike other military conflicts, it's almost impossible to define victory. You can't document the war's progress on a world map or chart it on a historical timetable in a way that makes any sense. A country used to a feeling of being in command and control has been whipsawed into a state of perpetual reaction, swinging wildly between passive fear and fevered, often thoughtless, activity, at a high cost to its self-confidence.”

— George Packer

“The doctrine of "exit strategy" fundamentally misunderstands the nature of war and, more generally, the nature of historical action. for the knowledge of the end is not given to us at the beginning.”

— Leon Wieseltier

“It was like being born in Germany after World War II, being from Japan after Pearl Harbour, or America after Hiroshima. History was a bitch sometimes. You couldn't change where you were from. But still, you didn't have to stay there. You didn't have to stay stuck in the past, like the ladies in the DAR, or the Gatlin Historical Society, or the Sisters. And you didn't have to accept that things had to be the way they were, like Lena. Ethan Carte Wate hadn't, and I couldn't either.”

— Kami Garcia

“It wasn't that he was a Confederate. Everyone in Gatlin County was related to the wrong side in the War Between the States. We were used to that by now. It was like being born in Germany after World War II, being from Japan after Pearl Harbor, or America after Hiroshima. History was a bitch sometimes. You couldn't change where you were from. But still, you didn't have to stay there. You didn't have to stay stuck in the past, like the ladies in DAR, or the Gatlin Historical Society, or the Sisters. And you didn't have to accept that things had to be the way they were, like Lena. Ethan Carter Wate hadn't, and I couldn't, either.”

— Kami Garcia

“Men love war because it allows them to look serious. Because they imagine it is the one thing that stops women laughing at them. In it they can reduce women to the status of objects. That is the great distinction between the sexes. Men see objects, women see relationship between objects. Whether the objects love each other, need each other, match each other. It is an extra dimension of feeling we men are without and one that makes war abhorrent to all real women - and absurd. I will tell you what war is. War is a psychosis caused by an inability to see relationships. Our relationship with our fellow-men. Our relationship with our economic and historical situation. And above all our relationship to nothingness. To death.”

— John Fowles

“On the east side of the street, the dark old factories-Civil War factories, foundries, brassworks, heavy-industrial plants blackened from the chimneys pumping smoke for a hundred years-were windowless now, the sunlight sealed out with brick and mortar, their exits and entrances plugged with cinderblock. These were the factories where people had lost fingers and arms and got their feet crushed and their faces scalded, where children once labored in the heat and the cold, the nineteenth-century factories that churned up people and churned out goods and now were unpierceable, airtight tombs. It was Newark that was entombed there, a city that was not going to stir again. The pyramids of Newark: as huge and dark and hideously impermeable as a great dynasty's burial edifice has every historical right to be.”

— Philip Roth

“Everybody wants to talk about sectarian conflicts of the war in Iraq, but the fact of the matter is, Sunnis have lived with Shias in harmony more in the confines of Iraq, in that land, than they have been in conflict. That's an historical fact.”

— Jack Keane

“To those who don't know the historical truth, I would like to say today, Poland was not an aggressor but a victim during the Second World War.”

— Ewa Kopacz

“I think it is fair to say that during World War II there was a high sense of purpose. The country had a very clear vision of its own standing, of its own morality. It was not an ambiguous time. Today, we live in a world that is highly ambiguous, very fractured, with many of the historical, traditional values in a state of collapse, really.”

— Friedrich St. Florian

“I hope that Americans will give careful and well-informed thought to root causes and historical realities, in which case I think they will question why a supposedly 'legitimate' state such as Israel has had to conduct decades of war against a subject refugee population without ever achieving its goals.”

— Ismail Haniyeh

“When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War.”

— Trevor Nunn

“The resulting scrambling to get the next big shiver and shake novel produced some really terrible books. As a further result, the wave had begun to withdraw by the mid 70s, and more traditional bestsellers began to re-appear: stories of sex, big business, sex, spies, gay sex, doctors in trouble, kinky sex, historical romances, sexy celebrities, war stories, and sex.”

— Stephen King

“All truly historical peoples have an idea they must realize, and when they have sufficiently exploited it at home, they export it, in a certain way, by war; they make it tour the world.”

— Victor Cousin

“All these developments reflect new strategic opportunities. Unlike the days of the Cold War which was marked by rigid power relationships, the security terrain today is much more fluid, more versatile and with greater room for maneuver. We should not underestimate the historical forces at work, nor our capacity to make major breakthroughs.”

— Susilo Bambang Yudhoyono

“Feathers, and a shield and a lance and a sword. His armor and his weapons were all, I am almost sure, of quite different periods. The shield was thirteenth century, while the sword was of the pattern used in the Peninsular War. The cuirass was of the time of Charles I., and the helmet dated from the Second Crusade. The arms on the shield were very grand-three red running lions on a blue ground. The tents were of the latest brand approved of by our modern War Office, and the whole appearance of camp, army, and leader might have been a shock to some. But Robert was dumb with admiration, and it all seemed to him perfectly correct, because he knew no more of heraldry or archæology than the gifted artists who usually drew the pictures for the historical romances. The scene was indeed "exactly like a picture." He admired”

— E. Nesbit

“Shakespeare set a lot of his dramas in a historical perspective or war perspective, or he would study what was going on at that time.”

— Marcia Gay Harden

“Ten million dead. Gas. Passchendaele. Let that be now a large figure, now a chemical formula, now an historical account. But dear lord, not the Nameless Horror, the sudden prodigy sprung on a world unaware. We all saw it. There was no innovation, no special breach of nature, or suspension of familiar principles. If it came as any surprise to the public then their own blindness is the Great Tragedy, hardly the war itself.”

— Thomas Pynchon

“Quite clearly, Europe had come apart and millions had died not because of the shifting of great historical forces or the accidents of fate or destiny, the several bullets of Sarajevo, colonial competition, or anything else. It was because Orfeo had slipped from his seat in the office of the attorney Giuliani and been carried upon the flood, like a corked bottle full of shit, until he had lodged upon a platform at the Ministry of War, where his feverish hand and only half-innocent imagination had been directing the machinery of nations in homage to the exalted one and the holy blessed sap.”

— Mark Helprin

“The memory of the Second World War hangs over Europe, an inescapable and irresistible point of reference. Historical parallels are usually misleading and dangerous.”

— Antony Beevor

“World War II was a historical event, but also a movie genre, and 'Fury' occasionally prints the legend. The rest of it is plenty grim and grisly. Audience members may feel like prisoners of war forced to watch a training-torture film.”

— Richard Corliss

“We have to HIDE from each other because we think that we are the only ones BROKEN. We think we're the only ones whose original selves we ground up and smashed under the jack-booted heel of cultural lies and superstition, patriotism, war lust, war hunger, and a denial of AGGRESSION AGAINST CHILDREN THAT IS THE FOUNDATION OF CULTURE. Culture is everything that is NOT TRUE. If it's true, it's called 'math' or 'science' or 'facts'. Culture is the Stockholm syndrome we have with the historical lies that are convenient to the rules. We love the lies, because we don't think we can be loved if we don't.”

— Stefan Molyneux

“We will be returning to historical levels of inequality. We'll view post-war America as a kind of strange interlude not to be repeated. It won't be the dreams that we all had that virtually all incomes go up in lockstep at three percent a year. It hurts to give that up.”

— Tyler Cowen

“I was with the U.N. Secretary-General Boutros Boutros-Ghali on the day that Srebrenica fell, which happened to be a huge historical turning point in the Bosnian war.”

— Michael Ignatieff

“We [Americans] have a historical trauma when it comes to the past relationships when it comes to Native Americans and the history of how America was created. With this film, it's nice to see that the trauma is presented from a white male that was in the Civil War and that trauma affects him in a way that still exists.”

— Adam Beach

“The novel had reached its apogee with the marriage plot and had never recovered from its disappearance. In the days when success in life had depended on marriage, and marriage had depended on money, novelists had had a subject to write about. The great epics sang of war, the novel of marriage. Sexual equality, good for women, had been bad for the novel. And divorce had undone it completely. What would it matter whom Emma married if she could file for separation later? How would Isabel Archer's marriage to Gilbert Osmond have been affected by the existence of a prenup? As far as Saunders was concerned, marriage didn't mean much anymore, and neither did the novel. Where could you find the marriage plot nowadays? You couldn't. You had to read historical fiction. You had to read non-Western novels involving traditional societies. Afghani novels, Indian novels. You had to go, literarily speaking, back in time.”

— Jeffrey Eugenides

“The assassination at Sarajevo was certainly the crucial precedent of the European war that its conspirators had sought, but was not the historical cause ... The assassination acted as a lever, prying the various powers into predictable paths.”

— J. Bowyer Bell

“The Anarchists' uncompromising rejection of the State, the subject of Marxian sneers for its "absolutist" and "Utopian" character, makes much better sense in the present era than the Marxist relativist and historical approach. The pacifists also seem to be more realistic than the Marxist both in their understanding of modern war and also in their attempts to do something about it ...”

— Dwight Macdonald

“Why did John Wilkes Booth do it? In My Thoughts Be Bloody young historian Nora Titone is one of the few to have genuinely explored this question. In doing so, she has crafted a fascinating psychological drama about one of the central events of the Civil War: the assassination of Abraham Lincoln. This book promises to stimulate lively historical debate, and will be a treat for every Civil War buff who always pondered that haunting question, "what made him pull that trigger?" Bravo on a marvelous achievement.”

— Jay Winik

“The historical record suggests that the transition to to a new hegemon has always been attended by what I have elsewhere called hegemonic war.”

— Robert Gilpin

“Instead of giving it [war] a rest I continued pursuing more research, talking to more people on the subject as if I was to please this aftermath of the book by knowledge that was more historical and psychological than literary and aesthetical.”

— Sasa Stanisic

“We fight wars not to have peace, but to have a peace worth having. Slavery is peace. Tyranny is peace. For that matter, genocide is peace when you get right down to it. The historical consequences of a philosophy predicated on the notion of no war at any cost are families flying to the Super Bowl accompanied by three or four trusted slaves and a Europe devoid of a single living Jew.”

— Bill Whittle

“Truth is always the first war casualty. The emotional disturbances and distortions in historical writing are greatest in wartime.”

— Harry Elmer Barnes

“In no country has the historical blackout been more intense and effective than in Great Britain. Here it has been ingeniously christened The Iron Curtain of Discreet Silence. Virtually nothing has been written to reveal the truth about British responsibility for the Second World War and its disastrous results.”

— Harry Elmer Barnes

“There is no need for historical research. The war didn't take place a thousand years ago. Over a million Iranians served at one time or another in the war fronts and most of them are living ordinary lives today and are available for interviews. These stories are largely unknown in Iran and when I tell them to my friends or students they usually laugh.”

— Mohammad Marandi

“Post World War II America draws a great deal of interest, but the students also seem to know quite a bit about American exceptionalism and its historical roots.”

— Mohammad Marandi

“No one writes better historical fiction than Steven Pressfield. The Afghan War that was waged by Alexander the Great 2000 years ago is eerily similar to the one that's being fought today. This book should be required reading for anyone who wants to better understand what American and Coalition forces are up against in one of history's most tribal and troubled regions.”

— Vince Flynn

“I believe that at the beginning of the life of every artist there is some kind of trauma. We have a problem and all of our life we try to speak about this problem. My trauma was historical. When I was three or four, all the friends of my parents were survivors of the Holocaust; they spoke a lot about that. My father was hiding during the war, it was something totally present when I was a boy. It is sure that it has made me.”

— Christian Boltanski

“During World War I the Canadians were the shock troops. In many historical cases, Canadians have been very proficient at killing, and doing what we have to in order to survive. But no one wants to acknowledge that fact.”

— Joseph Boyden

“Wars between states and people seem to have existed under all historical systems for as long as we have some recorded evidence. War is quite clearly not a phenomenon particular to the modern world-system. On the other hand, once again the technological achievements of capitalist civilization serve as much ill as good. One bomb in Hiroshima killed more people than whole wars in pre-modern times. Alexander the Great in his whole sweep of the Middle East could not compare in destructiveness to the impact of the Gulf War on Iraq and Kuwait.”

— Immanuel Wallerstein

“Consensual paranoia - the pathology of the normal person who is a member of a war-justifying society - forms the template from which all the images of the enemy are created. By studying the logic of paranoia, we can see why certain archetypes of the enemy must necessarily recur, no matter what the historical circumstances.”

— Sam Keen

“What does anyone really know about the impetus to go to war? And so much is uncovered in hindsight. And there are aspects of even past wars that are only coming out now. Historians discover letters here, notes there, and look very carefully at different aspects of not only any conflict but any great historical event.”

— Jacqueline Winspear

“When you read a history or biography you are entitled to imagine that it is as accurate as the authors can make it. That research has gone into it and we say "This is a history of the civil war, this is a biography of Lincoln" whatever. But you don't make any such supposition when you say "This is a historical novel."”

— Nicholas Meyer

“Whenever you're trying to do a film in a genuine historical period, you do have to make sure that you get as much historically accurate as you possibly can because there are thousands of people who are wildly interested in the Civil War. If we get anything wrong, there is no doubt that we're going to hear from them.”

— Nicholas. Sparks

“Our yearning for democracy is accompanied by a no less profound yearning for peace. And the media also faced the task of historical engineering to establish this required truth. We therefore have phenomena called 'peace missions' and the 'peace process'. These are terms that apply to whatever the United States happens to be doing or advocating at some moment ... in short, 'War is Peace'.”

— Noam Chomsky

“The mistakes of the Iraq war are not only tactical and strategic, but historical. It is essentially a war of colonialism, attempted in the post-colonial age.”

— Zbigniew Brzezinski

“Vietnam is a jungle. You had jungle warfare. Kuwait, Iraq, Saudi Arabia, you have sand. [There is no need to worry about a protracted war because] from a historical basis, Middle East conflicts do not last a long time.”

— Dan Quayle

“[The historical] development in the international system may almost be defined as the process by which we pass from stable war to stable peace.”

— Kenneth E. Boulding