Hand Stamped Quotes

“Ozymandias
I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
'My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.”

— Percy Bysshe Shelley

“It was my father who had taught me to love books for themselves, the smell of the vellum and paper, the rare authority of the pages. "Here, do you see this marvelous book, the skins of 182 sheep," he once pronounced as he slapped his hand down on the stamped leather cover boards. "The book is a flock, a jewel, a cemetery, a lantern, a garden, a piss pot; pigments ground of precious minerals, charred bone, lamp soot, rare plants and insects. Pigments formed at the corrosion of copper plates suspended above urine.”

— Regina O'Melveny

“In an ideal world, we might have dreamed of a benevolent hand intervening so that one of them tarried a little longer while the other hurried up, and that they would have found themselves at precisely the same moment, in front of the black van with Drat That Rat! stamped across it. In an ideal world, there would have been music playing in the distance and a ray of sunshine would have lit up the pavement.
But, even in an ideal world, would it have been worth changing the course of these two lives, treating them like pawns to be pushed one square ahead or behind, just for us to enjoy a reunion scene played out in slow motion?
So Vango got into the van alone.”

— Timothée De Fombelle

“Making a Fist
For the first time, on the road north of Tampico,
I felt the life sliding out of me,
a drum in the desert, harder and harder to hear.
I was seven, I lay in the car
watching palm trees swirl a sickening pattern
past the glass.
My stomach was a melon split wide inside my skin.
"How do you know if you are going to die?"
I begged my mother.
We had been traveling for days.
With strange confidence she answered,
"When you can no longer make a fist."
Years later I smile to think of that journey,
the borders we must cross separately,
stamped with our unanswerable woes.
I who did not die, who am still living,
still lying in the backseat behind all my questions,
clenching and opening one small hand.”

— Naomi Shihab Nye

“He closed the distance another tight inch. Her breasts pressed against his chest, and her nipples were hard little points stabbing out of the scarlet material, begging to be freed. Her breath came in ragged gasps, her perfume swamped his senses. He grew hard, and her eyes widened as his full length throbbed against her leg in demand.
"I'm calling your bluff, baby."
Pure shock registered on her face as he removed one hand from the wall to casually unbutton his shirt, slide off his tie, then grasp her chin with a firm grip.
"Prove it."
He stamped his mouth over hers, not giving her a chance to think or back off or push him away. He invaded her mouth, plunging his tongue inside the slick, silky cave, then closed his lips around the wet flesh and sucked hard.
She grabbed for his shoulders, and made a little moan deep in her throat.
Then she exploded.”

— Jennifer Probst

“I think I might have something for you today, he says, reaches beneath the counter, and his hand comes back with a book, clothbound cover the color of antique ivory, title and author stamped in faded gold and art deco letters. Best Ghost Stories by Algernon Blackwood, and she lifts it carefully off the countertop, picks it up the way someone else might lift a diamond necklace or a sick kitten, and opens the book to the frontispiece and title page, black-and-white photo of the author in a dapper suit, sadkind eyes and his bow tie just a little crooked.”

— Caitlín R. Kiernan

“When you die, are you ever allowed to come back?"
"Only if you had your hand stamped ...”

— Charles M. Schulz

“It was a card, stamped with a mermaid in the center, colored and adorned with glittery starfish stickers and hand-drawn reeds in green and yellow. Inside, edged along the bottom in blue-green waves and encircled with a heart, he'd written a note:
Dear Elyse,
Thank you for being my new friend.
And liking mermaids.
And marrying my brother.
Your new friend,
Sebastian Kane
P.S. Are you a mermaid? Yes or No.”

— Sarah Ockler

“Reed College required a thesis for a Bachelor's degree. Normally a Bachelor's is sort of like being stamped 'Prime US Beef.' They just walk you through, hand out the diplomas and you fill in your name later on.”

— David Eddings

“Style is the hallmark of a temperament stamped upon the material at hand.”

— Andre Maurois

“These days, it feels to me like you make a devil's pact when you walk into this country. You hand over your passport at the check-in, you get stamped, you want to make a little money, get yourself started ... but you mean to go back! Who would want to stay? Cold, wet, miserable; terrible food, dreadful newspapers - who would want to stay? In a place where you are never welcomed, only tolerated. Just tolerated. Like you are an animal finally house-trained.”

— Zadie Smith

“The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking as it seemed from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the Coarch and Horses, more dead than alive as it seemed, and flung his portmanteau down. "A fire," he cried, "in the name of human charity! A room and a fire!" He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a ready acquiescence to terms and a couple of sovereigns flung upon the table, he took up his quarters in the inn.”

— H.G. Wells

“The smell of it. The feel of it." He rubbed one hand up and down the stained sheath of his sword, making a faint swishing sound. "War is honest. There's no lying to it. You don't have to say sorry here. Don't have to hide. You cannot. If you die? So what? You die among friends. Among worthy foes. You die looking the Great Leveller in the eye. If you live? Well, lad that's living, isn't it? A man isn't truly alive until he's facing death." Whirrun stamped his foot into the sod. "I love war!”

— Joe Abercrombie

“Do you think love is the way of God-love? Look here-" He stretched forth his bony, hairy hand and pointed to the Dead Sea, which stank like a rotting carcass. "Have you ever bent over to see the two whores, Sodom and Gomorrah, at her bottom? God became angry, hurled fire, stamped on the earth: dry land turned to sea and swallowed up Sodom and Gomorrah. That is God's way-follow”

— Nikos Kazantzakis

“The advantages of being a postman seemed more and more dubious. It is not a congenial profession for anyone who is at all sensitive, for people visit upon the postman all their first annoyance at receiving a couple of bills when they looked for a love-letter, and if a packet is insufficiently stamped they hand over the pennies as though to a despicable bandit, too outrageous to be denied, too groveling to be feared.”

— Sylvia Townsend Warner

“First impressions are often the truest, as we find (not infrequently) to our cost, when we have been wheedled out of them by plausible professions or studied actions. A man's look is the work of years; it is stamped on his countenance by the events of his whole life, nay, more, by the hand of nature, and it is not to be got rid of easily.”

— William Hazlitt

“I feel that if your soul was branded by the sixties, you never lost the brand. It's like going into a nightclub and having your hand stamped so that you don't have to come back but you can come back.”

— Marianne Williamson