Hand Drum Quotes

“Making a Fist
For the first time, on the road north of Tampico,
I felt the life sliding out of me,
a drum in the desert, harder and harder to hear.
I was seven, I lay in the car
watching palm trees swirl a sickening pattern
past the glass.
My stomach was a melon split wide inside my skin.
"How do you know if you are going to die?"
I begged my mother.
We had been traveling for days.
With strange confidence she answered,
"When you can no longer make a fist."
Years later I smile to think of that journey,
the borders we must cross separately,
stamped with our unanswerable woes.
I who did not die, who am still living,
still lying in the backseat behind all my questions,
clenching and opening one small hand.”

— Naomi Shihab Nye

“Theophilus Crowe wrote bad free-verse poetry and played a jimbai drum while sitting on a rock by the ocean. He could play sixteen chords on the guitar and knew five Bob Dylan songs all the way through, allowing for a dampening buzz any time he had to play a bar chord. He had tried his hand at painting, sculpture, and pottery and had even played a minor part in the Pine Cove Little Theater's revival of Arsenic and Old Lace. In all of these endeavors, he had experienced a meteoric rise to mediocrity and quit before total embarrassment and self-loathing set in. Theo was cursed with an artist's soul but no talent. He possessed the angst and the inspiration, but not the means to create.”

— Christopher Moore

“If the pupil proves to be of so perverse a disposition that he would rather listen to some idle tale than to the account of a glorious voyage or to a wise conversation, when he hears one; if he turns away from the drum-beat that awakens young ardour in his comrades, to listen to another tattoo that summons him to a display of juggling; if he does not fervently feel it to be pleasanter and sweeter to return from a wrestling-match, dusty but victorious, with the prize in his hand, than from a game of tennis or a ball, I can see no other remedy that for his tutor to strangle him before it is too late, if there are no witnesses.”

— Michel De Montaigne

“They know a million tricks, those novelists. Take Doctor Goebbels; that's how he started out, writing fiction. Appeals to the base lusts that hide in everyone no matter how respectable on the surface. Yes, the novelist knows humanity, how worthless they are, ruled by their testicles, swayed by cowardice, selling out every cause because of their greed - all he's got to do is thump on the drum, and there's his response. And he's laughing, of course, behind his hand at the effect he gets.”

— Philip K. Dick

“Because this week I've started in on a hundred reproductions of Rembrandt van Rijn, a hundred portraits of the old artist with the mushroom face, the face of a man pushed to the brink of eternity by art and drink, the door handle starting to turn, the final door pushed open from without by an unknown hand, and I'm beginning to have his puff-paste face, that peeling, piss-soaked wall of a face, I'm beginning to smile his half-moronic smile, to look at the world from the other side of human causes and events, and all my bales these days are framed with that portrait of Rembrandt van Rijn as an old man while I keep filling my drum with wastepaper and open books.”

— Bohumil Hrabal

“Playing well with others is important - not being too flashy, just keeping good time and of course coming up with cool beats. A good snare drum, kick drum, high hat. Just getting good at the hand feet coordination.”

— Chad Smith

“It's interesting. I've known quite a few good athletes that can't begin to play a beat on the drum set. Most team sport is about the smooth fluidity of hand-eye coordination and physical grace, where drumming is much more about splitting all those things up.”

— Neil Peart

“Lying on her side, the warm fire at her feet, Helen's laughter died away as Lucas suddenly went from tuning to playing.
It was like an orchestra in an instrument.
He played with both hands-not one hand picking and the other holding down strings-but with both hands so that it sounded like more than one guitar was playing. Sometimes he hit the strings to make them hum like a harp, and sometimes he hit the body of the guitar like a drum to add bass and keep time. It was the most fascinating thing Helen had ever watched, like Lucas had a dozen voices in his head, all singing the same song, and he'd figured a way to make them come out of ten fingers.
Helen looked at his face and could tell why he loved it. It was like thinking for him, only this was a puzzle that he could share with her as he solved it.
He'd walked into her head when he'd come to her world. And she'd walked into his when she finally heard him play.
It was heaven.”

— Josephine Angelini

“Master Palaemon's hand, dry and wrinkled as a mummy's, groped until it found mine. "Among the initiates of religion it is said, 'You are an epopt always.' The reference is not only to knowledge but to their chrism, whose mark, being invisible, is ineradicable. You know our chrism."
I nodded again.
"Less even than theirs can it be washed away. Should you leave now, men will only say, 'He was nurtured by the torturers.' But when you have been anointed they will say, 'He is a torturer.' You may follow the plow or the drum, but still you will hear, 'He is a torturer.' Do you understand that?”

— Gene Wolfe

“If I just simply let go, and allow my hand, my arm, to be more of a support system, suddenly - I have more dynamic with less effort. Much more, and I just feel, at last, one with the stick, and one with the drum.”

— Evelyn Glennie

“I've been avoiding you because I'm just so damn annoyed ... " He shakes his head, sloshing water. The strands brush his shoulders rhythmically. "I don't want you risking yourself again. The human world ... Will. It's too dangerous." Cassian takes my hand. I feel his heartbeat through the simple touch, the thud of his life meeting with mine. "You dead ... it would break me." His voice whips sharply over the drum of the rainfall. "Everything I ever said to you was the truth. My feelings haven't changed for you, Jacinda. Even if you drive me crazy, here, in the pride ... you're still that single bright light for me.”

— Sophie Jordan

“How sweet is mortal Sovranty!"-think some: Others-"How blest the Paradise to come!" Ah, take the Cash in hand and waive the Rest; Oh, the brave Music of a distant Drum!”

— Omar-Khayyam