“He saw a picture in his mind of a terrible piling up of the dead. It came from his contemplation of the church, but it had its own clarity: the row on row, the deep rotting earth hollowed out to hold them, while the efforts of the living, with all their works and wars and great buildings, were no more than the beat of a wing against the weight of time.”
— Sebastian Faulks —
“Tell it, Fanny. About the crowds, streets, buildings, lights, about the whirligig of loneliness, about the humpty-dumpty clutter of longings. And then explain about the summer parks and the white snow and the moon window in the sky. Throw in a poignantly ironical dissertation on life, on its uncharted aimlessness, and speak like Sherwood Anderson about the desire that stir in the heart. Speak like Remy de Gourmont and Dostoevsky and Stevie Crane, like Schopenhauer and Dreiser and Isaiah; speak like all the great questioners whose tongues have wagged and whose hearts have burned with questions. He will listen bewilderedly and, perhaps, only perhaps, understand for a moment the dumb pathos of your eyes.”
— Ben Hecht
“There was Babylon and Nineveh; they were built of brick. Athens was gold marble columns. Rome was held up on broad arches of rubble. In Constantinople the minarets flame like great candles round the Golden Horn ... Steel, glass, tile, concrete will be the materials of the skyscraper. Crammed on the narrow island the millionwindowed buildings will just glittering, pyramid on pyramid like the white cloudhead above a thunderstorm.”
— John Dos Passos
“And this is what mere humanity always does. It's made up of these inventors or artists, millions and millions of them, each in his own way trying to recruit other people to play a supporting role and sustain him in his make-believe. The great chiefs and leaders recruit the greatest number, and that's what their power is. There's one image that gets out in front to lead the rest and can impose its claim to being genuine with more force than others, or one voice enlarged to thunder is heard above the others. Then a huge invention, which is the invention maybe of the world itself, and of nature, becomes the actual world - with cities, factories, public buildings, railroads, armies, dams, prisons, and movies - becomes the actuality. That's the struggle of humanity, to recruit others to your version of what's real. Then even the flowers and the moss on the stones become the moss and the flowers of a version.”
— Saul Bellow
“Think of this: If it weren't for greed, intolerance, hate, passion and murder, you would have no works of art, no great buildings, no medical science, no Mozart, no van Gogh, no Muppets and no Louis Armstrong. The civilization that devises the infrastructure to allow these wonderful things to be created is essentially a product of war-death and suffering-and commerce-deceit and inequality. Even your liberty to discuss the shortcomings of your own species has its foundations in blood and hardship." "That's a depressing thought,”
— Jasper Fforde
“Durham Cathedral, like all great buildings of antiquity, is essentially just a giant pile of rubble held in place by two thin layers of dressed stone. But-and here is the truly remarkable thing-because that gloopy mortar was contained between two impermeable outer layers, air couldn't get to it, so it took a very long time-forty years to be precise-to dry out. As it dried, the whole structure gently settled, which meant that the cathedral masons had to build doorjambs, lintels, and the like at slightly acute angles so that they would ease over time into the correct alignments. And that's exactly what happened. After forty years of slow-motion sagging, the building settled into a position of impeccable horizontality, which it has maintained ever since. To me, that is just amazing-the idea that people would have the foresight and dedication to ensure a perfection that they themselves might never live to see.”
— Bill Bryson
“When an author creates a town in her novels, she spends a great deal of time visualizing the streets and buildings, landmarks and topography. And while the town becomes real in her imagination, it's rare for an author to see the place she's created actually spring to life.”
— Lori Wilde
“Pittsburg is like Birmingham in England; at least its townspeople say so. Setting aside the streets, the shops, the houses, waggons, factories, public buildings, and population, perhaps it may be. It certainly has a great quantity of smoke hanging about it, and is famous for its iron-works. Besides the prison to which I have already referred, this town contains a pretty arsenal and other institutions. It is very beautifully situated on the Alleghany River, over which there are two bridges; and the villas of the wealthier citizens sprinkled about the high grounds in the neighbourhood, are pretty enough. We lodged at a most excellent hotel, and were admirably served. As usual it was full of boarders, was very large, and had a broad colonnade to every story of the house.”
— Charles Dickens
“Entering by a wide gateway, but without gates, into an inner court,
surrounded on all sides by great marble pillars supporting galleries
above, I saw a large fountain of porphyry in the middle, throwing
up a lofty column of water, which fell, with a noise as of the fusion
of all sweet sounds, into a basin beneath; overflowing which, it ran
into a single channel towards the interior of the building. Although
the moon was by this time so low in the west, that not a ray of her
light fell into the court, over the height of the surrounding buildings; yet was the court lighted by a second reflex from the sun of
other lands. For the top of the column of water, just as it spread to
fall, caught the moonbeams, and like a great pale lamp, hung high
in the night air, threw a dim memory of light (as it were) over the
court below.”
— George MacDonald
“With a clamor of bells that set the swallows soaring, the Festival of Summer came to the city. Omelas, bright-towered by the sea. The rigging of the boats in harbor sparkled with flags. In the streets between houses with red roofs and painted walls, between old moss-grown gardens and under avenues of trees, past great parks and public buildings, processions moved. Some were decorous: old people in long stiff robes of mauve and grey, grave master workmen, quiet, merry women carrying their babies and chatting as they walked. In other streets the music beat faster, a shimmering of gong and tambourine, and the people went dancing, the procession was a dance.”
— Ursula K. Le Guin
“Italy is full of historical buildings. And Europe holds a great history of philosophy from Greece until today. I read all those books and see these buildings, and I think of where I stand when I design my architecture.”
— Tadao Ando
“Great is language ... it is the mightiest of the sciences,
It is the fulness and color and form and diversity of the earth ... and of men and women ... and of all qualities and processes;
It is greater than wealth ... it is greater than buildings or ships or religions or paintings or music.”
— Walt Whitman
“We often judge cities by great public buildings. But we admire great cities because people live there in a beautiful way. You have to think about how each person will live there; you can't just think about abstract ideas.”
— Daniel Libeskind
“I'm a New Yorker. I like the big streets and the big buildings. It's a great place to walk.”
— Ed Askew
“Architecture has its political Use; publick Buildings being the Ornament of a Country; it establishes a Nation, draws People and Commerce; makes the People love their native Country, which Passion is the Original of all great Actions in a Common-wealth ... Architecture aims at Eternity.”
— Christopher Wren
“Sir, if you wish to have a just notion of the magnitude of this city, you must not be satisfied with seeing its great streets and squares, but must survey the innumerable little lanes and courts. It is not in the showy evolutions of buildings, but in the multiplicity of human habitations which are crowded together, that the wonderful immensity of London consists.”
— Samuel Johnson
“I am weary seeing our laboring classes so wretchedly housed, fed, and clothed, while thousands of dollars are wasted every year over unsightly statues. If these great man must have outdoor memorials, let them be in the form of handsome blocks of buildings for the poor”
— Elizabeth Cady Stanton
“Whenever vanity and gaiety, a love of pomp and dress, furniture, equipage, buildings, great company, expensive diversions, and elegant entertainments get the better of the principles and judgments of men and women, there is no knowing where they will stop, nor into what evils, natural, moral, or political, they will lead us.”
— John Quincy Adams
“We have become so quick and effective in building things today. It would be easy to build another Pyramid of Giza or another Great Wall. But these buildings haven't withstood the test of time because of their building quality. They stand tall because they have a symbolic value, they represent a culture.”
— Zhang Xin
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