“Sarah, though, was still sometimes ruled by stark pain, lost to everything else. Grief slipped away, only to attack from behind. It changed shape endlessly. It lacerated her, numbed her, stalked her, startled her, caught her by the throat. It deceived her eye with glimpses of Charles, her ear with the sound of his voice. She would turn and turn, expecting him, and find him gone. Again. Each time Sarah escaped her sorrow, forgetful amid other things, she lost him anew the instant she remembered he was gone.”
— Kate Maloy
“I am filthy. I am riddled with lice. Hogs, when they look at me, vomit. My skin is encrusted with the scabs and scales of leprosy, and covered with yellow pus.[ ... ] A family of toads has taken up residence in my left armpit and, when one of them moves, it tickles. Mind one of them does not escape and come and scratch the inside of your ear with its mouth; for it would then be able to enter your brain. In my right armpit there is a chameleon which is perpetually chasing them, to avoid starving to death: everyone must live.[ ... ] My anus has been penetrated by a crab; encouraged by my sluggishness, he guards the entrance with his pincers, and causes me a lot of pain.”
— Comte De Lautréamont
“I seem to wish to have some importance
In the play of time. If not,
Then sad was my mother's pain, my breath, my bones,
My web of nerves, my wondering brain,
to be shaped and quickened with such anticipation
Only to feed the swamp of space.
What is deep, as love is deep, I'll have
Deeply. What is good, as love is good,
I'll have well. Then if time and space
Have any purpose, I shall belong to it.
If not, if all is a pretty fiction
To distract the cherubim and seraphim
Who so continually do cry, the least
I can do is to fill the curled shell of the world
With human deep-sea sound, and hold it to
The ear of God, until he has appetite
To taste our salt sorrow on his lips.
And so you see it might be better to die.
Though, on the other hand, I admit it might
Be immensely foolish.”
— Christopher Fry
“Ela reached out for Grego. He refused to go to her. Instead he did exactly what Ender expected, what he had prepared for. Grego turned in Ender's relaxed grip, flung his arms around the neck of the speaker for the dead, and wept bitterly, hysterically. Ender spoke gently to the others, who watched helplessly. "How could he show his grief to you, when he thought you hated him?" "We never hated Grego," said Olhado. "I should have known," said Miro. "I knew he was suffering the worst pain of any of us, but it never occurred to me . . ." "Don't blame yourself," said Ender. "It's the kind of thing that only a stranger can see." He heard Jane whispering in his ear. "You never cease to amaze me, Andrew, the way you turn people into plasma.”
— Orson Scott Card
“Now now Ellindt, you know I love it when you beg." Chuckling silently, every jolt from my hold causes her hands pulsating pain, and I bend to speak intimately into her ear again, "But I love it more when you scream.”
— Poppet
“But for now he was alone and hurt and broken on the ground, the man, gravely wounded. Worse, he knew himself a fool, knew himself a loser, knew himself too late, and defeated, ruined by his own hand, near to death.
It was the end and then this happened. The wound in his chest, red and burning, open like an eye, an ear, a mouth, began to glow.
It glowed and warmed until it embered him. Flowers closest to where he lay started to wilt in the heat of it. But inside the man, the heat changed into something else. The first thing he felt it become was courage and the next thing was desire.
They went through him, but with a roughness he'd never known. Then instead of in pain he was thirsty, but with a thirst he'd never known. The heat and the glow and the thirst combined and melted the man into someone he'd never been.
He heard a noise. It was the roar of water.
Up he got off the ground to go and sort himself out.”
— Ali Smith
“I'm dirty," I refute, hot tears brimming. "You don't want me." His face twists in pain. "I don't think that. Neither should you." His lips graze my neck and then find my ear. "Lil, I want you to ask me. I need you to." He presses his forehead to my temple, gently edging me closer to the mattress, his hands tight on my hips. I continue to struggle for breath. I know what he wants now. He wants this to be real. So do I. "Help me," I say, breathlessly.”
— Krista Ritchie
“Camba had bent her long neck down to Ingar's level and was muttering in his ear. "Do you feel the breeze on your face?" I heard her say. "That's yours, and worth feeling. Look at those orange clouds. All the trials of a day may be endured if you know there's such a sky at the end of it. Some days I told my heart to wait, just wait, because the sunset would teach me again that my pain was nothing compared with the eternal, circling sky.”
— Rachel Hartman
“What was that? Rich combined the pain of a crooked arm with the indignity of a flicked ear. I could only hope the situation didn't escalate to the dreaded purple nurple.”
— Molly Harper
“The woman had gasped beneath his heavy body. He rubbed against her, lubricated by the warm, sticky liquid, but as her body gradually grew cold, he felt as though they'd been glued together. She seemed to be see-sawing between agony and ecstasy, but finally Satake pressed his lips over hers to quiet the groans-of pain or pleasure-that were leaking from her mouth. He found the hole that he had made in her side and worked his finger deep into the opening. Blood was pumping from the wound, staining their sex a gruesome crimson. He wanted to get further inside, to melt into her. As he was about to come, he pulled his lips from her and she whispered in his ear: "I'm finished ... finished."
"I know," he'd said, and he could still hear the exact sound of his own voice.”
— Natsuo Kirino
“Do you think I should be paying my addresses to Mrs. Martin, my dear Miss Fitzhugh?" he whispered. "Martin doesn't
look the sort to have enough stamina to service two women.
And goodness knows you could probably exhaust Casanova himself."
Again this insinuation that she must be a sufferer of nymphomania. Behind her fan, she put her lips very close to his ear. "You've no idea, my Lord Hastings, the heated yearnings
that singe me at night, when I cannot have a man. My skin burns to be touched, my lips kissed, and my entire body passionately fondled."
Hastings was mute, for once. He stared at her with something halfway between amusement and arousal.
She snapped shut her fan and rapped his fingers as hard as she could, watching with great satisfaction as he choked back a
yelp of pain.
"By anyone but you," she said, and turned on her heels.”
— Sherry Thomas
“Fallon," he whispers, moving his lips slowly across mine. "Thank you for this beautiful gift." As soon as his words brush over my mouth, he covers me in a deep kiss. My whole body tenses from the burst of pain that ripples through me as he pushes inside of me, but the perfection of the way we fit together makes the pain a mere inconvenience. It's beautiful. He's beautiful. And somehow, with the way he's looking down at me, I even believe I'm beautiful. He presses his mouth against my ear and whispers, "No combination of written words could ever do this moment justice.”
— Colleen Hoover
“Like the Sweetness of Gardenias Mother, you died 15 years ago. pain, a rapier, cut until, finally, there was just peace like the sweetness of gardenias in the crystal vase on your yellow kitchen table. so fragrant. your voice lingers in my ear reminding, scolding, guiding a pleasant mantra of tenderness, magic words that move my palms, your palms. together we are molding, helping, creating. in the mirror I see your eyes, your beautiful brown circles looking back, so radiant. "don't forget me," you whispered the day you died. I won't.”
— Wallace Stevens
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