“Guess what it is that turns plants to coal. Pressure. Guess what it is that turns limestone to marble. Pressure. Guess what it is that turns Brionys heart to stone. Pressure. Pressure is uncomfortable, but so are the gallows. Keep your secrets, wolfgirl. Dance your fists with Eldrics, snatch lightning from the gods. Howl at the moon, at the blood-red moon. Let your mouth be a cavern of stars.”
— Franny Billingsley —
“The great mother whom we call Innana gave a gift to woman that is not known among men, and this is the secret of blood. The flow at the dark of the moon, the healing blood of the moon's birth - to men, this is flux and distemper, bother and pain. They imagine we suffer and consider themselves lucky. We do not disabuse them.
In the red tent, the truth is known. In the red tent, where days pass like a gentle stream, as the gift of Innana courses through us, cleansing the body of last month's death, preparing the body to receive the new month's life, women give thanks - for repose and restoration, for the knowledge that life comes from between our legs, and that life costs blood.”
— Anita Diamant
“I squinted at the western sky behind Thaddeus, a blood-red smear melting into blackness. Twisting my neck, I glanced the opposite direction. My teeth clenched at a magnified, round moon nearly as scarlet as the portending sunset, its luminous face half masked by hazy cloud cover. Hatred, vengeance, anger ... ... such emotions coursed through my veins in a poisonous concoction that muddied my mind, impelling me to grip my sword tighter and fight with every ounce of strength I possessed against those who threatened my family - my kind. Currently, Thaddeus was behaving as such a threat, using his powers of persuasion to condone human sacrifice for some outrageously perceived good. He wanted an offering for the monsters; a desperate, futile offering of human flesh that would in no way protect the other villagers from being mauled as he promised.”
— Richelle E. Goodrich
“Above the decorous walking around me, sounds of footsteps leaving the verandas of far-flung buildings and moving toward the walks and over the walks to the asphalt drives lined with whitewashed stones, those cryptic messages for men and women, boys and girls heading quietly toward where the visitors waited, and we moving not in the mood of worship but of judgement; as though even here in the filtering dusk, here beneath the deep indigo sky, here, alive with looping swifts and darting moths, here in the hereness of the night not yet lighted by the moon that looms blood-red behind the chapel like a fallen sun, its radiance shedding not upon the here-dusk of twittering bats, nor on the there-night of cricket and whippoorwill, but focused short-rayed upon our place of convergence; and we drifting forward with rigid motions, limbs stiff and voices now silent, as though on exhibit even in the dark, and the moon a white man's bloodshot eye.”
— Ralph Ellison
“The walls of the arch are covered with blood-red jellies that wink and glisten at me by the light of the moon. My father told me they were completely harmless. I don't believe him. Nothing is completely harmless.”
— Maggie Stiefvater
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