Best Ya Book Quotes

“It was that reader that she'd found in Mama's trunk. At the schoolhouse they had McGuffey, good lessons about good boys and girls. But Meggie had found the worn, faded book of fairy tales. They had been much more interesting than the stern admonitions of McGuffey. And her imagination had taken flight. Fanciful, that's what her father had called it. And when she'd read about Rapunzel, she'd decided that none of the local boys would ever do. A real prince was coming up the mountain for Meggie Best someday. She was sure of it. Unfortunately, this morning she'd thought that he'd arrived.”

— Pamela Morsi

“Because what's the use of learning that I am one of a long row only - finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all. The best is not to remember your nature and your past doings have been just like thousands' and thousands', and that your coming life and doings'll be like thousands' and thousands'.”

— Thomas Hardy

“I always started studying with the best intentions, telling myself that today just might be the day it all fell into place, and everything would be different. But more often than not, though, after a couple of pages of practice problems, I'd find myself spiraling into an all-out depression. When it was really bad, I'd put my head down on my book and contemplate alternate options for my future.
"whoa," I heard a voice say. It was muffled slightly by my hair, and my arm, which I locked around my head in an effort to keep my brain from seeping out.”

— Sarah Dessen

“I became interested in librarians while researching my first book, about obituaries. With the exception of a few showy eccentrics, like the former soldier in Hitler's army who had a sex change and took up professional whistling, the most engaging obit subjects were librarians. An obituary of a librarian could be about anything under the sun, a woman with a phenomenal memory, who recalled the books her aging patrons read as children-and was also, incidentally, the best sailor on her stretch of the Maine coast-or a man obsessed with maps, who helped automate the Library of Congress's map catalog and paved the way for wonders like Google Maps.”

— Marilyn Johnson

“One of the best places for a shy person to meet people is in a coffee shop. If you are a reader, bring a book and read it there - that gives a guy something to ask you about. Same goes for sketching, writing, or any hobby you can take with you.”

— Laurie Helgoe

“There is pressure when you have a very big book like 'Shadow Divers' to follow up with something big. But you can't let that pressure determine what you do. You just look for the best stories, and when you find a great one, you tell it.”

— Robert Kurson

“I knew that the best way to get out of chores, or sports, or talking to elderly relatives on the phone was by holding up a book and saying, But I'm just enjoying Little House on the Prairie so much!”

— Mindy Kaling

“'The Man Who Never Was,' by Ewen Montagu, remains the best book about wartime espionage written by an active participant - incomplete, and dry in parts, it nonetheless summons up the ingenuity and sheer eccentricity of those who played this strange and dangerous game.”

— Ben Macintyre

“I often get asked, 'Is the book dead?' It hasn't happened yet. It's different than music. Music was always meant to be pure sound - it started out as pure sound and now it's pure sound again. But books started out as things. Words on paper began as words on paper. The paperback book is the best technology to deliver that information to you.”

— Chip Kidd

“The effort to create a work of art that is true and potentially lasting, that is the very best work of art you can create at that point in your life - a book that may only reach or move a few people but will seem to those people somehow transformative. That's the ideal; that's always the motivation.”

— Claire Messud

“You're writing, you're coasting, and you're thinking, 'This is the best thing I've ever written, and it's coming so easily, and these characters are so great.' You put it aside for whatever reason, and you open it up a week later and the characters have turned to cardboard and the book has completely fallen apart," she says. "That's the moment of truth for every writer: Can I go on from here and make this book into something? I think it separates the writers from the nonwriters. And I think it's the reason a lot of people have that unfinished manuscript around the house, that albatross.”

— Jacqueline Woodson

“The book was sloppily written in many parts (the words came too quickly and too easily) and there was hardly a noun in any sentence that was not holding hands with the nearest and most commonly available adjective - scalding coffee and tremulous fear are the sorts of thing you will find throughout. Over-certified adjectives are the mark of most best-seller writing.”

— Norman Mailer

“That's still the best reading experience: falling in love with a book I meet by accident.”

— Alice Hoffman

“So perhaps the best thing to do is to stop writing Introductions and get on with the book.”

— A.A. Milne

“The fault in our stars is the best book and the movie too”

— John Green

“There are many challenges I face while working on a book. Working within deadlines and schedules is certainly one of the bigger ones for me. I want to create the best possible book I can for my readers with words and pictures - and that takes time to get it just right.”

— Tony DiTerlizzi

“The ending of a book is, in my experience, both the best and worst part to read. For the ending will often determine whether you love or hate the book.
Both emotions lead to disappointment. If the ending was good, and the book was worth your time, then you are left annoyed and depressed because there is no more book to read. However, if the ending was bad, then it's too late to stop reading. You're left annoyed and depressed because you wasted so much time on a book with a bad ending.
Therefore, reading is obviously worthless, and you should go spend your time on other, more valuable pursuits.”

— Brandon Sanderson

“One of the best investors around, Joel Greenblatt, has written a popular, charming and funny book about investing in great companies at low P/E multiples. To simplify an already simple book, great companies are generally measured as companies that can generate lots of profit without requiring a lot of capital. This means that they have high ROEs.”

— David Einhorn

“That was how the heroine of a book would play it and Diana was still writing her own story the best heroines she'd always believed took their fate into their own hands.”

— Anna Godbersen

“It's basically an act of faith, hoping that a small idea will unspool into a bigger whole. Sometimes, in fact often, it doesn't and it just runs out of steam. The hope for me is that it will snowball. the best way to put it is that I have no particular method or technique per se, other than this: I plan nothing, I outline nothing, I start with an idea or an image or a line of dialogue and see where it leads me. Because I never know what the next page will contain, let alone the end of the book, I am perpetually surprised by the course that my characters take. The writing process is as full of surprises and twists for me as the reading experience is for my readers. I love the spontaneity of writing this way, the possibilities left open, the feeling that I am not constrained or committed to any given path. Every day, I am surprised by something. It may not be the most efficient way of writing, but it has served me well thus far.”

— Khaled Hosseini

“The book. The book ... think about a book. What a perfect invention. The best and most important ever.”

— Jann Arden

“When I think of my best days as husband, I find I was doing what Regi said in this book. What Radical Husbands Do is a practical book I can safely give any man who is struggling in his marriage.”

— Joel Manby

“I feel that I'm an essayist and that my best work gets done in that form. I wanted to do a book where the essays could exist on their own terms. A book that was neither a book of essays that were shoehorned into a memoir, nor [one where] the essays had been published elsewhere first, [because] then they would kind of bear the marks of those publications.”

— Meghan Daum

“Patricia Smith is one of the best poets around and has been for a long time. Her Blood Dazzler is full of capacious soul and formal inventiveness: the compassion and artfulness necessary to capture the tragedies and Tragedy of Katrina. Smith is herself a storm of beautiful, frightening talent. Her words will wash you or wash you away. I consider this new book a major literary event.”

— Terrance Hayes

“Eventually, as my books became best-sellers, the nickels pile up and one
day I was offered a substantial four-book deal that was lucrative as any airliner hijacking in history. Though writing those four books was hard work, at least I didn't have to wear Kevlar body armor, carry heavy bandoliers of spare ammunition, or work with associates named Mad Dog.”

— Dean Koontz

“The best and only authentic book written on the sixties underground.”

— Dennis Hopper

“A form wherein we can enjoy simultaneously what is best in both the novel and the short story form. My plan was to create a book that affords readers some of the novel's long-form pleasures but that also contains the short story's ability to capture what is so difficult about being human - the brevity of our moments, their cruel irrevocability.”

— Junot Diaz

“Rebecca Mead's My Life in Middlemarch is a wise, humane, and delightful study of what some regard as the best novel in English. Mead has discovered an original and highly personal way to make herself an inhabitant both of the book and of George Eliot's imaginary city. Though I have read and taught the book these many years I find myself desiring to go back to it after reading Rebecca Mead's work.”

— Harold Bloom

“It is a relief to read some true book, wherein all are equally dead,
equally alive. I think the best parts of Shakespeare would only be enhanced by the most thrilling and affecting events. I have found it so. And so much the more, as they are not intended for consolation.”

— Henry David Thoreau

“I think the book you always like best is the one you're about to write.”

— Margaret Atwood

“I did not write it [Coming of Age in Samoa] as a popular book, but only with the hope that it would be intelligible to those who might make the best use of its theme, that adolescence need not be the time of stress and strain which Western society made it; that growing up could be freer and easier and less complicated; and also that there were prices to pay for the very lack of complication I found in Samoa - less intensity, less individuality, less involvement with life.”

— Margaret Mead

“The relationship between book and reader is intimate, at best a kind of love affair, and first loves are famously tenacious. [ ... ] First love is a momentous step in our emotional education, and in many ways, it shapes us forever.”

— Laura Miller