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Angel Wall Quotes

Angel Wall Quotes

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“It is not I who mix the colors but your own vision, he answered. I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing. He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angels eyes turn violet. I work with something like a dictionary of colors, Nikon added, and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldnt someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole?”
— Milorad Pavic —

“Suddenly Saffron had a picture in her mind of Sarah waiting at the bottom of the wall, and she was angry with herself.
Something changed in Saffron at that moment. She knew all about feeling left out ... That was why she wanted her angel so badly; proof that she mattered as much as anyone else.
"I couldn't really climb the wall," she said. "And if I could, what if I got caught? What would I say?"
"You'd think of something."
"No. It was a stupid idea. Let's try your way, early in the morning."
"Before breakfast?"
"Yes. All right Mission Control?"
"All right," said Sarah. "All right, Superhero.”

— Hilary McKay

“I will admit that I wanted to shout for standing on the top of a scaffold in front of a good new wall always goes to my head. It is a sensation something between that of an angel let out of his cage into a new sky and a drunkard turned loose in a royal cellar.
And after all, what nobler elevation could you find in this world than the scaffold of a wall painter? No admiral on the bridge of a new battleship designed by the old navy, could feel more pleased with himself than Gulley, on two planks, forty feet above dirt level, with his palette table beside him, his brush in his hand, and the draught blowing up his trousers; cleared for action.”

— Joyce Cary

“It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.'
He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.
'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole?”

— Milorad PaviÄ‡

“Near my feet is a glowing archway. The light is white and shimmery, like iridescent glitter, and it's so tall the top nearly brushes the ceiling. Inside, instead of seeing the cement wall of the basement, I'm looking at evenly spaced wooden pillars and a reed-mat floor. Standing on that mat is a woman with curves that would make a Playboy model jealous. She's wearing a long, butter yellow dress, and her white hair hangs down to her waist. She looks like an angel when she smiles at me, holding out her hands.
"Hudson, come with me." Her voice reminds me of the breeze rustling through the trees near the lake. Soft and subtle and calming. "Let me help you."
Did I die? Maybe the scratch on my side got infected. Maybe I've been slowly bleeding to death from internal injuries for the past week. Who knows? If this is death, if she's what's waiting for me on the other side, then fuck it. I'm letting go.”

— Erica Cameron

“Angel," Adam said.
"I think not," Philip answered. He huddled at the wall, crossing himself. "Banshee, the herald of Death.”

— Erin Kellison

“Strider's bedroom The only thing hanging on the wall that wasn't a weapon was the portrait just over the bed. No. Not true, he thought then. The portrait was a weapon, too. Of seduction. In it Strider was utterly naked and whisking through the cloads like an avenging angel. He was holding a teddy bear in one hand and a stream of pink ribbons in the other. Anya had given him the nearly life-size monstrasity as a joke. But the joke was on her. He loved the thing.”

— Gena Showalter

“Home. the word always had air quotes around it in her mind. She'd done what she could to make her flat cozy, filling it with art, books, ornate lanterns, and a Persian carpet as soft as lynx fur. And of course there were her angel wings taking up one whole wall. But there was no help for the real emptiness; its close air was stirred by no breath but her own. When she was alone, the empty place within her, the missingness, as she thought of it, seemed to swell. Even being with Kaz had done something to keep it at bay, though not enough. Never enough.”

— Laini Taylor

“They don't live here. They live in Heaven.'
Where's that?'
I don't know,' I said. 'Enos says it's right here, on this side of the wall, but I never saw an angel over here. Kuba says it's in Russia. Olek says Washington America.'
What's Washington America?'
Enos says it's a place with no wall and no lice and lots of potatoes.”

— Jerry Spinelli

“There's another picture of the two of them, she with her arms around him, looking at the camera. She is an apparition, a naughty angel caught flying over the Wall, put in a cage, and then let out, here with her beloved.”

— Anna Funder

“Angel, saint, Devil's spawn, good or evil, you've got me pinned to the wall and labeled as yours until the day I die. And if you die first, then it won't be long before I follow.”