The Green Miles Quotes

“Indeed, Gabriel knew it wasn't all just empty green fields of moorland grass for miles around. Tucked within the wide landscapes of these uplands was an unpredictability that a less observant person might never be aware of. There were waterfalls concealed in swaths of wilderness, rocky stream beds ramblings in deep valleys, and ... knotted sheets?”

— Olivia Parker

“Nelson, do you remember the spring day when we climbed the barn gable so we could see the seagulls that mysteriously blew into our clay hills
swept from an ocean neither of us had ever seen though it was scarcely a hundred miles away, each bird a genuine miracle high above the green barley? The time we saw that panther in the sycamore tree and Maw said it was the sign of war? Nelson, I am sixty-three years old, the same age that both Maw and Daddy were when they died. I have written this in testimony. With this book, I presume to be done now with such remembrance. But somehow I suspect it will go on, this peering down old wells, this excavation of memory and its shades.”

— Joe Bageant

“A high upland common was this moor, two miles from end to end, and full of furze and bracken. There were no trees and not a house, nothing but a line of telegraph poles following the road, sweeping with rigidity from north to south; nailed upon one of them a small scarlet notice to stonethrowers was prominent as a wound. On so high and wide a region as Shag Moor the wind always blew, or if it did not quite blow there was a cool activity in the air. The furze was always green and growing, and, taking no account of seasons, often golden. Here in summer solitude lounged and snoozed; at other times, as now, it shivered and looked sinister. ("The Higgler")”

— A.E. Coppard

“A panther poised in the cypress tree about to jump is a
panther poised in a cypress tree about to jump.
The panther is a poem of fire green eyes and a heart charged
by four winds of four directions.
The panther hears everything in the dark: the unspoken
tears of a few hundred human years, storms that will break
what has broken his world, a bluebird swaying on a branch a
few miles away.
He hears the death song of his approaching prey:
I will always love you, sunrise.
I belong to the black cat with fire green eyes.
There, in the cypress tree near the morning star.”

— Joy Harjo

“A few miles south of Soledad, the Salinas River drops in close to the hillside bank and runs deep and green. The water is warm too, for it has slipped twinkling over the yellow sands in the sunlight before reaching the narrow pool.”

— John Steinbeck

“Georgie's mother had spectacular cleavage. Tan, freckled, ten miles deep.
"Genetics," her mom said when she caught Georgie looking.
Heather shoved a bowl of green beans into Georgie's arm. "Were you just staring at Mom's breasts?"
"I think so," Georgie said. "I'm really tired
and she's kinda begging for it in that shirt."
"Oh, sure," Heather said. "Blame the victim.”

— Rainbow Rowell

“There were no traces of human existence around them. Old ruts, overgrown with grass, made human presence seem more distant, adding the distance of years to the distance of miles. A haze of twilight remained over the ground, but in the breaks between the tree trunks there were leaves that hung in patches of shining green and seemed to light the forest. The leaves hung still. They walked, alone to move through a motionless world. She noticed suddenly that they had not said a word for a long time.”

— Ayn Rand

“I hate Technicolor. Everybody in a Technicolor movie seems to feel obliged to wear a lurid costume in each new scene and to stand around like a clotheshorse with a lot of very green trees or very yellow wheat or very blue ocean rolling away for miles and miles in every direction.”

— Sylvia Plath

“Some single trees, wholly bright scarlet, seen against others of their kind still freshly green, or against evergreens, are more memorable than whole groves will be by-and-by. How beautiful, when a whole tree is like one great scarlet fruit full of ripe juices, every leaf, from lowest limb to topmost spire, all aglow, especially if you look toward the sun! What more remarkable object can there be in the landscape? Visible for miles, too fair to be believed. If such a phenomenon occurred but once, it would be handed down by tradition to posterity, and get into the mythology at last.”

— Henry David Thoreau

“I sometimes think drivers don't know what grass is, or flowers, because they never see them slowly," she said. "If you showed a driver a green blur, Oh yes! he'd say, that's grass! A pink blur? That's a rose-garden! White blurs are houses. Brown blurs are cows. My uncle drove slowly on a highway once. He drove forty miles an hour and they jailed him for two days. Isn't that funny, and sad, too?”

— Ray Bradbury

“The hills roll for miles; green, flourishing, dotted with trees and hikers. The blue sky is endless and the sun illuminates through the thin white clouds. There's a breeze coming upward and also across and as they collide it makes me feel as if I'm flying.”

— Jessica Sorensen

“It wasn't a city, it was a process, a weight on the world that distorted the land for hundreds of miles around. People who'd never see it in their whole life nevertheless spent that life working for it. Thousands and thousands of green acres were part of it, forests were part of it. It drew in and consumed ...
... and gave back the dung from its pens, and the soot from its chimneys, and steel, and saucepans, and all the tools by which its food was made. And also clothes, and fashions, and ideas, and interesting vices, songs, and knowledge, and something which, if looked at in the right light, was called civilization. That was what civilization meant. It meant the city.”

— Terry Pratchett

“Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour
landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard ...
But after life. The slow pulling down of thick green stalks so that the cup of the flower, as it turns over, deluges one with purple and red light. Why, after all, should one not be born there as one is born here, helpless, speechless, unable to focus one's eyesight, groping at the roots of the grass, at the toes of the Giants?”

— Virginia Woolf

“The castle of Cair Paravel on its little hill towered up above them; before them were the sands, with rocks and little pools of salt water, and seaweed, and the smell of the sea and long miles of bluish-green waves breaking for ever and ever on the beach. And oh, the cry of the seagulls! Have you ever heard it? Can you remember?”

— C.S. Lewis

“The Hinley pond-poet Herbert Miles had referred to us as "that gaggle o' geese who gossip gaily 'pon the gladdening green," and there”

— Alan Bradley

“The light irradiates white peaks of Annapurna marching down the sky, in the great rampart that spreads east and west for eighteen hundred miles, the Himalaya- the alaya (abode, or home) of hima (snow).Hibiscus, frangipani, bougainvillea: seen under snow peaks, these tropical blossoms become the flowers of heroic landscapes. Macaques scamper in green meadow, and a turquoise roller spins in a golden light. Drongos, rollers, barbets, and white Eqyptian vulture are the common birds, and all have close relatives in East Africa.”

— Peter Matthiessen

“Three hundred pages of cotton-soft parchment, bound up with a green ribbon. Her writing gushed in watery ripples over the pages, penmanship that called to mind the maddest intricate Belgian lace. Wrought on a pin's head but stretching for miles if unraveled.”

— Lyndsay Faye

“Far out in the uncharted backwaters of the unfashionable end of the Western Spiral arm of the Galaxy lies a small unregarded yellow sun. Orbiting this at a distance of roughly ninety-eight million miles is an utterly insignificant little blue-green planet whose ape-descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea. This planet has-or rather had-a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy. And so the problem remained; lots of the people were mean, and most of them were miserable, even the ones with digital watches.”

— Anonymous.

“In Texas there's so much space words have a way
Of getting lost in the silence before they're spoken
So people hang on a long time to what they have to say;
And when they say it the silence is not broken,
But it absorbs the words and slowly gives them
Over to miles of white-gold plains and grey-green hills,
And they are part of that silence that outlives them.”

— May Sarton

“If you are the kind of person who is waiting for the 'right' thing to happen, you might wait for a long time. It's like waiting for all the traffic lights to be green for five miles before starting the trip.”

— Robert Kiyosaki

“Beyond the River of the Blessed, there we sat down, yea, we wept, when we remembered Avalon. Our swords were shattered in our hands and we hung our shields on the oak tree. The silver towers were fallen, into a sea of blood. How many miles to Avalon? None, I say, and all. The silver towers are fallen.
... waters,where the stars shone like bonfires at night and the green of day was always the green of spring. Youth, love, beauty-I knew them in Avalon. Proud steeds, bright metal, soft lips, dark ale. Honor ...”

— Roger Zelazny

“SEEN ACROSS TEN MILES OF sunlit water, Lorbanery was green, green as the bright moss by a fountain's rim. Nearby, it broke up into leaves, and tree-trunks, and shadows, and roads, and houses, and the faces and clothing of people, and dust, and all that goes to make up an island inhabited by men. Yet still, over all, it was green: for every acre of it that was not built or walked upon was given up to the low, round-topped hurbah trees, on the leaves of which feed the little worms that spin the silk that is made into thread and woven by the men and women and children of Lorbanery. At dusk the air there is full of small grey bats who feed on the little worms. They eat many, but are suffered to do so and are not killed by the silk-weavers, who indeed account it a deed of very evil omen to kill the grey-winged bats. For if human beings live off the worms, they say, surely small bats have the right to do so.”

— Ursula K. Le Guin

“While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one's childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.”

— Willa Cather

“Here is my room, in the yellow lamplight and the space heater rumbling: Indian rug red as Cochise's blood, a desk with seven mystic drawers, a chair covered in material as velvety blue-black as Batman's cape, an aquarium holding tiny fish so pale you could see their hearts beat, the aforementioned dresser covered with decals from Revell model airplane kits, a bed with a quilt sewn by a relative of Jefferson Davis's, a closet, and the shelves, oh, yes, the shelves. The troves of treasure. On those shelves are stacks of me: hundreds of comic books- Justice League, Flash, Green Lantern, Batman, the Spirit, Blackhawk, Sgt. Rock and Easy Company, Aquaman, and the Fantastic Four ... The shelves go on for miles and miles. My collection of marbles gleams in a mason jar. My dried cicada waits to sing again in the summer. My Duncan yo-yo that whistles except the string is broken and Dad's got to fix it.”

— Robert McCammon

“You hear people say that there's too much CG in movies today, but CG is what allows me to take a green-painted wall in a studio and make it disappear, and then put 100 miles of landscape in. CG, in the right hands, can be a marvelous tool.”

— David Twohy

“Does it seem all but incredible to you that intelligence should travel for two thousand miles, along those slender copper lines, far down in the all but fathomless Atlantic; never before penetrated ... save when some foundering vessel has plunged with her hapless company to the eternal silence and darkness of the abyss? Does it seem ... but a miracle ... that the thoughts of living men ... should burn over the cold, green bones of men and women, whose hearts, once as warm as ours, burst as the eternal gulfs closed and roared over them centuries ago?”

— Edward Everett