Sad But Funny Quotes

“I felt empty and sad for years, and for a long, long time, alcohol worked. I'd drink, and all the sadness would go away. Not only did the sadness go away, but I was fantastic. I was beautiful, funny, I had a great figure, and I could do math. But at some point, the booze stopped working. That's when drinking started sucking. Every time I drank, I could feel pieces of me leaving. I continued to drink until there was nothing left. Just emptiness.”

— Dina Kucera

“The worst of being a Communist is the parties you may go to are - well - awfully funny and touching but not very gay ... I don't see the point of sad parties, do you? And Left-wing people are always sad because they mind dreadfully about their causes, and the causes are always going so badly.”

— Nancy Mitford

“Reynie's fce fell. 'It's not funny, Kate.'
For a moment - a fleeting moment - Kate looked desperately sad. 'Well, of course it's not funny, Reynie Muldoon. But what do you want me to do? Cry?”

— Trenton Lee Stewart

“In the emergency of growing up, we all need heroes. But the father I grew up with was no hero to me, not then. He was too wounded in the head, too endlessly and terribly sad. Too funny, too explosive, too confusing. Heroes are uncomplicated. *This* makes them do *that* ... But the war does not make sense. War senselessly wounds everyone right down the line. A body bag fits more than just its intended corpse. Take the 58,000 American soldiers lost in Vietnam and multiply by four, five, six-and only then does one begin to realize the damage this war has done ... War when necessary, is unspeakable. When unnecessary, it is unforgivable. It is not an occasion for heroism. It is an occasion only for survival and death. To regard war in any other way only guarantees its inevitable reappearance.”

— Tom Bissell

“Funny thing how it is. If a man owns a little property, that property is him, it's part of him, and it's like him. If he owns property only so he can walk on it and handle it and be sad when it isn't doing well, and feel fine when the rain falls on it, that property is him, and some way he's bigger because he owns it. Even if he isn't successful he's big with his property. That is so.'
'But let a man get property he doesn't see, or can't take time to get his fingers in, or can't be there to walk on it - why, then the property is the man. He can't do what he wants, he can't think what he wants. The property is the man, stronger than he is. And he is small, not big. Only his possessions are big - and he's the servant of his property. That is so, too.”

— John Steinbeck

“I wanted to write something tough, hard, sad, but funny.”

— Jennifer Niven

“A: Funny about my mother. All my life, from the time I was just a little kid, I thought of her as a sad person. I mean, the way some people are tall or fat or skinny. My father always seemed the stronger one. As if he was a bright color and she was a faded color. I know it sounds crazy.
T: Not at all.
A: But later, when I learned the truth about our lives, I found she was still sad. But strong, too. Not faded at all. It wasn't sadness so much as fear
the Never Knows.”

— Robert Cormier

“More people were in love with her than with any one I've ever known. She had that power-she enjoyed things. She wasn't beautiful, but-I don't know how she did it. She often spoke in broken sentences and seemed very sad. Yet she got on with every kind of person, and then she made it all so amazingly-funny”

— Virginia Woolf

“It's sad and upsetting when you see somebody crying hysterically, but at the same time it's real funny.”

— Seth Green

“For a culture that has such a problem with death, we seem to deal with it in a quite bizarre way. We see people shot, killed and blown up, and we find it funny and sexy and all those things. But, the reality of it is that every day people die, and people are really sad and they grieve and they go through a really difficult process with it.”

— Michael Sheen

“When you are 15, everything is such high stakes, even tiny things. I think because of that, it is funny but sad at the same time.”

— Sophie Wu

“The world, every day, is New. Only for those born in, say, 1870 or so, can there be a meaningful use of the term postmodernism, because for the rest of us we are born and we see and from what we see and digest we remake our world. And to understand it we do not need to label it, categorize it. These labels are slothful and dismissive, and so contradict what we already know about the world, and our daily lives. We know that in each day, we laugh, and we are serious. We do both, in the same day, every day. But in our art we expect clear distinction between the two ... But we don't label our days Serious Days or Humorous Days. We know that each day contains endless nuances - if written would contain dozens of disparate passages, funny ones, sad ones, poignant ones, brutal ones, the terrifying and the cuddly. But we are often loathe to allow this in our art. And that is too bad ...”

— Dave Eggers

“Since it's based on my parents, it's more emotionally close to me than some of my more surreal plays. And then I like the balance of the comic and the sad. It should play as funny, but you should care about the characters and feel sad for them.”

— Christopher Durang

“My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.”

— Jonathan Maberry

“It was funny, the Gray Man thought, how humorous she always appeared, how that smile was always just a moment away from her lips. You really didn't see the sadness or the longing unless you already knew it was there. But that was the trick, wasn't it? Everyone had their disappointment and their baggage; only, some people carried it in their inside pockets and not on their backs. And here was the other trick: Maura was not faking her happiness. She was both very happy and very sad.”

— Maggie Stiefvater

“You're Shane, right?'
He inched away from her and managed a quick nod as he twisted the rag he held in his fingers.
'Heidi sad you were willing to teach me how to ride.' Her expression shifted from entertained to confused, as if she was wondering why no one had mentioned he was a can or two shy of a six-pack.
'A horse,' he clarified, then wanted to kick himself. What else but a horse? Did he think she was here to learn to ride his mother's elephant?
One corner of Annabelle's perfect, full mouth twitched. 'A horse would be good. You seem to have several.'
He wanted to remind himself that he was usually fine around women. Smooth even. He was intelligent, funny and could, on occasion, be charming. Just not now, with his blood pumping and his brain doing nothing more than shouting "it's her, it's her" over and over again.
Chemistry, he thought grimly. It could turn the smartest man into a drooling idiot. Here he was, proving the theory true.”

— Susan Mallery

“I loathed being sixty-four, and I will hate being sixty-five. I don't let on about such things in person; in person, I am cheerful and Pollyannaish. But the honest truth is that it's sad to be over sixty. The long shadows are everywhere-friends dying and battling illness. A miasma of melancholy hangs there, forcing you to deal with the fact that your life, however happy and successful, has been full of disappointments and mistakes, little ones and big ones. There are dreams that are never quite going to come true, ambitions that will never quite be realized. There are, in short, regrets. Edith Piaf was famous for singing a song called "Non, je ne regrette rien." It's a good song. I know what she meant. I can get into it; I can make a case that I regret nothing. After all, most of my mistakes turned out to be things I survived, or turned into funny stories, or, on occasion, even made money from. But”

— Nora Ephron

“My mother told me I said to her, at age three, 'I'm going to go to Italy and get my father in a tractor.' 'You've never seen quite so fierce a little boy as you were,' she told me. She tried to explain that I couldn't get my father in a tractor. Apparently I looked at her and narrowed my eyes and said 'In that case, I'm going in a double-decker bus,' and stomped off. Which is kind of funny, but it's very sad, as well.”

— Roger Waters

“I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.”

— Frederick Wiseman

“It is funny, but it strikes me that a person without anecdotes that they nurse while they live, and that survive them, are more likely to be utterly lost not only to history but the family following them. Of course this is the fate of most souls, reducing entire lives, no matter how vivid and wonderful, to those sad black names on withering family trees, with half a date dangling after and a question mark.”

— Sebastian Barry

“It's pretentious to say, but my art is like a little Zen story, a story with a question mark at the end. People can take from it what they need. If somebody says, "Your art is very funny," I say, "You are totally right." If somebody says, "Your art is very sad," I say, "You are totally right." In Japan they say, "Your art is very Japanese, you even look Japanese.Your great-grandfather was most surely a Japanese man." And I say, "You are totally right."”

— Christian Boltanski

“Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny."”

— Ice Cube

“This was only Taika Watiti fourth film [Hunt for the Wilderpeople], but I think he brings a very original way of looking at stuff and I think if you look at Boy, for instance, which is a beautiful film, that was his second feature, and it's heartbreakingly sad, but it's also simultaneously very funny. There are not many people who can do that.”

— Sam Neill

“We need to have profound compassion for the people who are dealing with the very real issue of sexual dysfunction in their life, and sexual identity disorders. This is a very real issue. It's not funny, it's sad. Any of you who have members of your family that are in the lifestyle-we have a member of our family that is. This is not funny. It's a very sad life. It's part of Satan, I think, to say this is gay. It's anything but gay.”

— Michele Bachmann

“We all die at the end, but does that nullify everything? Would most people rather say, "I wish I hadn't been born?" Once you're born you'll have to die, now is that funny or sad?”

— John Cleese

“Becka was almost good looking enough to be on a reality dating show, but not funny looking or sad enough to be on one of the makeover shows.”

— Kelly Link

“There's lots of sides. The CD doesn't really create a mood. It creates more of a journey. It starts out with a simple bluegrass tune, sort of melancholy and sad, like "Lovin' and Lyin'," then it's sexy and there's some funny songs in there where I'm talking, like "Designated Drunk." There's a humor side, a sexy side, but there's also a pretty sad side, the country side. It's the backwards side of me!”

— Laura Bell Bundy