Relationship Secrecy Quotes

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“Most of us live in a condition of secrecy: secret desires, secret appetites, secret hatreds and relationship with the institutions which is extremely intense and uncomfortable. These are, to me, a part of the ordinary human condition. So I dont think Im writing about abnormal things ... Artists, in my experience, have very little center. They fake. They are not the real thing. They are spies. I am no exception.”
— John le Carre —

“By now you may have concluded that the conversation was neither
about Descartes nor about philosophy, although it certainly was
about mind, brain, and body. My friend suggested it should take
place under the Sign of Descartes, since there was no way of approaching
such themes without evoking the emblematic figure who
shaped the most commonly held account of their relationship. At
this point I realized that, in a curious way, the book would be about
Descartes' Error. You will, of course, want to know what the Error
was, but for the moment I am sworn to secrecy. I promise, though,
that it will be revealed.”

— Antonio R. Damasio

“Every relationship between two individuals or two groups will be characterized by the ratio of secrecy that is involved in it.”

— Georg Simmel

“Until we have a better relationship between private performance and the public truth, as was demonstrated with Watergate, we as the public are absolutely right to remain suspicious, contemptuous even, of the secrecy and the misinformation which is the digest of our news.”

— John Le Carre

“Mormonism was born amid secrecy, and throughout its existence as a religion it has sustained a close yet complex relationship to the arts of silence.”

— Noah Feldman

“As a matter of historical analysis, the relationship between secrecy and privacy can be stated in an axiom: the defense of privacy follows, and never precedes, the emergence of new technologies for the exposure of secrets.”

— Jill Lepore

“The little girl's sense of secrecy that developed at prepuberty only grows in importance. She closes herself up in fierce solitude: she refuses to reveal to those around her the hidden self that she considers to be her real self and that is in fact an imaginary character: she plays at being a dancer like Tolstoy's Natasha, or a saint like Marie Leneru, or simply the singular wonder that is herself. There is still an enormous difference between this heroine and the objective face that her parents and friends recognise in her. She is also convinced that she is misunderstood: her relationship with herself becomes even more passionate: she becomes intoxicated with her isolation, feels different, superior, exceptional: she promises that the future will take revenge on the mediocrity of her present life. From this narrow and petty existence she escapes by dreams.”

— Simone De Beauvoir