Quotes About Epic Poetry

“What is the world? What is it for?
It is an art. It is the best of all possible art, a finite picture of the infinite. Assess it like prose, like poetry, like architecture, sculpture, painting, dance, delta blues, opera, tragedy, comedy, romance, epic. Assess it like you would a Faberge egg, like a gunfight, like a musical, like a snowflake, like a death, a birth, a triumph, a love story, a tornado, a smile, a heartbreak, a sweater, a hunger pain, a desire, a fufillment, a desert, a waterfall, a song, a race, a frog, a play, a song, a marriage, a consummation, a thirst quenched.
Assess it like that. And when you're done, find an ant and have him assess the cathedrals of Europe.”

— N.D. Wilson

“[Kafka] transformed the profoundly antipoetic material of a highly bureaucratized society into the great poetry of the novel; he transformed a very ordinary story of a man who cannot obtain a promised job ... into myth, into epic, into a kind of beauty never before seen.”

— Milan Kundera

“Cut quarrels out of literature, and you will have very little history or drama or fiction or epic poetry left.”

— Robert Staughton Lynd

“Man, a gigantic child, must play with Babylon and Nineveh, with Isis and with Ashtaroth. By all means let him dream of the Bondage of Egypt, so long as he is free from it. By all means let him take up the Burden of Tyre, so long as he can take it lightly. But the old gods must be his dolls, not his idols. His central sanctities, his true possessions, should be Christian and simple. And just as a child would cherish most a wooden horse or a sword that is a mere cross of wood, so man, the great child, must cherish most the old plain things of poetry and piety; that horse of wood that was the epic end of Ilium, or that cross of wood that redeemed and conquered the world.”

— G.K. Chesterton

“That is to say, epic poetry has been invented many times and independently; but, as the needs which prompted the invention have been broadly similar, so the invention itself has been.”

— Lascelles Abercrombie

“Epic poetry exhibits life in some great symbolic attitude. It cannot strictly be said to symbolize life itself, but always some manner of life.”

— Lascelles Abercrombie

“If epic poetry is a definite species, the sagas do not fall within it.”

— Lascelles Abercrombie

“With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.”

— Lascelles Abercrombie

“By the general process of epic poetry, I mean the way this form of art has constantly responded to the profound needs of the society in which it was made.”

— Lascelles Abercrombie

“Byron published the first two cantos of his epic poem Childe Harold's Pilgrimage, a romanticized account of his wanderings through Portugal, Malta, and Greece, and, as he later remarked, "awoke one morning and found myself famous." Beautiful, seductive, troubled, brooding, and sexually adventurous, he was living the life of a Byronic hero while creating the archetype in his poetry. He became the toast of literary London and was feted at three parties each day, most memorably a lavish morning dance hosted by Lady Caroline Lamb. Lady Caroline, though married to a politically powerful aristocrat who was later prime minister, fell madly in love with Byron. He thought she was "too thin," yet she had an unconventional sexual ambiguity (she liked to dress as a page boy) that he found enticing. They had a turbulent affair, and after it ended she stalked him obsessively. She famously declared him to be "mad, bad, and dangerous to know," which he was. So was she.”

— Walter Isaacson

“He passes from lyric to epic poetry in order to speak about the world and the torment in the world through man, rationally and emotionally. The poet then becomes a danger.”

— Salvatore Quasimodo

“The founding father of Albanian literature is the nineteenth-century writer Naim Frasheri. Without having the greatness of Dante or Shakespeare, he is nonetheless the founder, the emblematic character. He wrote long epic poems, as well as lyrical poetry, to awaken the national consciousness of Albania.”

— Ismail Kadare

“Any long work in which poetry is persistent, be it epic or drama or narrative, is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.”

— John Drinkwater

“From the beginnings of literature, poets and writers have based their narratives on crossing borders, on wandering, on exile, on encounters beyond the familiar. The stranger is an archetype in epic poetry, in novels. The tension between alienation and assimilation has always been a basic theme.”

— Jhumpa Lahiri

“Don't panic. Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends' embarrassment, the failing career, the dwindling income, the repossessed house, the divorce ... Working doggedly on through crises like these, however, has always got me there in the end. Leaving the desk for a while can help. Talking the problem through can help me recall what I was trying to achieve before I got stuck. Going for a long walk almost always gets me thinking about my manuscript in a slightly new way. And if all else fails, there's prayer. St Francis de Sales, the patron saint of writers, has often helped me out in a crisis. If you want to spread your net more widely, you could try appealing to Calliope, the muse of epic poetry, too.”

— Sarah Waters

“The drama is complete poetry. The ode and the epic contain it only in germ; it contains both of them in a state of high development, and epitomizes both.”

— Victor Hugo

“Vogon poetry is of course, the third worst in the universe.
The second worst is that of the Azgoths of Kria. During a recitation by their poet master Grunthos the Flatulent of his poem "Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning" four of his audience died of internal haemorrhaging and the president of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos was reported to have been "disappointed" by the poem's reception, and was about to embark on a reading of his 12-book epic entitled "My Favourite Bathtime Gurgles" when his own major intestine, in a desperate attempt to save humanity, leapt straight up through his neck and throttled his brain.
The very worst poetry of all perished along with its creator, Paul Neil Milne Johnstone of Redbridge, in the destruction of the planet Earth. Vogon poetry is mild by comparison.”

— Douglas Adams

“The story of scientific discovery has its own epic unity-a unity of purpose and endeavour-the single torch passing from hand to hand through the centuries; and the great moments of science when, after long labour, the pioneers saw their accumulated facts falling into a significant order-sometimes in the form of a law that revolutionised the whole world of thought-have an intense human interest, and belong essentially to the creative imagination of poetry.”

— Alfred Noyes

“In my opinion, the trombone is the true head of the family of wind instruments, which I have named the 'epic' one. It possesses nobility and grandeur to the highest degree; it has all the serious and powerful tones of sublime musical poetry, from religious, calm and imposing accents to savage, orgiastic outburst. Directed by the will of the master, the trombones can chant like a choir of priests, threaten, utter gloomy sighs, a mournful lament, or a bright hymn of glory; they can break forth into awe-inspiring cries and awaken the dead or doom the living with their fearful voices.”

— Hector Berlioz

“Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth.”

— Victor Hugo

“To later Romans Ennius was the personification of the spirit of early Rome; by them he was called "The Father of Roman Poetry." We must remember how truly Greek he was in his point of view. He set the example for later Latin poetry by writing the first epic of Rome in Greek hexameter verses instead of in the old Saturnian verse. He made popular the doctrines of Euhemerus, and he was in general a champion of free thought and rationalism.”

— Quintus Ennius

“The true evolutionary epic, retold as poetry, is as intrinsically ennobling as any religious epic.”

— E. O. Wilson

“In a way, that's also a recognition that Dante needs Virgil and that the Inferno needs the Aeneid and that the epic needs a model and that for Dante to write this great poem he needs someone to come before him and he turns to Virgil's text, especially book six where Aeneas goes down into the underworld. And for me, that's a model of the poet's relationship to previous poetry, to another poetry as calling out for guidance.”

— Edward Hirsch

“Do not fear to put novels into the hands of young people as an occasional holiday experiment, but above all, good poetry in all kinds,
epic, tragedy, lyric. If we can touch the imagination, we serve them; they will never forget it.”

— Ralph Waldo Emerson

“Milton says, that the lyric poet may drink wine and live generously, but the epic poet, he who shall sing of the gods, and their descent unto men, must drink water out of a wooden bowl. For poetry is not "Devil's wine," but God's wine.”

— Ralph Waldo Emerson

“History presents the pleasantest features of poetry and fiction,
the majesty of the epic, the moving accidents of the drama, the surprises and moral of the romance. Wallace is a ruder Hector; Robinson Crusoe is not stranger that Croesus; the Knights of Ashby never burnish the page of Scott with richer lights of lance and armor than the Carthaginians, winding down the Alps, cast upon Livy.”

— Robert Aris Willmott