“Think about what it is youre after." "Understanding," she said slowly. "Good," Bill said. "What else?" A nervous energy was coursing through her, as if she was on the brink of something important. "I want to find out why Daniel and I were cursed. And I want to break that curse.I want to stop love from killing me so that we can finally be together-for real." "Whoa,whoa,whoa." Bill started waving his hands like a man stranded on the side of a dark road. "Lets not get crazy. This is a very long-standing damnation youre up againat here. You and Daniel,its like ... I dont know, you cant just snap your pretty little fingers and break out of that. You gotta start out small.”
— Lauren Kate —
“That evening I sat across from Jeremy Bulloch and Jacob at the dinner table. I watched as Jeremy, who seemed to speak Jacob's silent language fluently, drummed his fingers up and down on the edge of the table, as if playing a piano. A delighted Jacob mimicked the actor's actions. My throat filled with tears. I met Ben's eyes across the table, where he sat straight with pride next to his son. He was enjoying the show just as much as I was. Jacob was in his element, interacting with an actor from his favorite movie. The other men at the table were part of the set: Mike, the owner of the comic book store, who had made the entire thing possible, and the Mandalorin Mercs, new friends of the little boy who had
become one of their own, a comrade in distress.”
— Mary Potter Kenyon
“Rolling onto his side, Jamie reached out and touched Evan's chest, two fingertips only tracing the curve of his pectoral and threading through the dark, curly hair. Something about that hairiness fascinated him, masculine yet soft. An unaccountable shyness wrapped around him, a weight upon his shoulders. His fingers trembled a little. "You'll, um, tell me if I do it wrong?"
Evan laughed softly, "Angel, there is no wrong. Go ahead and explore. If I don't like something, I'll tell you, 'kay?”
— Finn Marlowe
“Eating be eating, b'ain't it, Birdie?'
'Nay, Uncle Bear: In Caermelor, at the Royal Court, they be so-oh, so much more advanced than anywhere else. 'Tis not done to wipe your fingers on your hair or the tablecloth, or belch, or speak with your mouth full of food, or scratch, or pick your teeth at table. Ye have to use little forks to pick up the food. Ye not allowed to pour wine for your betters or for yourself, but to wait for them to deign to pour it for ye, if they be feeling generous. And the carving of the meats must be done a certain way, and as for the toasts-it would take ye a whole day just to learn the complications.
'Takes the fun out of eating,' observed Sianadh.”
— Cecilia Dart-Thornton
“We walk up the sandy slope toward the dining terrace. I see Troy sitting at a table with some people I know. I look at Scottie to see if she sees him, and she is giving him the middle finger. The dining terrace gasps, but I realize it's because of the sunset and the green flash. We missed it. The flash flashed. The sun is gone, and the sky is pink. I reach to grab the offending hand, but instead, I correct her gesture.
"Here, Scottie. Don't let that finger stand by itself like that. Bring up the other fingers just a little bit. There you go. That's the cool way to do it."
Troy stares at us and smiles a bit. He's completely confused.
"All right, that's enough." I suddenly feel sorry for Troy. He must feel awful.”
— Kaui Hart Hemmings
“Marcie looked at the ugly thing and took a minute to rearrange her mental picture of the family gathered around the wood-burning stove, replacing the quaint, charming piece in her imagination with this big, brown metal beast, which would heat their home but not burn little fingers. It would be like a large, beloved dog of some hideous mixed breed, that fit right into their family and served its purpose so well that no one noticed or cared what it looked like.”
— Karen Jones Gowen
“Still, I wonder if more women artists, musicians and writers aren't household names because we don't have enough faith in our own pursuits to give ourselves the time we desperately need to be transformed by a creative vision. Maybe that glass ceiling isn't really made of glass at all, but of sticky little fingers, dishes piled in the sink, and mortgages that demand two incomes.”
— Holly Robinson
“Funny thing how it is. If a man owns a little property, that property is him, it's part of him, and it's like him. If he owns property only so he can walk on it and handle it and be sad when it isn't doing well, and feel fine when the rain falls on it, that property is him, and some way he's bigger because he owns it. Even if he isn't successful he's big with his property. That is so.'
'But let a man get property he doesn't see, or can't take time to get his fingers in, or can't be there to walk on it - why, then the property is the man. He can't do what he wants, he can't think what he wants. The property is the man, stronger than he is. And he is small, not big. Only his possessions are big - and he's the servant of his property. That is so, too.”
— John Steinbeck
“What bedrooms did you give to our guests?"
"The ones all the way ... way ... way on the other side of the manse."
He laughed at that, hugging her tightly for giving him that ability to indulge in humor once more.
"Then I'd say the bedroom with the old armoire you like should suffice."
"Yes, master," she teased, flicking her hand and sending them there. "Oops, one sec." She winked at him and snapped her fingers, the bottle of lotion suddenly in her hand.
"Show-off. You know, you are going to have to tell me how you do that."
"Well, first you pump this little thing on top, then the lotion-"
Legna yelped when he slapped his hand hard on her bottom, the blanket doing little to shield her from the sting of it.
"Gideon! Do not ever do that again!" she scolded.
"Not even if you beg me to?" he countered lecherously.
Legna laughed, unable to help herself.
"I hate you!"
"No, you do not," he insisted. "How many times do I have to tell you that?”
— Jacquelyn Frank
“There is little joy in those first moments of recognition- for the reality is that most encounters of such depth, most first glances of love come to nothing. And while the sincerity of that rare moment when your heart is bursting should be the signal to fling yourself on the ground in the path of this stranger, it's the depth of such sincerity that paralyses you, holds you back from the silence of phrases like "hello" and "good morning."
And as they pass, granting only single, torturous details like fingers upon the handle of an umbrella, or a hair pin bearing the weight of a twist, or a wool collar beaded with pearls of rain- there is only one thing you could ever say that would be true, that would make them stop walking and turn to face you.
But such a thing is unsayable.”
— Simon Van Booy
“What anguish! Cincinnatus, what anguish! What stone anguish, Cincinnatus-the merciless bong of the clock, and the obese spider, and the yellow walls, and the roughness of the black wool blanket. The skim on the chocolate. Pluck it with two fingers at the very center and snatch it whole from the surface, no longer a flat covering, but a wrinkled brown little skirt. The liquid is tepid underneath, sweetish and stagnant. Three slices of toast with tortoise shell burns. A round pat of butter embossed with the monogram of the director. What anguish, Cincinnatus, how many crumbs in the bed!”
— Vladimir Nabokov
“Some instinct made her lift her hand and cup his cheek with her fingers. The room was too dark for her to see him, but she could feel the stickiness of the blood, and a wetness that was not blood. "Little bird," he said once more, his voice raw and harsh as steel on stone. Then he rose from the bed. Sansa heard cloth ripping, followed by the softer sound of retreating footsteps.
When she crawled out of bed, long moments later, she was alone. She found his cloak on the floor, twisted up tight, the white wool stained by blood and fire. The sky outside was darker by then, with only a few pale green ghosts dancing against the stars. A chill wind was blowing, banging the shutters. Sansa was cold. She shook out the torn cloak and huddled beneath it on the floor, shivering.”
— George R.R. Martin
“If I may ride with you, Citizen Evremonde, will you let me hold your hand? I am not afraid, but I am little and weak, and it will give me more courage." As the patient eyes were lifted to his face, he saw a sudden doubt in them, and then astonishment. He pressed the work-worn, hunger-worn young fingers, and touched his lips.
"Are you dying for him?" she whispered.
"And his wife and child. Hush! Yes."
"Oh, you will let me hold your brave hand, stranger?"
"Hush! Yes, my poor sister; to the last.”
— Charles Dickens
“See, I believe that it is not true that different races and nations are alike. I'm profoundly convinced that that's a total lie. I think people are different. Sardinians, for example, have stubby little fingers. Bosnians have short necks.”
— Orson Welles
“You want to stab me again, don't you?"
He didn't look at all ashamed. "Think of it as testing the limits of your new abilities."
I groaned. "I've created a monster."
"I don't think someone who recently crawled from the grave should be throwing around labels like 'monster,'" he said, making sarcastic little air-quotes fingers.
"It wasn't a grave," I sniffed. "It was a comfy four-poster.”
— Molly Harper
“She was like that, excited and delighted by little things, crossing her fingers before any remotely unpredictable event, like tasting a new flavor of ice cream, or dropping a letter in a mailbox. It was a quality he did not understand. It made him feel stupid, as if the world contained hidden wonders he could not anticipate, or see. He looked at her face, which, it occurred to him, had not grown out of its girlhood, the eyes untroubled, the pleasing features unfirm, as if they still had to settle into some sort of permanent expression. Nicknamed after a nursery rhyme, she had yet to shed a childhood endearment.”
— Jhumpa Lahiri
“I had less control over my thoughts than I'd have liked. The little ring hung around my neck, under my gown, where nobody could see it. When I was alone, I took it out sometimes, wondering how he had judged the size, with nothing but my swollen, knotted fingers to go by. Wondering if my hands would ever be as they once were, small, white, and fine. By the time that happened, if it ever did, I would be long gone from here. I would have left behind both husband and wedding ring. It mattered little whether the size were right or no. Yet, when I thought this, I found my hand closing around the ring as if I did not want to let it go. It's mine, something inside me would say.”
— Juliet Marillier
“This is the truth: we all desire to conquer the comely one, because it affirms our own worth. Speaking for the men of the world, we want to own the beauty of the woman we're fucking. We want to grasp that beauty, tightly in our greedy little fingers, to well and truly possess it, to make it ours. We want to do this as the woman shines her way through an orgasm. That's perfection. And while I can't speak for women, I imagine that they-whether they admit it or not-want the same thing: to possess the man, to own his rough handsomeness, if only for a few seconds.”
— Andrew Davidson
“How dare you refer to my beautiful children as 'synthetic'. And shame on you for wagging your judgemental little fingers at IVF - a miracle that has allowed legions of loving people, both straight and gay, to fulfill their dream of having children, your archaic thinking is out of step with the times, just like your fashions. I shall never wear Dolce and Gabbana ever again.”
— Elton John
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