“And the next day the gondolier came with a train of other gondoliers, all decked in their holiday garb, and on his gondola sat Angela, happy, and blushing at her happiness. Then he and she entered the house in which I dwelt, and came into my room (and it was strange indeed, after so many years of inversion, to see her with her head above her feet!), and then she wished me happiness and a speedy restoration to good health (which could never be); and I in broken words and with tears in my eyes, gave her the little silver crucifix that had stood by my bed or my table for so many years. And Angela took it reverently, and crossed herself, and kissed it, and so departed with her delighted husband.
And as I heard the song of the gondoliers as they went their way
the song dying away in the distance as the shadows of the sundown closed around me
I felt that they were singing the requiem of the only love that had ever entered my heart.”
— W.S. Gilbert
“You have told yourself that you have found your knight in shining armor, my brother Rick. Isn't that the truth? You met him and he fit the bill, so you have told yourself a wonderful story and, stubborn brat that you are, you have been clinging to it ever since. After all, what could be more appropriate than for Francesca Cahill, reformer extraordinaire, to fall in love with my reform-minded Republican brother? But wait! Being as this is a love story, there has to be an unhappy middle and the perfect hero isn't quite so perfect after all. For he is married. Oh, wait! It isn't that bad, after all, for as it turns out he is a man of virtue, and he really loves you, while he despises his wife! And did I forget to mention that she is vile and evil? So the story can limp along, and true love might survive after all! Does this sound at all familiar, Francesca?"
"I almost hate you," she whispered. And she felt a tear sliding down her cheek.”
— Brenda Joyce
“Amy, amante, amour, he whispered, as if the words themselves were smuts of ash rising and falling, as though the candle were the story of his life and she the flame. He lay down in his haphazard cot. After a time he found and opened a book he had been reading that he had expected to end well, a romance which he wanted to end well, with the hero and heroine finding love, with peace and joy and redemption and understanding. Love is two bodies with one soul, he read, and turned the page. But there was nothing-the final pages had been ripped away and used as toilet paper or smoked, and there was no hope or joy or understanding. There was no last page. The book of his life just broke off. There was only the mud below him and the filthy sky above. There was to be no peace and no hope. And Dorrigo Evans understood that the love story would go on forever and ever, world without end. He would live in hell, because love is that also.”
— Richard Flanagan
“I wish I could say we all lived happily ever after. I can't. But I can say we lived. Our love for Nate lives, and he's left us this piece of himself in his art; it was his gift to us. We know him through his art, and I can take comfort in that.
I guess the thing about high school is, it's the moment when you start to cross from a being a kid to being an adult, and this journey to know yourself begins. Nate's journey ended to early, and I thought I had to run away to some far-off land to start mine. But, for now, it seems to me that I have enough to explore right here. There's a whole continent to discover in myself, and I know that it's love - love for my parents, my friends, my brother, and my art - that will guide me. Love will be my map.”
— Lisa Ann Sandell
“Once upon a time there was a Scottish SAS soldier in Kabul. He met a Soviet Spetsnaz soldier. They were enemies first, then shagged for nine years, fell in love at some stage. Dragons, battles, and damsels in distress in between, until an evil wizard took the Spetsnaz away. The Scot and the damsel battled the vile foes, until the Russian returned, but the evil spell still hat him in its claws. More dragons, battles, knights in not-so shiny armour later, the spell got broken, the Princes got reunited, and our Russian and Scotsman kind of lived happily ever after. (Dan)”
— Aleksandr Voinov
“You have given me something ... I didn't even know I needed. It's the greatest gift I will ever receive
it's, like, completing me already in places I wasn't aware were empty. And yet ... in spite of all that? I don't love you one bit more. You are as important to me as you've always been." He curled down and pressed a kiss to the loose shirt she was wearing
it was one of his, actually, and wasn't that great. "I was wholly bonded to you before this, and will be after this
and forevermore."
"You're going to make me cry again."
"So cry. And let me take care of you. I got this.”
— J.R. Ward
“Me?" he said in some surprise. "I won't be dancing! It's the bridal dance. The bride and groom dance alone!"
For one circuit of the room," she told him. "After which they are joined by the best man and first bridesmaid, then by the groomsman and the second bridesmaid."
Will reacted as he had been stung. He leaned over to speak across Jenny on his left, to Gilan.
Gil! Did you know we have to dance?" he asked. Gilan nodded enthusiastically.
Oh yes indeed. Jenny and I have been practicing for the past three days, haven't we, Jen?"
Jenny looked up at him adoringly and nodded. Jenny was in love. Gilan was tall, dashing, good-looking, charming and very ammusing. Plus he was cloaked in the mystery and romance tat came with being a Ranger. Jenny had only ever known one ranger and that had been grim-faced, gray-bearded Halt.”
— John Flanagan
“Relationships aren't about idealistic love and happily ever after. It's those things that bug [ ... ] us about each other and yet eventually we find ourselves wishing we could go back and do it all over again.”
— Julie Cross
“I have no ideas, myself! Not a one! there's nothing more vulgar, more common, more disgusting than ideas! libraries are loaded with them! and every sidewalk cafe! ... the impotent are bloated with ideas! ... they dazzle youth with ideas! they play the pimp! ... and youth is ever ready, as you know, Professor, to gobble up anything, to go OOH! and AAH! by the numbers! How those pimps have an easy job of it! the passionate years of youth are spent getting a hard on and gargling ideeaas! ... philosophies, if you prefer! ... yes sir, philosophies! youth loves sham just as young dogs love those sticks, like bones, that we throw and they run after! they race forward, yipping away, wasting their time, that's the main thing!”
— Louis-Ferdinand Céline
“I squeezed her hand and said nothing. I knew little about Keats or his poetry, but I thought it possible that in his hopeless situation he would not have wanted to write precisely because he loved her so much. Lately I'd had the idea that Clarissa's interest in these hypothetical letters had something to do with our own situation, and with her conviction that love that did not find its expression in a letter was not perfect. In the months after we'd met, and before we'd bought the apartment, she had written me some beauties, passionately abstract in the ways our love was different from and superior to any that had ever existed. Perhaps that's the essence of a love letter, to celebrate the unique. I had tried to match her, but all that sincerity would permit me were the facts, and they seemed miraculous enough to me: a beautiful woman loved and wanted to be loved by a large, clumsy, balding fellow who could hardly believe his luck.”
— Ian McEwan
“Despereaux looked at his father, at his grey-streaked fur and trembling whiskers and his front paws clasped together in front of his heart, and he felt suddenly as if his own heart would break in two. His father looked so small, so sad.
"Forgive me," said Lester again.
Forgiveness, reader, is, I think, something very much like hope and love - a powerful, wonderful thing.
And a ridiculous thing, too.
Isn't it ridiculous, after all, to think that a son could forgive his father for beating the drum that sent him to his death? Isn't it ridiculous to think that a mouse ever could forgive anyone for such perfidy?
But still, here are the words Despereaux Tilling spoke to his father. He said, "I forgive you, Pa."
And he said those words because he sensed it was the only way to save his own heart, to stop it from breaking in two. Despereaux, reader, spoke those words to save himself.”
— Kate DiCamillo
“When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she'd gone and I'd felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving.”
— Roman Payne
“But we are here, all of us. And we're here because I love you, more than the life that was mine. Because I believed you loved me the same way ... will you tell me that's not true?
No, he said after a moment, so softly I could barely hear him. His hand tightened harder on mine. No, I willna tell ye that. Not ever, Claire.”
— Diana Gabaldon
“I'm not really a believer in romantic, happily-ever-after love stories.”
— Richard LaGravenese
“It was then that Hook bit him.
Not the pain of this but its unfairness was what dazed Peter. It made him quite helpless. He could only stare, horrified. Every child is affected thus the first time he is treated unfairly. All he thinks he has a right to when he comes to you to be yours is fairness. After you have been unfair to him he will love you again, but he will never afterwards be quite the same boy. No one ever gets over the first unfairness; no one except Peter.”
— J.M. Barrie
“How terrible when people are led to believe, or left to believe, that once they are in love they have nothing to do but live happily ever after, they have nothing further to learn.”
— Gerald Vann
“A man in love will jump to pick up a glove or a bouquet for a silly girl of sixteen, whilst at home he will permit his aged mother to carry pails of water and armfuls of wood, or his wife to lug a twenty-pound baby, hour after hour, without ever offe”
— Elizabeth Cady Stanton
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